The Future of War | ||||
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Studio album by | ||||
Released | 17 March 1997 | |||
Recorded | 1995–1996 | |||
Studio | Empire Studios, Berlin MK Audio, Berlin | |||
Genre | Digital hardcore | |||
Length | 43:52 | |||
Label | Digital Hardcore Recordings (Europe) Grand Royal (U.S.) | |||
Producer | Alec Empire | |||
Atari Teenage Riot chronology | ||||
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Singles from The Future of War | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
The Future of War is the second studio album by Atari Teenage Riot.
Faster and harder than their previous effort, the album sees the band's only female member at the time, Hanin Elias, providing vocals for a larger share of the songs. In May 2002, The Future of War was placed on the Bundesprüfstelle für jugendgefährdende Medien index in Germany, meaning that it may not be advertised or sold to minors. According to band member Alec Empire, Future of War was notable for its "left-rooted critique of the 'modern' high-tech-war, as we had seen it all some years previously during the Gulf War." [2]
All tracks are written by Alec Empire, except where noted
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Get Up While You Can" | 3:28 | |
2. | "Fuck All!" | 3:08 | |
3. | "Sick to Death" | 3:40 | |
4. | "P.R.E.S.S." | 4:19 | |
5. | "Deutschland (Has Gotta Die!)" | Empire, Hanin Elias | 3:02 |
6. | "Destroy 2000 Years of Culture" | 3:51 | |
7. | "Not Your Business" | 2:32 | |
8. | "You Can't Hold Us Back" | 4:00 | |
9. | "Heatwave" | 2:43 | |
10. | "Redefine the Enemy" | 3:58 | |
11. | "Death Star" | 5:23 | |
12. | "The Future of War" | 3:48 | |
Total length: | 43:52 |
No. | Title | Length |
---|---|---|
13. | "She Sucks My Soul Away" | 4:30 |
14. | "Strike" | 3:43 |
15. | "Midijunkies" (Berlin Mix) | 6:20 |
Total length: | 58:25 |
Samples credits
Atari Teenage Riot (ATR) is a German band formed in Berlin in 1992. Highly political, they fuse left-wing, anarchist and anti-fascist views with punk vocals and a techno sound called digital hardcore, which is a term band member Alec Empire used as the name of his record label Digital Hardcore Recordings.
Hanin Elias is a Syrian German industrial/techno artist. She was a member of Atari Teenage Riot and is now a solo artist.
Digital hardcore is a fusion genre that combines hardcore punk with electronic dance music genres such as breakbeat, techno, and drum and bass while also drawing on heavy metal and noise music. It typically features fast tempos and aggressive sound samples. The style was pioneered by Alec Empire of the German band Atari Teenage Riot during the early 1990s, and often has sociological or leftist lyrical themes.
Alec Empire is a German experimental electronic musician who is best known as a founding member of the band Atari Teenage Riot, as well as a solo artist, producer and DJ. He has released many albums, EPs and singles, some under aliases, and remixed over seventy tracks for various artists including Björk. He was also the driving force behind the creation of the digital hardcore genre, and founded the record labels Digital Hardcore Recordings and Eat Your Heart Out Records.
Digital Hardcore Recordings (DHR) is a record label set up in 1994 by Alec Empire, Joel Amaretto and Pete Lawton. Most of the music is recorded in Berlin, though the label is based in London where the records are mastered and manufactured. The funds for setting up the label came from the payment which Atari Teenage Riot received for their aborted record deal with the major UK record label Phonogram Records.
Nic Endo is a Japanese-German-American noise musician who plays with the German digital hardcore group Atari Teenage Riot. The daughter of a Japanese mother and a German father, Endo was born in Wichita Falls, Texas, US.
Intelligence and Sacrifice is a 2001 album by German recording artist Alec Empire. While by no means his first solo album, it was his first full album since the demise of his former band Atari Teenage Riot, and he regarded it as a new beginning, stating that it "feels like this is my first real album". This recording consists of two CDs, each with a significantly different sound. CD 1 is somewhat consistent with the ATR formula while the second disc is entirely electronic with negligible use of vocals.
Digidogheadlock is the seventh album by Japanese band The Mad Capsule Markets and their first to receive a European release. The album explored the sound that would later be used on their following album, Osc-Dis. TORUxxx stepped in on guitar for this album, although Takeshi Ueda recorded guitar on the track "Asphalt Beach". This album gained the band recognition by Digital Hardcore Recordings founder and Atari Teenage Riot frontman Alec Empire, who remixed two tracks and invited the band to tour with ATR. The album was released two years before the breakthrough album Osc-Dis, but there was little international interest at the time. The song "3:31" is a reference to vocalist Kyono's birthdate.
Delete Yourself! is the debut album by German digital hardcore band Atari Teenage Riot.
Burn, Berlin, Burn! is a compilation album released by Atari Teenage Riot in 1997. Initially released in the United States by the Beastie Boys' record label Grand Royal, the album is a collection of tracks from their first two albums Delete Yourself! and The Future of War. After Grand Royal Records went defunct, the album was later remastered and re-released on Digital Hardcore Recordings.
60 Second Wipe Out is the third studio album by Atari Teenage Riot. It was originally released through Digital Hardcore Recordings in 1999. It peaked at number 17 on the UK Independent Albums Chart, as well as number 32 on the Billboard Heatseekers Albums chart.
Alec Empire vs. Elvis Presley is a recording by Alec Empire which incorporates Elvis Presley samples.
Death Favours the Enemy: Live 2002 is a video recording of four songs from live shows in London and Berlin, featuring the recently formed Alec Empire band performing material from the album Intelligence and Sacrifice. It was directed by Philipp "Virus" Reichenheim, and released on DVD in 2002. The DVD also features the promo video for "Addicted to You", directed by John Hillcoat.
Atari Teenage Riot: 1992–2000 is a greatest hits compilation by the seminal digital hardcore band Atari Teenage Riot. The album was released on band member Alec Empire's Digital Hardcore Recordings on 3 July 2006 and features 18 tracks from the band's back catalogue.
Miss Black America is the sixth solo studio album by German producer Alec Empire, originally released through his Digital Hardcore Recordings label as a part of its DHR Limited series of single pressing albums. Recorded throughout August 1998 in between sessions for Atari Teenage Riots 60 Second Wipeout, the album was produced in response to the political climate of Germany at the time.
Destroy 2000 Years of Culture is a song by Atari Teenage Riot, released as the fourth and final single from their 1997 album The Future of War. The single was released as a 12" vinyl record and as a limited edition CD, with only 500 copies made. The CD edition contains an unlisted hidden track: An instrumental version of the B-side "Paranoid".
Live In Stuttgart is a rare live album by Atari Teenage Riot. Initially released on cassette, the album predates the infamous Live at Brixton Academy noise-fest, and features a bizarre blend of live instrumentation and spoken word pieces from various songs.
Rage E.P. is a release by Atari Teenage Riot. Although the title of the release is "Rage E.P.", it only contains versions of the song "Rage", so it is similar to a single. The CD versions are enhanced CDs which contain the single file of the music video "Too Dead For Me" in MPEG format. A 12" vinyl edition also exists.
Revolution Action E.P. is an extended play by the German digital hardcore group Atari Teenage Riot, released in 1999 on 12" vinyl and CD formats to promote the album 60 Second Wipe Out, where the title track originates. Two music videos were produced for the track, one of which was actually banned by MTV. "Revolution Action" was also the name of a tour and live various artist release titled Revolution Action Japan Tour 1999 EP.
Is This Hyperreal? is the fourth studio album from Atari Teenage Riot, and their first album since they effectively disbanded in 2000. It is the first ATR album featuring CX KiDTRONiK, and the first album without former vocalists Hanin Elias and the late Carl Crack.