No wave was an avant-garde music genre and visual art scene that emerged in the late 1970s in Downtown New York City. The term was a pun based on the rejection of commercial new wave music. Reacting against punk rock's recycling of rock and roll clichés, no wave musicians instead experimented with noise, dissonance, and atonality, as well as non-rock genres like free jazz, funk, and disco. The scene often reflected an abrasive, confrontational, and nihilistic world view.
Downtown 81 is a 2000 American film that was shot in 1980-1981. The film was directed by Edo Bertoglio and written and produced by Glenn O'Brien and Patrick Montgomery, with post-production in 1999-2000 by Glenn O'Brien and Maripol. It is a rare real-life snapshot of an ultra-hip subculture of post-punk era Manhattan. Starring renowned artist Jean-Michel Basquiat and featuring such East Village artists as James Chance, Amos Poe, Walter Steding, Tav Falco and Elliott Murphy, the film is a bizarre elliptical urban fairy tale. In 1999, Michael Zilkha, founder of ZE Records, became the film's executive producer.
Christopher Stein is an American musician known as the co-founder and guitarist of the new wave band Blondie. He is also a producer and performer for the classic soundtrack of the hip hop film Wild Style, and writer of the soundtrack for the film Union City, as well as an accomplished photographer.
The Mudd Club was a nightclub located at 77 White Street in the TriBeCa neighborhood of Lower Manhattan in New York City. It operated from 1978 to 1983 as a venue for post punk underground music and no wave counterculture events. It was opened by Steve Maas, Diego Cortez and Anya Phillips.
Remodernist film developed in the United States and the United Kingdom in the early 21st century with ideas related to those of the international art movement Stuckism and its manifesto, Remodernism. Key figures are Jesse Richards and Peter Rinaldi.
No wave cinema was an underground filmmaking movement that flourished on the Lower East Side of New York City from about 1976 to 1985. Associated with the artists’ group Collaborative Projects, no wave cinema was a stripped-down style of guerrilla filmmaking that emphasized dark edgy mood and unrehearsed immediacy above many other artistic concerns – similar to the parallel no wave music movement in its raw and rapid style.
Amos Poe is an American New York City-based director and screenwriter, described by The New York Times as a "pioneering indie filmmaker".
Gordon Stevenson was an artist, actor, musician and filmmaker who died of AIDS in 1982, one of the East Village art community’s first casualties of the AIDS epidemic.
The Mutants are an American band, notable in the history of San Francisco punk rock and new wave music. They are known for their theatrical performances which often include elaborate props, projections, and comical antics. They are credited with being one of the first "Art-punk" bands in San Francisco, and were one of the most popular bands of the San Francisco punk scene during the late 1970s and early 1980s.
Anya Phillips was a Taiwanese fashion designer and the co-founder of the New York nightclub the Mudd Club. Phillips influenced the fashion, sound, and look of the New York-based no wave scene of the late 1970s. She was also the manager and girlfriend of musician James Chance.
Hillel Kristal was an American club owner, manager and musician who was the owner of the iconic New York City club CBGB, which opened in 1973 and closed in 2006 over a rent dispute.
Patricia Titchener, known by her stage name Patti Astor, was an American performer who was a key actress in New York City underground films of the 1970s, and the East Village art scene of the 1980s, and involved in the early popularizing of hip hop. She co-founded the instrumental contemporary art gallery, Fun Gallery.
Ivan Král was a Czech-born American composer, filmmaker, guitarist, record producer, bassist, and singer-songwriter. He worked across genres including pop music, punk rock, garage rock, rock, jazz, soul, country and film scores. His music has been recorded by such artists as U2, Téléphone, Patti Smith, Iggy Pop, David Bowie, Simple Minds, and John Waite, among others, and he won three times at the Anděl Awards. He died of cancer in 2020, aged 71.
The Blank Generation (1976) is the earliest of the released DIY "home movies" of the 1970s punk rock scene in New York City. It was filmed by No Wave filmmaker Amos Poe and Patti Smith Group member Ivan Kral.
Eric Mitchell is a French born writer, director, and actor who moved to downtown New York City in the early 1970s. He has acted in many No Wave films such as Permanent Vacation (1980) by Jim Jarmusch, but is best known for his own films that are usually written and directed by him: Kidnapped, Red Italy, Underground U.S.A. and The Way It Is or Eurydice in the Avenues, starring Steve Buscemi, Vincent Gallo, Mark Boone Junior and Rockets Redglare. Mitchell worked out of New York City's sordid East Village area in conjunction with Colab and other performance artists and noise musicians. There he created a series of scruffy, deeply personal, short Super 8mm and 16mm films in which he combined darkly sinister images to explore the manner in which the individual is constrained by society.
Underground U.S.A. is a 1980 American underground film directed by Eric Mitchell and starring Patti Astor, Rene Ricard, Jackie Curtis, Cookie Mueller, Tom Wright, John Lurie, and Taylor Mead. Future director Jim Jarmusch was the sound recordist on this film.
Susan Marie Beschta, who performed as Susan Springfield, was the founder and lead singer of Erasers, a band that headlined at CBGB in the 1970s.
Debbie Harry is an American singer and actress who first came to prominence as the lead vocalist of the rock band Blondie in the late 1970s. She subsequently began appearing in art films for Amos Poe, like The Foreigner, before having her first leading role in the neo-noir film Union City (1980). She next starred opposite James Woods in David Cronenberg's body horror film Videodrome (1983), and had a supporting role in Forever, Lulu (1987). She garnered further notice for her role as Velma Von Tussle in John Waters's satirical dance film Hairspray (1988).
The Fun Gallery was an art gallery founded by Patti Astor and Bill Stelling in 1981. The Fun Gallery had a cultural impact until it closed in 1985. As the first art gallery in Manhattan's East Village, it exposed New York to the talents of street art by showcasing graffiti artists like Fab 5 Freddy, Futura 2000, Lee Quiñones, Zephyr, Dondi, Lady Pink, and ERO. Contemporary artists Kenny Scharf, Jean-Michel Basquiat, and Keith Haring also had solo exhibitions at the Fun Gallery.
Unmade Beds is a 1976 American independent No Wave film directed by Amos Poe starring Duncan Hannah, Eric Mitchell, Patti Astor, and Debbie Harry.
