The Funky 16 Corners | ||||
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Compilation album by Various Artists | ||||
Released | November 1, 2001 | |||
Recorded | 1968–1974 | |||
Genre | Deep funk, funk, soul | |||
Label | Stones Throw | |||
Producer | James Bell Clarence Butler Cut Chemist William O. Douglas Marsha Frazier Spider Harrison Conrad Johnson Don Logan Herbie Miller Soul Vibrations Bubbha Thomas Ernest Williams | |||
Various Artists chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | link |
Pitchfork | (9.5/10) [1] |
The Funky 16 Corners is a compilation of funk songs and instrumentals recorded by little-known performers from across the United States during the late 1960s and the early and mid 1970s. The album, released on Stones Throw Records in 2001, pays homage to these forgotten funk bands and musicians.
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths.
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within the African-American community in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was starting to become more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations.
William Earl "Bootsy" Collins is an American bass guitarist, singer, and songwriter. Rising to prominence with James Brown in the early 1970s before joining the Parliament-Funkadelic collective, Collins established himself as one of the leading names and innovators in funk with his driving basslines and humorous vocals. He later formed his own P-Funk side project known as 'Bootsy's Rubber Band'. He was a frequent collaborator with other musicians from a variety of genres, including dance music, electronic big beat, and alternative metal (Praxis), among others. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with 15 other members of Parliament-Funkadelic. In 2020, Rolling Stone magazine ranked Collins number 4 in its list of the 50 greatest bassists of all time.
Michael Leonard Brecker was an American jazz saxophonist and composer. He was awarded 15 Grammy Awards as a performer and composer, received an honorary doctorate from Berklee College of Music in 2004, and was inducted into the DownBeat Jazz Hall of Fame in 2007.
Now-Again Records is a Los Angeles–based music imprint that specializes in reissues and compilations of funk, soul, and psychedelic rock from the 1960s to the 1980s. Founded in 2002 by Eothen "Egon" Alapatt as a subsidiary of Stones Throw Records, the organization has since grown into an independent label with a vast global catalog and its own roster of contemporary artists.
Michał Urbaniak is a Polish jazz musician who plays violin, lyricon, and saxophone. His music includes elements of folk music, rhythm and blues, hip hop, and symphonic music.
Arthur Lanon Neville Jr. was an American singer, songwriter and keyboardist from New Orleans.
Kashmere High School is a secondary school in Houston, Texas that serves grades 9 through 12; it is a part of the Houston Independent School District. It is located in the Trinity Gardens neighborhood, and its namesake is the nearby Kashmere Gardens neighborhood.
Texas Thunder Soul 1968–1974 is a two-disc compilation album of recordings by the Kashmere Stage Band, released on Now-Again Records in 2006. The first disc contains studio recordings by the group, including energetic cover versions of "Theme from Shaft", "Super Bad", "Scorpio" and "Burning Spear". The second disc features unreleased live recordings and alternate takes, and includes a 12-minute video documentary about the group, Texas Jewels. The album includes a 40-page booklet filled with photos, interviews and ephemera.
Faces is the tenth studio album by the American band Earth, Wind & Fire released on October 14, 1980, on ARC/Columbia Records. The album reached number 10 on the Billboard Top LPs chart, number 2 on the Billboard Top Soul albums chart and number 10 on the UK Albums Chart. Faces was certified Gold in the US by the RIAA.
The Live Mix, Part 2 is an album by Breakestra, an American a ten-piece funk "orchestra". The album is a combination of breaks and funk covers performed with real instruments, and featuring the vocals of band member Mixmaster Wolf. All tracks were produced by This Kid Named Miles.
"Cold Sweat" is a song performed by James Brown and written with his bandleader Alfred "Pee Wee" Ellis. Brown recorded it in May 1967. An edited version of "Cold Sweat" released as a two-part single on King Records was a No. 1 R&B hit, and reached number seven on the Pop Singles chart. The complete recording, more than seven minutes long, was included on an album of the same name.
East Bay Grease is the debut album by the soul and funk group Tower of Power, released in 1970. The band was one of the early music groups to be signed by Bill Graham's Fillmore Records, which released the LP.
The Complete On the Corner Sessions is a posthumous box set by American jazz musician Miles Davis, released in the US on September 25, 2007, by Columbia Records and in the UK on September 29 on Legacy Recordings. Like other Davis box sets, the included material is taken from a wider chronology of sessions than the dates which actually produced the titular album. The Complete On the Corner Sessions compiles material from 1972 through 1975 which, due to lineup changes Davis made throughout the era, features over two dozen musicians.
"Out of Sight" is a funk song recorded by James Brown in 1964 featured on the album of the same name. A twelve-bar blues written by Brown under the pseudonym "Ted Wright", the stuttering, staccato dance rhythms and blasting horn section riffs of its instrumental arrangement were an important evolutionary step in the development of funk music.
Political Blues is an album by the jazz group the World Saxophone Quartet released by the Canadian Justin Time label. The album features performances by Hamiet Bluiett, Jaleel Shaw, Oliver Lake and David Murray, with guests Craig Harris on trombone, Jeremy Pelt on trumpet, James "Blood" Ulmer on guitar, Jamaaladeen Tacuma on bass guitar, and Lee Pearson on drums.
Ohio Players are an American funk band, most popular in the 1970s. They are best known for their songs "Fire" and "Love Rollercoaster", and for their erotic album covers that featured nude or nearly nude women. Many of the women were models featured in Playboy.
Love of a Lifetime is the debut album by Oteil and the Peacemakers, a band led by bassist Oteil Burbridge. It was recorded at The Cave Studio in Atlanta, Georgia, and was released on CD in 1998 by Nile Music. On the album, Burbridge is joined by Kofi Burbridge on flute and keyboards, Mark Kimbrell and Regi Wooten on guitar, Kebbi Williams on saxophone, and Marcus Williams and Woody Williams on drums.
The Highlighters was a funk band from the U.S. city of Indianapolis with minor hits in the late 1960s and early 1970s.