James Stanley Brakhage was an American experimental filmmaker. He is considered to be one of the most important figures in 20th-century experimental film.
Jonas Mekas was a Lithuanian-American filmmaker, poet, and artist who has been called "the godfather of American avant-garde cinema". Mekas's work has been exhibited in museums and at festivals worldwide. Mekas was active in New York City, where he co-founded Anthology Film Archives, The Film-Makers' Cooperative, and the journal Film Culture. He was also the first film critic for The Village Voice.
An underground film is a film that is out of the mainstream either in its style, genre or financing.
Adolfas Mekas was a Lithuanian-born American filmmaker, writer, director, editor, actor and educator. With his brother Jonas Mekas, he founded the magazine Film Culture, as well as the Film-Makers' Cooperative and was associated with George Maciunas and the Fluxus art movement at its beginning. He made several short films, culminating in the feature Hallelujah the Hills in 1963, which was played at the Cannes Film Festival of that year and is now considered a classic of American film.
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
BolexInternational S. A. is a Swiss manufacturer of motion picture cameras based in Yverdon located in Canton of Vaud, the most notable products of which are in the 16 mm and Super 16 mm formats. Originally Bol, the company was founded in 1925 by Charles Haccius and Jacques Bogopolsky, the company's name having been derived from Bogopolsky's name. In 1923 he presented the Cinégraphe Bol at the Geneva fair, a reversible apparatus for taking, printing, and projecting pictures on 35 mm film. He later designed a camera for Alpa of Ballaigues in the late 1930s.
Film Culture was an American film magazine started by Adolfas Mekas and his brother Jonas Mekas in 1954. The publication's headquarters were in New York City. Best known for exploring the avant-garde cinema in depth, it also published articles on other aspects of cinema, including Hollywood films.
Anthology Film Archives is an international center for the preservation, study, and exhibition of film and video, with a particular focus on independent, experimental, and avant-garde cinema. The film archive and theater is located at 32 Second Avenue on the southeast corner of East 2nd Street, in a New York City historic district in the East Village neighborhood of Manhattan.
Shirley Clarke was an American filmmaker.
Structural film was an avant-garde experimental film movement prominent in the United States in the 1960s. A related movement developed in the United Kingdom in the 1970s.
P. Adams Sitney, is a historian of American avant-garde cinema. He is known as the author of Visionary Film, one of the first books on the history of experimental film in the United States.
Marie Menken was an American experimental filmmaker, painter, and socialite. She was noted for her unique filming style that incorporated collage. She was one of the first New York filmmakers to use a hand-held camera and trained Andy Warhol on its use. Her film Glimpse of the Garden was selected for preservation in the National Film Registry by the Library of Congress.
Storm de Hirsch (1912–2000) was an American poet and filmmaker. She was a key figure in the New York avant-garde film scene of the 1960s, and one of the founding members of the Film-Makers' Cooperative. Although often overlooked by historians, in recent years she has been recognized as a pioneer of underground cinema.
Barbara Rubin (1945–1980) was an American filmmaker and performance artist. She is best known for her landmark 1963 underground film Christmas on Earth.
Jerry Jofen (1925–1993) was an American painter, collagist, and experimental filmmaker.
Sally Foy Dixon was an American arts administrator, curator, and advocate of American experimental film and filmmakers. She was a Film Curator at Carnegie Museum of Art in Pittsburgh, Pennsylvania from 1970 to 1975 and interim director of Film in the Cities in Minneapolis, Minnesota, from 1978 to 1979. She also served as Director of the Bush Foundation for Artist Fellowships from 1980 to 1996 and was a consultant for the Pew Charitable Trusts, The MacArthur Foundation, the Herb Foundation, and the Leeway Foundation.
Walden, originally titled Diaries, Notes and Sketches , is a 1968 American film by experimental filmmaker Jonas Mekas. After several years of filming everyday scenes from his life, Mekas was commissioned by the Albright–Knox Art Gallery to make Walden. It was his first major diary film, and he named it after Henry David Thoreau's 1854 memoir Walden. Mekas's film has received acclaim as a work of avant-garde cinema.
Anticipation of the Night is a 1958 American avant-garde film directed by Stan Brakhage. It was a breakthrough in the development of the lyrical style Brakhage used in his later films.
The Way to Shadow Garden is a 1955 American experimental film directed by Stan Brakhage.
Blue Moses is a 1962 American experimental film directed by Stan Brakhage, starring Robert Benson.
