This article is missing information about the film's production and reception.(August 2019) |
The Field Guide To Evil | |
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Directed by | Ashim Ahluwalia Can Evrenol Severin Fiala Veronika Franz Katrin Gebbe Calvin Reeder Agnieszka Smoczynska Peter Strickland Yannis Veslemes |
Written by | Roberto Bolseto Elif Domanic Can Evrenol Severin Fiala Veronika Franz Katrin Gebbe Calvin Reeder Peter Strickland Yannis Veslemes Silvia Wolkan |
Produced by | Robert Dehn Can Everenol Nia Kingsley Christos V. Konstantakopoulos Tim League Carl W. Lucas Dora Nedeczky Andrew Starke Ant Timpson Esther Turan |
Starring | Birgit Minichmayr Claude Duhamel Jilon VanOver Fatma Mohamed Niharika Singh |
Cinematography | Tyler Lee Cushing Martin Gschlacht Márk Györi Hristos Karamanis Kuba Kijowski Meryem Yavuz |
Edited by | Christoph Brunner Matyas Fekete Jarosław Kamiński Yorgos Mavropsaridis Buzz Pierce |
Music by | Jeremy Barnes Nicholas Brawley Karl Steven Yannis Veslemes Stefan Will |
Production companies | |
Release date |
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Running time | 117 mins |
Languages | Austrian German, Bengali, English, German, Greek, Polish, Turkish |
The Field Guide To Evil is a 2018 anthology horror film produced by Legion M. [1] Eight film makers from different countries bring stories or folk tales from their country to the anthology. [2]
The film comprises treatises on forbidden love, Greek underworld goblins, medieval Hungarian cobblers and US hillbilly folklore. [3]
The stories and filmmakers come from: [4]
The critical reception has been mostly positive, receiving a 70% rating on Rotten Tomatoes. [5] Opening at the SXSW Festival, the film was nominated for the SXSW Gamechanger Award. [6] [7]
Alice Maud Krige is a South African actress and producer. Her big break came in 1981, when she starred as the Gilbert and Sullivan singer Sybil Gordon in the British historical film Chariots of Fire, and as Eva Galli / Alma Mobley in the American supernatural horror film Ghost Story. She received a Laurence Olivier Award for her performance in the West End theatre production of Arms and the Man (1981) and later joined the Royal Shakespeare Company.
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