The Film-Makers' Cooperative

Last updated
EstablishedJuly 14, 1961;62 years ago (1961-07-14)
Headquarters475 Park Avenue South, 6th Floor
Location
  • New York, NY, United States
Key people
Tom Day, Executive Director
Website film-makerscoop.com

The Film-Makers' Cooperative (a.k.a. The New American Cinema Group, Inc.) is an artist-run, non-profit organization founded in 1961 in New York City by Jonas Mekas, Andy Warhol, Shirley Clarke, Stan Brakhage, Jack Smith, Lionel Rogosin, Gregory Markopoulos, Lloyd Michael Williams, and other filmmakers, for the distribution, education, and exhibition of avant-garde films and alternative media.

Contents

History

Jonas Mekas, one of the founders of The Film-Makers' Cooperative, pictured in 1971 Jonas Mekas in Birzai, Lithuania, 1971.jpg
Jonas Mekas, one of the founders of The Film-Makers' Cooperative, pictured in 1971

In the fall of 1960, Jonas Mekas and Lewis Allen organized several meetings with independent filmmakers in New York City that culminated on September 28, 1960, with the group officially declaring themselves the "New American Cinema Group." [1]

On January 7, 1961, at a contentious meeting of the Group, Amos Vogel attempted to stonewall the formation of the distribution center, claiming that his own Cinema 16 organization should be the only distributor of experimental films. However, Vogel was shouted down after it was pointed out that Cinema 16 refused to distribute Stan Brakhage's Anticipation of the Night (1958). [2]

On September 30, 1962, Mekas presented the first draft of a manifesto for the New American Cinema Group, which included a call to form a cooperative distribution center. [3] An excerpt from the manifesto can be read below:

In the course of the past three years we have been witnessing the spontaneous growth of a new generation of film makers — the Free Cinema in England, the Nouvelle Vague in France, the young movements in Poland, Italy, and Russia, and, in this country, the work of Lionel Rogosin, John Cassavetes, Alfred Leslie, Robert Frank, Edward Bland, Bert Stern, and the Sanders brothers. The official cinema all over the world is running out of breath. It is morally corrupt, esthetically obsolete, thematically superficial, temperamentally boring... As in the other arts in America today — painting, poetry, sculpture, theatre, where fresh winds have been blowing for the last few years — our rebellion against the old, official, corrupt and pretentious is primarily an ethical one. We are concerned with Man [sic]. We are concerned with what is happening to Man [sic]. We are not an esthetic school that constricts the filmmaker within a set of dead principles. We feel we cannot trust any classical principles either in art or life. [4]

About

The Film-Makers' Cooperative holds a large collection of avant-garde and experimental films, with over 5,000 titles by more than 1,500 filmmakers and media artists. [5] The collection includes work created on 35mm, 16mm, 8mm, video, and DVD. The Cooperative rents out the films in its collection to cinématheques, film festivals, schools, universities, museums, and other art institutions in the United States and around the world.

Based upon a belief common to the founding members that the "official cinema is running out of breath" and has become "morally corrupt, aesthetically obsolete, thematically superficial, temperamentally boring" (as the original 1962 manifesto [4] states), the Film-Makers' Cooperative was a key institution in the heyday of American experimental and "underground" film in the 1960s and 1970s, and has continued to operate on a non-exclusive basis to ensure the existence of an alternative, non-commercial film culture since then. As a result, the Cooperative is open to anyone who wishes to become a member.

The Film-Makers' Cooperative has inspired similar initiatives both within the United States (Canyon Cinema in San Francisco) and abroad (The London Film-Makers' Co-operative in England, ABCinema in Denmark, and elsewhere).

Besides distributing its members' films, the Film-Makers' Cooperative is continuously involved in film preservation and home media release projects, and in arranging screenings and events in and around New York City. In 2020, the Cooperative expanded its distribution to online video on demand programs, including panels with filmmakers and media artists. [6]

Directors and Board Members

Founding Director: Jonas Mekas
Executive Director: Tom Day
Members of the Board:

Advisory Board:

Notable filmmakers

Notable filmmakers in the collection of the Film-Makers' Cooperative: [7]

Related Research Articles

<span class="mw-page-title-main">Stan Brakhage</span> American filmmaker and writer (1933–2003)

James Stanley Brakhage was an American filmmaker. He is considered to be one of the most important figures in 20th-century experimental film.

<span class="mw-page-title-main">Jonas Mekas</span> Lithuanian-American filmmaker (1922–2019)

Jonas Mekas was a Lithuanian-American filmmaker, poet, and artist who has been called "the godfather of American avant-garde cinema". Mekas' work has been exhibited in museums and at festivals worldwide. Mekas was active in New York City, where he co-founded Anthology Film Archives, The Film-Makers' Cooperative, and the journal Film Culture. He was also the first film critic for The Village Voice.

An underground film is a film that is out of the mainstream either in its style, genre or financing.

<span class="mw-page-title-main">Adolfas Mekas</span> American film director (1925–2011)

Adolfas Mekas was a Lithuanian-born American filmmaker, writer, director, editor, actor and educator. With his brother Jonas Mekas, he founded the magazine Film Culture, as well as the Film-Makers' Cooperative and was associated with George Maciunas and the Fluxus art movement at its beginning. He made several short films, culminating in the feature Hallelujah the Hills in 1963, which was played at the Cannes Film Festival of that year and is now considered a classic of American film.

<span class="mw-page-title-main">Experimental film</span> Cinematic works that are experimental form or content

Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.

<span class="mw-page-title-main">Bolex</span> Swiss luxury camera manufacturer

BolexInternational S. A. is a Swiss manufacturer of motion picture cameras based in Yverdon located in Canton of Vaud, the most notable products of which are in the 16 mm and Super 16 mm formats. Originally Bol, the company was founded in 1925 by Charles Haccius and Jacques Bogopolsky, the company's name having been derived from Bogopolsky's name. In 1923 he presented the Cinégraphe Bol at the Geneva fair, a reversible apparatus for taking, printing, and projecting pictures on 35 mm film. He later designed a camera for Alpa of Ballaigues in the late 1930s.

Film Culture was an American film magazine started by Adolfas Mekas and his brother Jonas Mekas in 1954. The publication's headquarters were in New York City. Best known for exploring the avant-garde cinema in depth, it also published articles on other aspects of cinema, including Hollywood films.

<span class="mw-page-title-main">Anthology Film Archives</span> Center for film preservation in Manhattan, New York

Anthology Film Archives is an international center for the preservation, study, and exhibition of film and video, with a particular focus on independent, experimental, and avant-garde cinema. The film archive and theater is located at 32 Second Avenue on the southeast corner of East 2nd Street, in a New York City historic district in the East Village neighborhood of Manhattan.

<span class="mw-page-title-main">Shirley Clarke</span> American filmmaker (1919–1997)

Shirley Clarke was an American filmmaker.

Structural film was an avant-garde experimental film movement prominent in the United States in the 1960s and which developed into the Structural/materialist films in the United Kingdom in the 1970s.

<i>Wavelength</i> (1967 film) 1967 Canadian film

Wavelength is a 1967 Canadian-American short subject by experimental filmmaker and artist Michael Snow. Considered a landmark of avant-garde cinema, it was filmed over one week in December 1966 and edited in 1967, and is an example of what film theorist P. Adams Sitney describes as "structural film", calling Snow "the dean of structural filmmakers."

P. Adams Sitney, is a historian of American avant-garde cinema. He is known as the author of Visionary Film, one of the first books on the history of experimental film in the United States.

<span class="mw-page-title-main">Marie Menken</span> American filmmaker (1909-1970)

Marie Menken was an American experimental filmmaker, painter, and socialite. She was noted for her unique filming style that incorporated collage. She was one of the first New York filmmakers to use a hand-held camera and trained Andy Warhol on its use. Her film Glimpse of the Garden was selected for preservation in the National Film Registry by the Library of Congress.

Lionel Rogosin was an independent American filmmaker. He worked in political cinema, non-fiction partisan filmmaking and docufiction, influenced by Italian neorealism and Robert Flaherty.

<span class="mw-page-title-main">Storm de Hirsch</span> American poet and film director (1912–2000)

Storm de Hirsch (1912–2000) was an American poet and filmmaker. She was a key figure in the New York avant-garde film scene of the 1960s, and one of the founding members of the Film-Makers' Cooperative. Although often overlooked by historians, in recent years she has been recognized as a pioneer of underground cinema.

<span class="mw-page-title-main">Jerry Jofen</span> American painter (1925–1993)

Jerry Jofen (1925–1993) was an American painter, collagist, and experimental filmmaker.

Walden, originally titled Diaries, Notes and Sketches , is a 1968 American film by experimental filmmaker Jonas Mekas. After several years of filming everyday scenes from his life, Mekas was commissioned by the Albright–Knox Art Gallery to make Walden. It was his first major diary film, and he named it after Henry David Thoreau's 1854 memoir Walden. Mekas's film has received acclaim as a work of avant-garde cinema.

Anticipation of the Night is a 1958 American avant-garde film directed by Stan Brakhage. It was a breakthrough in the development of the lyrical style Brakhage used in his later films.

The Way to Shadow Garden is a 1955 American experimental film directed by Stan Brakhage.

Blue Moses is a 1962 American experimental film directed by Stan Brakhage, starring Robert Benson.

References

  1. Everleth, Mike. "A Look Back: The American New Wave 1958-1967". Underground Film Journal. Retrieved March 30, 2018.
  2. Everleth, Mike. "A Look Back: The American New Wave 1958-1967". Underground Film Journal. Retrieved March 30, 2018.
  3. Everleth, Mike. "The First Statement of the New American Cinema Group: September 30, 1962". Underground Film Journal. Retrieved March 30, 2018.
  4. 1 2 History Archived 2011-04-27 at the Wayback Machine
  5. Rohter, Larry. "Distributor of Avant-Garde Films Threatened With Eviction" The New York Times. 10 Feb. 2009.
  6. "Panel: Roberta Cantow & Elena Rossi-Snook - the Film-Makers' Cooperative".
  7. "Filmmakers". The Film-Makers' Cooperative. Retrieved November 17, 2023.