The Ghoul | |
---|---|
Directed by | T. Hayes Hunter |
Written by | Roland Pertwee John Hastings Turner Rupert Downing (adaptation) |
Based on | Play by Dr. Frank King Leonard Hines |
Produced by | Michael Balcon |
Starring | Boris Karloff |
Cinematography | Günther Krampf |
Edited by | Ian Dalrymple Ralph Kemplen |
Music by | Louis Levy Leighton Lucas |
Production company | |
Distributed by | Woolf & Freedman Film Service |
Release dates |
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Running time | 77 minutes |
Country | United Kingdom |
Language | English |
Budget | just under £40,000 [1] |
The Ghoul is a 1933 British horror film directed by T. Hayes Hunter and starring Boris Karloff. The cast also features Harold Huth, Dorothy Hyson, Ernest Thesiger, Cedric Hardwicke, and Ralph Richardson in his first credited film role.
Professor Henry Morlant, a great Egyptologist, thinks that the ancient jewel which he calls the "Eternal Light" will give him powers of rejuvenation if it is offered up to the ancient Egyptian god Anubis. But when Morlant dies, his servant Laing steals the jewel. While a gaggle of interlopers, including a disreputable solicitor and a fake parson, descend on the Professor's manor to investigate or steal the jewel for themselves, Morlant returns from the dead ("when the full moon strikes the door of my tomb", he predicted before dying) to kill everyone who has betrayed him.
Loosely based on a 1928 novel by Frank King (and subsequent play by King and Leonard J. Hines), The Ghoul was produced by Gaumont British and released in the UK in August 1933. Release in the US followed in January 1934, with a reissue in 1938. The film was financially successful in the UK, but performed disappointingly in the US. [1] The only film made during a brief contract dispute with Universal Studios, The Ghoul also marked the first time in over two decades that Karloff had acted in Britain and the British film industry. [2]
Subsequently, the film disappeared and was considered to be a lost film. In 1969, collector William K. Everson located a murky, virtually inaudible subtitled copy, Běs, in then-communist Czechoslovakia. Though missing eight minutes of footage including two violent murder scenes, it was thought to be the only surviving copy of the film. Everson had a 16mm copy made and for years made it available to film societies in England and the United States, including a screening at The New School in New York City in 1975 on a Halloween triple bill with Lon Chaney in The Monster and Bela Lugosi in The Gorilla . Subsequently, The Museum of Modern Art and Janus Film made an archival negative of the Prague print and it went into very limited commercial distribution.
In the early 1980s, a disused and forgotten film vault at Shepperton Studios, its door blocked by stacked lumber, was cleared and yielded the nitrate camera negative of the film in perfect condition. The British Film Institute took possession of the film, new prints were made, and the complete version aired on Channel 4 in the UK. However, the official VHS release from MGM/UA Home Video was of the mutilated Czech copy. In 2003, MGM/UA released the fully restored version of the film on DVD. [3] It was subsequently released in the United Kingdom by Network Distributing, in restored DVD and Blu-Ray editions featuring a new commentary by Kim Newman and Stephen Jones.
The Ghoul was shown on the MeTV show Svengoolie on March 19, 2022.
What A Carve Up! (1961) is a British comedy-horror film directed by Pat Jackson and starring Sid James, Kenneth Connor, and Shirley Eaton, loosely based on The Ghoul. It was released in the United States as No Place Like Homicide in 1962. [4]
William Henry Pratt, known professionally as Boris Karloff and occasionally billed as Karloff the Uncanny, was an English actor. His portrayal of Frankenstein's monster in the horror film Frankenstein (1931), his 82nd film, established him as a horror icon, and he reprised the role for the sequels Bride of Frankenstein (1935) and Son of Frankenstein (1939). He also appeared as Imhotep in The Mummy (1932), and voiced the Grinch in, as well as narrating, the animated television special of Dr. Seuss' How the Grinch Stole Christmas! (1966), which won him a Grammy Award.
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Ernest Frederic Graham Thesiger, CBE was an English stage and film actor. He is noted for his performance as Doctor Septimus Pretorius in James Whale's film Bride of Frankenstein (1935).
Dorothy Hyson, Lady Quayle was an American-born film and stage actress who worked largely in England. During World War II, she worked as a cryptographer at Bletchley Park.
The Ghost of Frankenstein is a 1942 American horror film directed by Erle C. Kenton and starring Cedric Hardwicke, Lon Chaney Jr. and Bela Lugosi. It is the fourth film in the Frankenstein series by Universal Pictures, and the follow-up to Son of Frankenstein (1939). The film's plot follows the previous film's: Frankenstein's Monster and his companion Ygor are chased out of town. They go to another small town to encourage the younger son of Henry Frankenstein to continue his father's experiments, so that Ygor can have revenge against his enemies and his brain transplanted into the Monster's skull.
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Forever and a Day is a 1943 American drama film, a collaborative effort employing seven directors/producers and 22 writers, with an enormous cast of well-known stars.
What a Carve Up! is a 1961 British comedy-horror film directed by Pat Jackson and starring Sid James, Kenneth Connor, and Shirley Eaton. It was released in the United States in 1962 as No Place Like Homicide. It was loosely based on the 1928 novel The Ghoul by Frank King. A previous version, titled The Ghoul, was filmed in 1933 by Gaumont-British Pictures.
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