To Each... | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | 1981 | |||
Studio | E.A.R.S., East Orange, New Jersey | |||
Genre | Post-punk | |||
Length | 46:10 | |||
Label | Factory | |||
Producer |
| |||
A Certain Ratio chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
To Each... is the second album and debut LP by English band A Certain Ratio, released in 1981 by record label Factory. It is sometimes considered the band's official first album. It was produced by A Certain Ratio and Martin Hannett.
The album spent twenty weeks in the UK Independent Chart, peaking at number 1. [3]
To Each... has been seen in a more negative light by critics in comparison to the band's early music. AllMusic wrote that, with the album, "the group dropped much of the bleak dance-punk of early material in place of what sounds like a shallow attempt to seize the baton dropped by gloom giants Joy Division after the death of Ian Curtis", calling the record "a bit too mired in its own misery to make an impression on listeners." [4] Trouser Press wrote: "The studied tedium of To Each... [...] snuffed the [band's] early promise, as the band buried itself in dreary rhythms and astonishing self-indulgence." [5] The Quietus echoed similar sentiments. [6]
Christ – The Album is the fourth album by Crass, released in 1982. It was released as a boxed-set, double-vinyl LP package, including one disc of new studio material and another, entitled Well Forked.. But Not Dead, a live recording of the band's June 1981 gig at the 100 Club in London along with other studio tracks, demos and tape fragments. The box also included a book, A Series of Shock Slogans and Mindless Token Tantrums, and a large poster painted by Gee Vaucher. The album was well received and the band considered it their best.
A Certain Ratio are an English post-punk band formed in 1977 in Flixton, Greater Manchester by Peter Terrell and Simon Topping, with additional members Jez Kerr, Martin Moscrop, Donald Johnson (drums), and Martha Tilson (vocals) joining soon after.
Quiet Life is the third studio album by English new wave band Japan, first released on 17 November 1979 in Canada by record label Hansa.
Fake Train is the debut studio album by the American post-hardcore band Unwound, released on July 7, 1993 by Kill Rock Stars. The album marks the debut of Sara Lund, who became the band's longest serving and last drummer.
Youth of America is the second studio album by American punk rock band Wipers. It was released in 1981 by record label Park Avenue.
Slavestate is an EP by industrial metal band Godflesh. It was released in July 1991 through Earache Records. The EP saw the band experimenting with more samples and electronic sounds than their predominantly industrial metal prior releases.
Nº 1 in Heaven is the eighth studio album by American rock band Sparks. Recorded with Italian disco producer Giorgio Moroder, the album marked a change of musical direction for the group and became influential on later synth-pop bands.
Song of the Bailing Man is the fifth Pere Ubu album, released in 1982. It was the final Pere Ubu album until 1988's The Tenement Year.
Greed is the third studio album by American experimental rock band Swans. It was released in 1986, through record label K.422. Greed marks the slow turning point for Swans away from the harsh, brutal noise rock of prior releases, and is also the first Swans album to contain contributions from Jarboe.
Charmed Life is an album by the punk rock group Half Japanese, released in 1988. It is their second studio album released on their label, 50 Skidillion Watts.
The Worldhood of the World (As Such) is an album by Canadian punk rock band Nomeansno, released in 1995. It is the first record of the group's to feature guitarist Tom Holliston and the band's only record as a quartet rather than a duo or trio. "State of Grace" was originally a song from Rob Wright's solo project, Mr. Wrong.
Thirst is the second studio album by English post-punk band Clock DVA. It was released on 24 January 1981, through record label Fetish. Soon after the album's release, this incarnation of the band would split up, with several members going on to form The Box with singer Peter Hope.
Friendly as a Hand Grenade is an album by the American band Tackhead. It was released in 1989 through TVT Records.
The Plot Thickens is the third studio album by United Kingdom acid jazz group Galliano. It was released in the UK on Gilles Peterson's Talkin' Loud record label on 27 May 1994. It was placed at number 44 in NME's list of the Top 50 Albums of 1994.
The Graveyard and the Ballroom is the debut album by English band A Certain Ratio, released in January 1980 by record label Factory. It was produced by Martin Hannett. It was originally released only as a cassette, designed by Peter Saville. The album has been re-released on CD by Creation Records in 1994 and by Mute Records in 2017. The latter also reissued the album on vinyl, replicating the original PVC pouch of the cassette release.
Sextet is the third album by English band A Certain Ratio, released in 1982 by record label Factory. It is the first album by the band not to be produced by Martin Hannett.
I'd Like to See You Again is the fourth studio album by English post-punk band A Certain Ratio, released in 1982 by Factory Records.
Force is the fifth studio album by English band A Certain Ratio, released in 1986 by Factory Records. Stuart James co-produced the album with the band. It was recorded and mixed between July and August 1986 at Yello 2 Studios in Stockport.
Let's Play Domination is the debut studio album by English rock band World Domination Enterprises, released in 1988 by Mute Records' subsidiary label Product Inc. World Dom guitarist/singer Keith Dobson re-released it on CD with bonus tracks in 2009 on his label Free Love Records.
Mind Made Up is the ninth studio album by English post-punk band A Certain Ratio. Released in 2008 through French Le Maquis record label, it is the band's first album since 1997's Change the Station, following a series of re-issues of past material. The band sought to capture a live sound during the recording of the album. The album was reissued by on 2 June 2010 through LTM Recordings with two extra tracks.