The Glands (album)

Last updated
The Glands
The Glands self-titled.jpeg
Studio album by
ReleasedAugust 1, 2000
Genre Indie rock, pop
Label Capricorn
The Glands chronology
Double Thriller
(1996)
The Glands
(2000)
Double Coda
(2018)

The Glands is an album by the American band the Glands, released on August 1, 2000. [1] [2] The band supported the album with a North American tour. [3] Its commercial prospects were damaged by the closure of the band's label, Capricorn Records, months after the album's release. [4] It was reissued in 2001 by Phil Walden's subsequent label, Velocette Records. [5]

Contents

Production

The majority of the album was produced by the band. [6] Frontman Ross Shapiro was inspired primarily by pop music from the 1970s. [7] He double tracked his vocals for the harmonies. [8] Many of the songs are marked by the absence of the irony found in much of the indie rock of the 1990s and are about youth and young adulthood, with lyrics that take the form of internal monologues; other songs deal with the problems of adulthood. [9] [10] [11] "I Can See My House from Here" originally contained a sample of the Four Seasons' "December, 1963 (Oh, What a Night)", but it was removed when the band was unable to obtain a copyright clearance. [12]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [13]
The Austin Chronicle Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [14]
Des Moines Register Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [15]
Pitchfork 8.7/10 [16]
The Press of Atlantic City Star full.svgStar full.svgStar empty.svgStar empty.svg [10]
Rolling Stone Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [17]
Spin 9/10 [18]
The Tampa Tribune Star full.svgStar full.svgStar full.svgStar empty.svg [19]

Guitar Player stated that "the guitar sounds on The Glands are unconventional and unpredictable, with cool clean tones, snotty lead sounds, and beautifully trashy power chords." [20] The Des Moines Register noted that "Shapiro's voice is the plaintive, high-pitched whine you'd expect from an indie rock band, but it's endearing in the vein of, say, Wayne Coyne from the Flaming Lips." [15] Newsday said that "Shapiro emotes like a slacker, vintage 1992, while his mates bend and rip chords ('Livin' Was Easy'), tap keyboards ('Breathe Out') or lay on the Beach Boy harmonies ('When I Laugh')." [21]

The Tampa Tribune praised the "lyrics of unvarnished longing and regret laced with humor and a mixture of various music styles". [19] Rolling Stone said that "the Glands amble through [the songs] at the speed of hand-rolled cigarette smoke, pairing crackly guitar discord with gentle cellos and bell sounds for a sweet-and-sour effect." [17] The Boston Globe called the album "memorable curveball pop." [22] The Atlanta Journal-Constitution and the Orange County Register considered it one of the best albums of 2000. [23] [24] Spin called it "an indie-rock masterpiece of ... creepy beauty". [18]

In 2018, Pitchfork labeled The Glands "a fractured pop dynamo, one sun-dappled aw-shucks anthem after another, strung together with yarn and masking tape." [16]

Track listing

No.TitleLength
1."Livin' Was Easy" 
2."When I Laugh" 
3."Swim – Prelude" 
4."Swim" 
5."Mayflower" 
6."Lovetown" 
7."Straight Down" 
8."I Can See My House from Here" 
9."Fortress" 
10."Work It Out" 
11."Soul Inspiration" 
12."Ground" 
13."Favorite American" 
14."Breathe Out" 

Related Research Articles

<span class="mw-page-title-main">Stereolab</span> English-French avant-pop band

Stereolab are an Anglo-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group's sound features influences from krautrock and 1960s French pop music, often incorporating a repetitive motorik beat with the use of vintage electronic keyboards and female vocals sung in English and French. Their lyrics have political and philosophical themes influenced by the Surrealist and Situationist art movements. While performing, they play in a more feedback-driven and guitar-oriented style. From the mid-1990s, the band began to draw from funk, jazz and Brazilian music.

Indie rock is a subgenre of rock music that originated in the United Kingdom, United States and New Zealand in the early to mid-1980s. Although the term was originally used to describe rock music released through independent record labels, by the 1990s it became more widely associated with the music such bands produced.

Alternative rock is a category of rock music that evolved from the independent music underground of the 1970s. Alternative rock acts achieved mainstream success in the 1990s with the likes of the grunge subgenre in the United States, and the Britpop and shoegaze subgenres in the United Kingdom and Ireland. During this period, many record labels were looking for "alternatives", as many corporate rock, hard rock, and glam metal acts from the 1980s were beginning to grow stale throughout the music industry. The emergence of Generation X as a cultural force in the 1990s also contributed greatly to the rise of alternative music.

<span class="mw-page-title-main">The Dears</span> Canadian indie rock band

The Dears are a Canadian indie rock band from Montreal, Quebec. The band is led by the husband-and-wife duo of singer-guitarist Murray Lightburn and keyboardist Natalia Yanchak.

<span class="mw-page-title-main">Vigilantes of Love</span> Musical artist

Vigilantes of Love was an American rock band fronted by Bill Mallonee, with many secondary players drawn from the musician pool in and around Athens, Georgia, United States. In its later manifestations in the later 1990s and early 2000s, Mallonee usually sang, played lead and rhythm guitar and harmonica, although in earlier bands he played drums.

<span class="mw-page-title-main">The Shins</span> American indie rock band

The Shins is an American indie rock band formed in Albuquerque, New Mexico, in 1996. The band is the project of singer-songwriter James Mercer, who has served as the band's sole constant member throughout numerous line-up changes. The band's current line-up consists of Mercer, alongside Yuuki Matthews, Mark Watrous, Patti King (keyboards), and Jon Sortland (drums). They are based in Portland, Oregon.

<i>New Day Rising</i> 1985 studio album by Hüsker Dü

New Day Rising is the third studio album by the American punk rock band Hüsker Dü. It was released in 1985 through SST Records.

<i>We Have the Facts and Were Voting Yes</i> 2000 studio album by Death Cab for Cutie

We Have the Facts and We're Voting Yes is the second studio album by American rock band Death Cab for Cutie. It was released on March 21, 2000, through Barsuk Records. The band, which originally included singer-songwriter Ben Gibbard, guitarist/producer Chris Walla, bassist Nick Harmer, and drummer Nathan Good, formed in Bellingham, Washington in 1997. Their debut studio album, Something About Airplanes, was released in 1998 through Barsuk, after which Good exited the band. Between the two albums, both Gibbard and Walla released music via side projects, ¡All-Time Quarterback! and Martin Youth Auxiliary, respectively.

<span class="mw-page-title-main">Teenage Fanclub</span> Scottish alternative rock band

Teenage Fanclub are a Scottish alternative rock band formed in Glasgow in 1989. The group were founded by Norman Blake, Raymond McGinley and Gerard Love, all of whom shared lead vocals and songwriting duties until Love's departure in 2018. As of 2023, the band's lineup consists of Blake, McGinley, Francis Macdonald, Dave McGowan and Euros Childs.

<i>Theres Nothing Wrong with Love</i> 1994 studio album by Built to Spill

There's Nothing Wrong with Love is the second full-length album released by American indie rock band Built to Spill. There's Nothing Wrong with Love was recorded in May and June 1994, and released September 13, 1994, on the Up Records label. It was produced by Phil Ek. The songs "Car" and "Distopian Dream Girl" were released as singles. Sub Pop reissued the album on vinyl in 2015. This is the only album to feature drummer Andy Capps and the first to feature bassist Brett Nelson.

Velocity Girl is an American indie rock band formed in 1989 in College Park, Maryland, and active in the Washington, D.C., area. The band released three albums before splitting up in 1996. The band reunited for a one-off concert in 2002 and for a few concerts in 2023 and 2024.

<i>Dig Me Out</i> 1997 studio album by Sleater-Kinney

Dig Me Out is the third studio album by the American rock band Sleater-Kinney, released on April 8, 1997, by Kill Rock Stars. The album was produced by John Goodmanson and recorded from December 1996 to January 1997 at John and Stu's Place in Seattle, Washington. Dig Me Out marked the debut of Janet Weiss, who would become the band's longest-serving drummer. The music on the record was influenced by traditional rock and roll bands, while the lyrics deal with issues of heartbreak and survival. The album cover is an homage to the Kinks' 1965 album The Kink Kontroversy.

<i>Le Tigre</i> (album) 1999 studio album by Le Tigre

Le Tigre is the debut studio album of American music trio Le Tigre. It was released October 25, 1999, on Mr. Lady Records. The album combined pop music with the band's feminist political lyrics. It received positive reviews from music critics.

<span class="mw-page-title-main">The Glands</span> American indie rock band

The Glands were an American indie rock band from Athens, Georgia, United States. Their first CD, Double Thriller, was self-released in 1996 and reissued on Bar/None Records in 1998. Their self-titled album was first released in August 2000 on Capricorn Records and reissued on Velocette Records in August 2001. Their third and final studio album Double Coda was released on New West Records in November 2018.

Chamber pop is a music genre that combines rock music with the intricate use of strings, horns, piano, and vocal harmonies, and other components drawn from the orchestral and lounge pop of the 1960s, with an emphasis on melody and texture.

<i>Voyager</i> (Space Needle album) 1995 studio album by Space Needle

Voyager is the debut album by Space Needle, released in 1995. The band supported it with a North American tour.

<i>Freak*on*ica</i> 1998 studio album by Girls Against Boys

Freak*on*ica is the fifth studio album by American rock band Girls Against Boys, released on May 18, 1998, through DGC Records. It was their first and only album for a major label. It was produced by Nick Launay.

<span class="mw-page-title-main">Slack Motherfucker</span> 1990 single by Superchunk

"Slack Motherfucker" is a song by American rock band Superchunk. It was the first single released from the band's debut, self-titled album (1990). The song was penned by vocalist and guitarist Mac McCaughan in reference to an indolent co-worker he had at the time. Credited to all four band members, it was the band's second single and first to be released under the name Superchunk.

<i>Slo-Blo</i> 1992 studio album by Cell

Slo-Blo is the debut album by the American band Cell. It was released in 1993 by DGC Records; the band had been signed by Thurston Moore. The album was first issued by City Slang, in 1992. The band supported the album with a North American tour.

<i>White Out</i> (album) 2000 studio album by Verbow

White Out is the second and final studio album by the American band Verbow, released in 2000. The band broke up two years later. The album's first single was "New History". Verbow supported the album by touring with Counting Crows.

References

  1. Newman, Melinda (July 22, 2000). "Capricorn Rising". Billboard. Vol. 112, no. 30. p. 12.
  2. Downs, Gene (August 11, 2000). "Make a Visit to the Promised Glands". Savannah Morning News. p. 5D.
  3. Korbelik, Jeff (September 8, 2000). "The Glands make waves on indie rock scene". Ground Zero. Lincoln Journal Star. p. 18.
  4. Gotrich, Lars (March 31, 2016). "Songs We Love: The Glands, 'Straight Down'". All Songs Considered. NPR.
  5. Newman, Melinda (April 21, 2001). "Is That a Zodiac Sign?". Billboard. Vol. 113, no. 16. p. 10.
  6. Waggoner, Eric (November 22, 2001). "Secrete Admirer". Music. Westword.
  7. Bumgardner, Ed (August 18, 2000). "Glandular Fever". Winston-Salem Journal. p. E1.
  8. "Pick Hit". The Sunday Oregonian. September 3, 2000. p. E7.
  9. Waggoner, Eric (August 31, 2000). "The Glands". Music News. Phoenix New Times.
  10. 1 2 Hickey, Brian (September 1, 2000). "Short Takes". At the Shore. The Press of Atlantic City. p. 34.
  11. Weisbard, Eric (December 12, 2000). "The long haul". The Village Voice. Vol. 45, no. 49. p. 166.
  12. Seigel, Stephen (November 8, 2001). "Glandular Disorder". Music. Tucson Weekly.
  13. "The Glands Review by Tim Sendra". AllMusic. Retrieved January 6, 2025.
  14. Bertin, Michael (March 2, 2001). "The Glands". Music. The Austin Chronicle.
  15. 1 2 Munson, Kyle (September 7, 2000). "The Glands secrete sweet sounds". Des Moines Register. p. DB10.
  16. 1 2 Thompson, Paul (November 15, 2018). "The Glands The Glands". Pitchfork. Retrieved January 6, 2025.
  17. 1 2 Wolk, Douglas (November 9, 2000). "The Glands". Rolling Stone. No. 853. p. 130.
  18. 1 2 Tortorello, Michael (August 2000). "Jump Cuts". Spin. Vol. 16, no. 8. p. 157.
  19. 1 2 "Spin This". Friday Extra!. The Tampa Tribune. September 22, 2000. p. 15.
  20. Blackett, Matt (August 2000). "The Glands". Guitar Player. Vol. 34, no. 8. p. 106.
  21. Amorim, Kevin (September 21, 2000). "New Sounds". Newsday. p. C7.
  22. Wolff, Carlo (November 30, 2000). "The Gland The Glands". Calendar. The Boston Globe. p. 8.
  23. Harrison, Shane (December 10, 2000). "From OutKast to Johnny Cash to 'Kid A'". The Atlanta Journal-Constitution. p. L4.
  24. Wener, Ben (December 31, 2000). "A sensationally shallow year 2000 was dominated by teen-pop, recycled rap and bad metal—with scant relief in sight". Show. Orange County Register. p. 6.