Live at Brixton Academy | ||||
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Live album by | ||||
Released | 24 July 2000 [1] | |||
Recorded | Live at the Brixton Academy, London, 1999 | |||
Genre | Noise | |||
Length | 26:38 | |||
Label | Digital Hardcore Recordings | |||
Producer | Alec Empire | |||
Atari Teenage Riot chronology | ||||
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Live at Brixton Academy is a live album from German digital hardcore group Atari Teenage Riot, recorded and released in 1999. The album was recorded while they supported Nine Inch Nails on tour, and contains no songs from any of the past albums, just harsh noise. Live at Brixton Academy was ATR's final album before they disbanded in 2000, their actual final release being the Rage EP .
Review scores | |
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Source | Rating |
Allmusic | [1] |
NME | (11/10) [2] |
Select | [3] |
Select gave the album a one star rating out of five. [3] The review stated that "it works almost as a parody of how an avant-noise album is supposed to sound", describing the album as "mercifully clocking in at under 30 minutes" and criticizing the siren wails which were described as "the electronic equivalent of histrionic guitar solo". [3]
Atari Teenage Riot (ATR) is a German band formed in Berlin in 1992. Highly political, they fuse left-wing, anarchist and anti-fascist views with punk vocals and a techno sound called digital hardcore, which is a term band member Alec Empire used as the name of his record label Digital Hardcore Recordings.
Hanin Elias is a Syrian German industrial/techno artist. She was a member of Atari Teenage Riot and is now a solo artist.
Carl Crack was a Swazi-born German techno artist best known for his membership in the digital hardcore band Atari Teenage Riot from 1992 to 2000.
Digital hardcore is a fusion genre that combines hardcore punk with electronic dance music genres such as breakbeat, techno, and drum and bass while also drawing on heavy metal and noise music. It typically features fast tempos and aggressive sound samples. The style was pioneered by Alec Empire of the German band Atari Teenage Riot during the early 1990s, and often has sociological or leftist lyrical themes.
Alec Empire is a German experimental electronic musician who is best known as a founding member of the band Atari Teenage Riot, as well as a solo artist, producer and DJ. He has released many albums, EPs and singles, some under aliases, and remixed over seventy tracks for various artists including Björk. He was also the driving force behind the creation of the digital hardcore genre, and founded the record labels Digital Hardcore Recordings and Eat Your Heart Out Records.
Digital Hardcore Recordings (DHR) is a record label set up in 1994 by Alec Empire, Joel Amaretto and Pete Lawton. Most of the music is recorded in Berlin, though the label is based in London where the records are mastered and manufactured. The funds for setting up the label came from the payment which Atari Teenage Riot received for their aborted record deal with the major UK record label Phonogram Records.
Brixton Academy (originally known as the Astoria Variety Cinema, previously known as Carling Academy Brixton, currently named O2 Academy Brixton as part of a sponsorship deal with the O2 brand) is a mid-sized concert venue located in South West London, in the Lambeth district of Brixton.
Nic Endo is a Japanese-German-American noise musician who plays with the German digital hardcore group Atari Teenage Riot. The daughter of a Japanese mother and a German father, Endo was born in Wichita Falls, Texas, US.
EC8OR is a German digital hardcore band founded in 1995 by Patric Catani and Gina V. D'Orio and signed by Alec Empire's Digital Hardcore Recordings record label. The music was in the same vein of Atari Teenage Riot's style of early Breakcore and hardcore techno with a punk edge, which led to EC8OR been overlooked by fans of digital hardcore recordings, but EC8OR employed more low-res ideas as the first album was entirely composed on Amiga 500 and with a microphone.
Delete Yourself! is the debut album by German digital hardcore band Atari Teenage Riot.
Burn, Berlin, Burn! is a compilation album released by Atari Teenage Riot in 1997. Initially released in the United States by the Beastie Boys' record label Grand Royal, the album is a collection of tracks from their first two albums Delete Yourself! and The Future of War. After Grand Royal Records went defunct, the album was later remastered and re-released on Digital Hardcore Recordings.
60 Second Wipe Out is the third studio album by Atari Teenage Riot. It was originally released through Digital Hardcore Recordings in 1999. It peaked at number 17 on the UK Independent Albums Chart, as well as number 32 on the Billboard Heatseekers Albums chart.
Atari Teenage Riot: 1992–2000 is a greatest hits compilation by the seminal digital hardcore band Atari Teenage Riot. The album was released on band member Alec Empire's Digital Hardcore Recordings on 3 July 2006 and features 18 tracks from the band's back catalogue.
Live at Brixton Academy is the name given to a number of live music albums and videos by various artists, recorded at the Brixton Academy in London. Such albums have included:
DiY-Fest "the touring carnival of Do-it-Yourself mediamaking" was a festival of ultra-independent movies, books, zines, music, poetry, and performance art that ran from 1999 until 2002.
Live In Stuttgart is a rare live album by Atari Teenage Riot. Initially released on cassette, the album predates the infamous Live at Brixton Academy noise-fest, and features a bizarre blend of live instrumentation and spoken word pieces from various songs.
Revolution Action E.P. is an extended play by the German digital hardcore group Atari Teenage Riot, released in 1999 on 12" vinyl and CD formats to promote the album 60 Second Wipe Out, where the title track originates. Two music videos were produced for the track, one of which was actually banned by MTV. "Revolution Action" was also the name of a tour and live various artist release titled Revolution Action Japan Tour 1999 EP.
Not Your Business E.P. is an extended play by German digital hardcore group Atari Teenage Riot, initially released exclusively on 12" vinyl format in November 1996. The title track would later be included on the band's 1997 album The Future of War. In April 1997, the EP was placed at #48 on CMJ's Alternative Radio Airplay charts.
Christoph de Babalon is a German electronic producer, experimental artist and DJ, best known for his work on Alec Empire's label Digital Hardcore Recordings, most notably If You're Into It, I'm Out of It (1997). He also is the co-founder of the label Cross Fade Enter Tainment (CFET).
Is This Hyperreal? is the fourth studio album from Atari Teenage Riot, and their first album since they effectively disbanded in 2000. It is the first ATR album featuring CX KiDTRONiK, and the first album without former vocalists Hanin Elias and the late Carl Crack.