The Graveyard and the Ballroom | ||||
---|---|---|---|---|
Studio album and live album by | ||||
Released | January 1980 | |||
Recorded | September & October 1979 | |||
Venue | Electric Ballroom in October 1979 | |||
Studio | Graveyard Studios in September 1979 | |||
Genre | ||||
Length | 45:38 | |||
Label | Factory | |||
Producer | Martin Hannett | |||
A Certain Ratio chronology | ||||
|
Review scores | |
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Source | Rating |
AllMusic | [1] |
The Encyclopedia of Popular Music | [5] |
The Graveyard and the Ballroom is the debut album by English band A Certain Ratio, released in January 1980 by record label Factory. [6] It was produced by Martin Hannett. It was originally released only as a cassette, designed by Peter Saville. The album has been re-released on CD by Creation Records in 1994 and by Mute Records in 2017. The latter also reissued the album on vinyl, replicating the original PVC pouch of the cassette release. [7] [8] [9]
The reissued album spent five weeks in the UK Independent Chart, peaking at number 29. [10]
Side A of the album, The Graveyard, was recorded at Graveyard Studios in September 1979, while the other side, The Ballroom, was recorded live at the Electric Ballroom in October. [11]
AllMusic described the album as "accomplished enough to be intriguing, but never all that gripping." [1] Trouser Press called it "an exciting and original post-punk dance record". [4] Stylus called it "not only a very interesting historical document but also a pretty entertaining album in its own right". [2]
Nurse is the first major label album released by the rock band Therapy? It was released in 1992 on A&M Records.
A Certain Ratio are an English post-punk band formed in Flixton, Greater Manchester in 1977 by Peter Terrell and Simon Topping, with Jez Kerr, Martin Moscrop, Donald Johnson (drums), and Martha Tilson (vocals) joining soon after.
Embrace is the debut record and the only release by the American post-hardcore band Embrace.
Kerplunk is the second studio album by American rock band Green Day, released on December 17, 1991, by Lookout! Records. Kerplunk was Green Day's last independent release on the Lookout Records label, and was also the first album to feature Tré Cool on drums. Kerplunk officially includes only 12 tracks, but the versions released on CD and cassette also include the 4 tracks from the Sweet Children EP. One of those tracks is a cover of The Who's "My Generation". Green Day guitarist and singer Billie Joe Armstrong stated in a 2021 Vulture magazine interview that Kerplunk is his favorite album, citing it as "kind of autobiographical."
Pink Flag is the debut studio album by English rock band Wire. It was released in November 1977 by Harvest Records. The album gained Wire a cult following within independent and post-punk music upon its initial release, later growing to be highly influential on many other musicians.
Black and White is the third studio album by English new wave band the Stranglers. It was released on 12 May 1978, through record label United Artists in most of the world and A&M in America.
Sonic Youth is the debut EP by American rock band Sonic Youth. It was recorded between December 1981 and January 1982 and released in March 1982 by Glenn Branca's Neutral label. It is the only recording featuring the early Sonic Youth lineup with Richard Edson on drums. Sonic Youth differs stylistically from the band's later work in its greater incorporation of clean guitars, standard tuning, crisp production and a post-punk style.
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Y is the debut studio album of English post-punk band The Pop Group. The album was produced by dub musician Dennis "Blackbeard" Bovell at Ridge Farm Studios in Surrey, and was released on 20 April 1979 through Radar Records. It was reissued in 1996 by Radar, 2007 by Rhino/Radar, and in 2019 by Mute Records, including deluxe LP/12" and CD editions with bonus outtakes and live albums, to mark its 40th anniversary.
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Secondhand Daylight is the second studio album by English post-punk band Magazine. It was released on 30 March 1979 by record label Virgin. One single, "Rhythm of Cruelty", was released from the album.
Document and Eyewitness is the first live album by the post-punk band Wire, released in July 1981 by Rough Trade Records. It marked the end of the first period of Wire's activity (1977–1980) and the end of their association with EMI. Recorded in February 1980 at the Electric Ballroom in London – at the final gig of Wire's first period – the original release came with a 45 rpm 12" EP that featured recordings from a July 1979 show at the Notre Dame Hall in London, along with one track from a March 1979 gig at Le Pavillon in Montreux, Switzerland.
Black Randy and the Metrosquad was an American punk rock band from the late 1970s and early 1980s in the Los Angeles punk scene. They gained notoriety not only for their surreal and smutty sense of humor, but also for their amalgamation of proto-punk, 1970s porn, pop, and avant-garde music.
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Sextet is the third studio album by the English post-punk band A Certain Ratio, released in January 1982 by Factory Records. It is the first album by the band not to be produced by Martin Hannett, due to the band wishing for a new sound.
I'd Like to See You Again is the fourth studio album by the English post-punk band A Certain Ratio, released in 1982 by Factory Records.
Force is the fifth studio album by the English post-punk band A Certain Ratio, released in November 1986 by Factory Records; their final release on the label. Stuart James co-produced the album with the band. It was recorded and mixed between July and August 1986 at Yello 2 Studios in Stockport.
the group dropped much of the bleak dance-punk of early material in place of what sounds like a shallow attempt to seize the baton dropped by gloom giants Joy Division after the death of Ian Curtis
an exciting and original post-punk dance record