Critical reception
According to Pitchfork, the compilation "assisted greatly" in defining the term "freak folk," [2] while Stereogum notes the aftermath of its release as "the moment when a descriptive phrase solidified into a genre." [3] At the time, Pitchfork described the album as "a kind of now-sound capsule of the contemporary neo-folk scene" and the featured artists as "20 diverse freakfolk acts to serve as representatives of the various facets of the underground's most recent (and most promising) pigeonhole." [1] Pitchfork's review concluded: [1]
[...] Golden Apples of the Sun's sprawling landscape presents a persuasive case for the depth of a scene that seemingly sprung up (like mushrooms) overnight. It's impossible to pick apart intentions, but this music feels far more sincere than other recent buzzes, and even if these artists are pulling the wool over our eyes (which seems unlikely), it would appear that perhaps a few of these players will outlast the current critical harvesting.
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