The Girl Who Couldn't Quite | |
---|---|
Directed by | Norman Lee |
Screenplay by | Norman Lee Marjorie Deans |
Produced by | John Argyll |
Starring | Bill Owen Elisabeth Henson Leo Marks |
Cinematography | Geoffrey Faithfull |
Edited by | Lister Laurance |
Music by | Ronald Binge |
Production company | |
Distributed by | Monarch Film Corporation |
Running time | 84 minutes |
Country | United Kingdom |
Language | English |
Budget | £50,000 [1] |
The Girl Who Couldn't Quite is a 1950 British drama film directed by Norman Lee and starring Bill Owen, Elizabeth Henson and Iris Hoey. [2] It is based on the 1947 stage play of the same name by Leo Marks.
Ruth is a teenage girl who has never been able to smile. One day she hears a man singing outside the house and she laughs. Her mother invites the man, a tramp called Tim, into the house in the hope that he will help Ruth. Tim becomes friendly with Ruth and encourages her to talk about her childhood. She reveals that she suffered traumatic experiences as child, which led to her inability to smile. The pain of these memories causes her to fall into a coma. When she wakes, she has no memory of Tim, who now seems frightening to her. Tim leaves the house and returns to the road.
The title of the play on which the film is based arises from a conversation Leo Marks had with Noor Inayat Khan GC, who had been a British resistance agent in France in World War 2. [3]
The film was shot at Nettlefold Studios, Walton-on-Thames, Surrey. [2]
Kine Weekly said "Elizabeth Henson acts with her heart and her head and makes a highly successful début as the wistful and neurotic Ruth, and Bill Owen draws a real and likeable character as the philosophical Tim, Iris Hoey. Betty Stockfield and Stuart Lindsell also do well in direct support. Their diction is impeccable. The picture ... has a few loose ends and occasionally lapses to time-honoured farce, but even when it is slightly off the beam its central characters retain their hold on the emotions. ... [a] humorous and human story, clever performance by Elizabeth Henson, refreshing atmosphere, compelling feminine angle and provocative title." [4]
Monthly Film Bulletin said "A tear-shaker of the dampest variety, handled with some tact, and simply played by Bill Owen and Elizabeth Henson." [5]
Leslie Halliwell said: "Sentimental bosh from a mildly popular play of its time." [6]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "average", writing: "Blend of laughter and tears isn't as unbearable as it might have been." [7]
Mae Clarke was an American actress. She is widely remembered for playing Henry Frankenstein's bride Elizabeth, who is chased by Boris Karloff in Frankenstein, and for being on the receiving end of James Cagney's halved grapefruit in The Public Enemy. Both films were released in 1931.
It's Great to Be Young is a 1956 British Technicolor musical comedy film about a school music teacher, starring Cecil Parker and John Mills.
The Good Die Young is a 1954 British crime film directed by Lewis Gilbert and starring Laurence Harvey, Gloria Grahame, Joan Collins, Stanley Baker, Richard Basehart and John Ireland. It was made by Remus Films from a screenplay based on the 1953 novel of the same name by Richard Macaulay. It tells the story of four men in London with no criminal past whose marriages and finances are collapsing and, meeting in a pub, are tempted to redeem their situations by a robbery.
Our Girl Friday is a 1953 British comedy film starring Joan Collins, George Cole, Kenneth More and Robertson Hare. It is about a woman who is shipwrecked with three men on a deserted island.
The Shakedown is a 1959 black and white British crime-drama film directed by John Lemont, starring Terence Morgan, Hazel Court, and Donald Pleasence. A ruthless crook runs a blackmail operation, falls for an undercover cop, and is murdered by one of his victims.
Wicked as They Come is a 1956 British film noir directed by Ken Hughes and starring Arlene Dahl, Philip Carey and Herbert Marshall. It is based on a novel 1950 novel Portrait in Smoke by Bill S. Ballinger. The novel was also adapted for TV in 1950.
Inn for Trouble is a 1960 black and white British comedy film directed by C.M. Pennington-Richards and starring Peggy Mount, David Kossoff and Leslie Phillips. It was a spin-off of the 1950s ITV sitcom The Larkins. The film is notable for the final credited appearances of Graham Moffatt and A. E. Matthews.
Double Confession is a 1950 British crime film directed by Ken Annakin and starring Derek Farr, Joan Hopkins, William Hartnell and Peter Lorre. The screenplay by William Templeton is based on the novel All On A Summer's Day by H.L.V. Fletcher, written under the pen name John Garden.
Once a Sinner is a 1950 British drama film directed by Lewis Gilbert and starring Pat Kirkwood, Jack Watling and Joy Shelton.
Sailor Beware! is a 1956 British comedy film directed by Gordon Parry and starring Peggy Mount, Shirley Eaton and Ronald Lewis. It was released in the United States by Distributors Corporation of America in 1957 as Panic in the Parlor.
Sally in Our Alley is a 1931 British romantic comedy drama film directed by Maurice Elvey and starring Gracie Fields, Ian Hunter, and Florence Desmond. It is based on the 1923 West End play The Likes of Her by Charles McEvoy.
The Terror is a 1938 British crime film directed by Richard Bird and starring Wilfrid Lawson, Linden Travers and Bernard Lee. It was based on the 1927 play The Terror by Edgar Wallace. The play had previously been adapted as the American film The Terror(1928).
Portrait of Alison is a 1956 British atmospheric crime film directed by Guy Green. It was based on a BBC television series of the same name, which aired the same year.
Piccadilly Incident is a 1946 British drama film directed by Herbert Wilcox and starring Anna Neagle, Michael Wilding, Coral Browne, Edward Rigby and Leslie Dwyer.
Penny Paradise is a 1938 British comedy film directed by Carol Reed and starring Edmund Gwenn, Betty Driver and Jimmy O'Dea.
Hindle Wakes is a 1952 British drama film, directed by Arthur Crabtree and starring Lisa Daniely, Brian Worth, Leslie Dwyer and Sandra Dorne. It was the fourth screen adaptation of the Stanley Houghton play of the same name (1912), dealing with a young woman engaging in a holiday sexual flirtation, regardless of the disapproval of her parents or wider society.
Snowbound is a 1948 British thriller film directed by David MacDonald and starring Robert Newton, Dennis Price, Stanley Holloway, Herbert Lom, Marcel Dalio and Guy Middleton and introducing Mila Parély. Based on the 1947 novel The Lonely Skier by Hammond Innes, the film concerns a group of people searching for treasure hidden by the Nazis in the Alps following the Second World War.
Child in the House is a 1956 British drama film directed by Cy Endfield and starring Phyllis Calvert, Eric Portman and Stanley Baker. It is based on the novel A Child in the House by Janet McNeill. A girl struggles to cope with her uncaring relatives.
Things Are Looking Up is a 1935 British musical comedy film directed by Albert de Courville, produced by Michael Balcon for Gaumont British and starring Cicely Courtneidge, Max Miller and William Gargan. It was made at Islington Studios by British Gaumont, an affiliate of Gainsborough Pictures. The film's sets were designed by Alex Vetchinsky. The film was distributed by Gaumont British Distributors.
Night Ride is a 1937 black and white British drama film directed by John Paddy Carstairs and starring Julian Vedey, Wally Patch and Jimmy Hanley.