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Atari Teenage Riot (ATR) is a German band formed in Berlin in 1992. Highly political, they fuse left-wing, anarchist and anti-fascist views with punk vocals and a techno sound called digital hardcore, which is a term band member Alec Empire used as the name of his record label Digital Hardcore Recordings.
Hanin Elias is a Syrian German industrial/techno artist. She was a member of Atari Teenage Riot and is now a solo artist.
Alec Empire is a German experimental electronic musician who is best known as a founding member of the band Atari Teenage Riot, as well as a solo artist, producer and DJ. He has released many albums, EPs and singles, some under aliases, and remixed over seventy tracks for various artists including Björk. He was also the driving force behind the creation of the digital hardcore genre, and founded the record labels Digital Hardcore Recordings and Eat Your Heart Out Records.
Digital Hardcore Recordings (DHR) is a record label set up in 1994 by Alec Empire, Joel Amaretto and Pete Lawton. Most of the music is recorded in Berlin, though the label is based in London where the records are mastered and manufactured. The funds for setting up the label came from the payment which Atari Teenage Riot received for their aborted record deal with the major UK record label Phonogram Records.
"Truth Is" is the first single released by Fantasia from her debut album, Free Yourself. The song peaked at number twenty-one on the Billboard Hot 100 and had great success on the US R&B 100 chart, peaking at number two and setting a record for the longest stay at number one for a female artist on the Billboard Adult R&B Airplay chart, with fourteen consecutive weeks. In 2006, Truth Is, along with "Free Yourself", won an ASCAP R&B/Hip-Hop award.
Terrified is the seventh album by American heavy metal band Quiet Riot. It is the band's first album in five years, and marks the return of singer Kevin DuBrow after his firing in 1987. It is bassist Kenny Hillery's only studio album with the band, and drummer Bobby Rondinelli plays on several songs. Many of the album's songs were featured in Charles Band's movie Dollman vs. Demonic Toys, with the album itself being released on Moonstone Records, the soundtrack offshoot of Band's film company Full Moon Entertainment.
"Starfighter Pilot" was the fourth single released by Snow Patrol, and the second track on their debut album Songs for Polarbears. The lyrics were written by Snow Patrol frontman Gary Lightbody and the music was composed by Lightbody and the other two members of Snow Patrol at the time, Mark McClelland and Jonny Quinn. The song reached number 161 on the UK Singles Chart.
Destroy 2000 Years of Culture is a song by Atari Teenage Riot, released as the fourth and final single from their 1997 album The Future of War. The single was released as a 12" vinyl record and as a limited edition CD, with only 500 copies made. The CD edition contains an unlisted hidden track: An instrumental version of the B-side "Paranoid".
Too Dead For Me EP is an EP by Atari Teenage Riot released in 1999 on CD and as a 12" vinyl record to promote their album 60 Second Wipe Out, where the title track originated.
Rage E.P. is a release by Atari Teenage Riot. Although the title of the release is "Rage E.P.", it only contains versions of the song "Rage", so it is similar to a single. The CD versions are enhanced CDs which contain the single file of the music video "Too Dead For Me" in MPEG format. A 12" vinyl edition also exists.
Revolution Action E.P. is an extended play by the German digital hardcore group Atari Teenage Riot, released in 1999 on 12" vinyl and CD formats to promote the album 60 Second Wipe Out, where the title track originates. Two music videos were produced for the track, one of which was actually banned by MTV. "Revolution Action" was also the name of a tour and live various artist release titled Revolution Action Japan Tour 1999 EP.
Not Your Business E.P. is an extended play by German digital hardcore group Atari Teenage Riot, initially released exclusively on 12" vinyl format in November 1996. The title track would later be included on the band's 1997 album The Future of War. In April 1997, the EP was placed at #48 on CMJ's Alternative Radio Airplay charts.
"Speed/Midijunkies" or Midijunkies/Speed is a single by Atari Teenage Riot, initially released in April 1995 to promote their debut full-length Delete Yourself!. The song "Speed" samples Powermad's "Slaughterhouse" and was later used for the 2006 movie The Fast and the Furious: Tokyo Drift.
Live in Philadelphia Dec. 1997 is a live album by Atari Teenage Riot. The CD version was distributed with certain pressings of 60 Second Wipeout. The album was recorded at the Beyond Nightclub.
"Where Has Love Gone?" is a song by British singer-songwriter Holly Johnson, released in 1990 as the lead single from his second studio album Dreams That Money Can't Buy (1991). The song was written by Johnson and produced by Andy Richards.
Mixes is a 1992 remix album by the British band Transvision Vamp that was released on the MCA Records label in Japan on CD only. The album contains extended and remixed versions that originally appeared on a variety of formats together with exclusive mixes and rare US promotional releases.
Is This Hyperreal? is the fourth studio album from Atari Teenage Riot, and their first album since they effectively disbanded in 2000. It is the first ATR album featuring CX KiDTRONiK, and the first album without former vocalists Hanin Elias and the late Carl Crack.
"Oooh This I Need" is the final single from American singer Elisa Fiorillo, released as the second single from her 1990 album I Am in early 1991. The song was written and produced by Prince, who had worked with Fiorillo on the album, where he wrote five tracks.
"Soul Destruction" is a song by British band T'Pau, released as the third single from their 1991 third studio album The Promise. The song was written by vocalist Carol Decker and rhythm guitarist Ron Rogers. It was produced by Andy Richards.
"Lullaby" is the sixth single released by the American synthpop band Book of Love. The song was the second single released from the band's second album Lullaby in 1988.
