Free Your Mind... and Your Ass Will Follow is the second studio album by American funk band Funkadelic, released in July 1970 by Westbound Records.
The Descendents are an American punk rock band formed in 1977 in Manhattan Beach, California, by guitarist Frank Navetta, bassist Tony Lombardo and drummer Bill Stevenson. In 1979, they enlisted Stevenson's school friend Milo Aukerman as a singer, and reappeared as a punk rock band, becoming a major player in the hardcore punk scene developing in Los Angeles at the time. They have released eight studio albums, three live albums, three compilation albums, and three EPs. Since 1986, the band's lineup has consisted of singer Milo Aukerman, guitarist Stephen Egerton, bassist Karl Alvarez, and drummer Bill Stevenson.
Suck on This is the debut album by the band Primus, released in 1989. At the time of recording, the featured lineup of bassist/vocalist Les Claypool, guitarist Larry LaLonde and drummer Tim Alexander had only been playing together for "about two months". This release, along with Jane's Addiction's self-titled live album, are seen as popularizing the then-underground alternative metal genre and inspiring the nu metal genre.
A Certain Ratio are an English post-punk band formed in 1977 in Flixton, Greater Manchester by Peter Terrell and Simon Topping, with additional members Jez Kerr, Martin Moscrop, Donald Johnson (drums), and Martha Tilson (vocals) joining soon after.
Souvlaki is the second studio album by English rock band Slowdive. It was recorded in 1992, and released on 1 June 1993 by Creation Records.
Surfing on Sine Waves is a studio album by Polygon Window, a pseudonym for the English electronic music producer Richard D. James, better known by the alias Aphex Twin. It was originally released on 11 January 1993 by Warp. It is the second release in Warp's Artificial Intelligence series. The 2001 reissue edition includes the previously unreleased tracks "Portreath Harbour" and "Redruth School".
Pure is the second studio album by English industrial metal band Godflesh. It was released on 13 April 1992 through Earache Records. Though originally labeled only as industrial metal, the album has since been recognised as one of the earliest post-metal releases. Musically, Pure is rhythmically mechanical and features harsh guitars, with protracted songs and an abundance of deliberate repetition. Like much of Godflesh's music, it is regarded as particularly heavy and aggressive, and these elements helped it gain critical acclaim.
Evergreen is the seventh studio album by the English rock band Echo & the Bunnymen. It is their first album since reforming after they disbanded in 1993. Vocalist Ian McCulloch and guitarist Will Sergeant had previously worked together as Electrafixion before they were rejoined by bassist Les Pattinson under the name Echo & the Bunnymen in early 1997. The album was recorded at Doghouse Studios in Henley-on-Thames and was produced by McCulloch and the band's manager Paul Toogood but was credited to the whole band.
Cop is the second studio album by American experimental rock band Swans. It was released in 1984, through record label K.422.
Selfless is the third studio album by British industrial metal band Godflesh. It was released on 26 September 1994 in Europe and on 18 October 1994 through Earache and Columbia Records. Being the band's major-label debut, the record features a more conventional and rock-oriented sound compared to Godflesh's previous releases. It spawned two singles, "Xnoybis" and "Crush My Soul". The music video for the latter was directed by photographer Andres Serrano.
Souls at Zero is the third studio album by American avant-garde metal band Neurosis. The album was released in 1992 under the Alternative Tentacles record label. It was later reissued in 1999 with bonus tracks on the band's own Neurot Recordings label. On February 15, 2010, the album was reissued on CD and digitally with new artwork under Neurot. On February 14, 2012, a fully remastered version was released on vinyl via Relapse Records.
Quique is the debut album by British music group Seefeel, released through Too Pure in late 1993. A predominantly instrumental recording which utilises elements of both rock and electronic music, it blends styles including techno, dream pop, ambient, and dub. Guitarist Mark Clifford worked continuously on tracks while other members either completed them or provided component ideas.
"Ride the Wild" / "It's a Hectic World" is the 1979 debut single by the American punk rock band the Descendents. It was the band's first release and displayed a new wave and surf sound. It was recorded at a time when the band lacked a lead singer, so vocals on the recording were provided by guitarist Frank Navetta and bassist Tony Lombardo. With the addition of singer Milo Aukerman in 1980, the band moved towards a hardcore punk sound. "Ride the Wild" and "It's a Hectic World" were re-released in later years on compilation albums.
Barely Real is the 1992 extended play (EP) by the American indie rock band Codeine. After releasing their previous album Frigid Stars LP in 1990, the group accepted an invitation from the quartet Bastro to tour in Europe in 1991. Following the tour the group was invited to record a single for Sub Pop Singles Club and attempted to record their follow-up album The White Birch in 1992. The recording sessions proved to be disastrous for the group since it found themselves often with unusable tracks over several different studios. As Codeine could not record enough material for a full-length album, they decided to release what tracks they had as an EP.
An Epiphanic Vomiting of Blood is the third full-length studio album by Gnaw Their Tongues, released on December 15, 2007 by Burning World and Señor Hernandez Records. It was re-issued in 2008 by Crucial Blast and became Gnaw Their Tongues' first album to be released on Compact Disc in the United States. This allowed for wider distribution and marked the first time the project garnered critical interest, with comparisons being favorably drawn to the music of Napalm Death and Carcass.
Sextet is the third album by English band A Certain Ratio, released in 1982 by record label Factory. It is the first album by the band not to be produced by Martin Hannett.
Force is the fifth studio album by English band A Certain Ratio, released in 1986 by Factory. Stuart James co-produced the album with the band. It was recorded and mixed between July and August 1986 at Yello 2 Studios in Stockport.
Whiplash Boychild is the solo debut album by Scottish musician and singer-songwriter Chris Connelly, who is best known for his work for bands such as Ministry, The Revolting Cocks, and Pigface. It was released in 1991 through Wax Trax! Records. The album also features session contributions from drummer William Rieflin, and bass guitarist Stuart Zechman, who later reunited with Connelly on his next album, Phenobarb Bambalam (1992).
Interstate is the fifth album by American post-rock and instrumental rock band Pell Mell, released in 1995. After issuing Flow in 1991, the band members wrote new material separately, sending each other ideas, until more concrete ideas were becoming formed, leading to the band recording Interstate between two studios in 1993 and 1994. Defined by a breezy, wide-open sound, Interstate features sparse, rhythmic guitar riffs, organ playing, drums and thematic instrumentation, in addition to a distinctive compositional style that has been compared to "the dynamics of a good conversation" by one critic. Additionally, the album has been considered a post-rock album and critics have noticed its display of krautrock influences.
Obey the Time is the eighth studio album by English band The Durutti Column, released in 1990 by Factory Records. Conceived during the middle of the popularity of acid house in the band's native Manchester, band leader Vini Reilly chose to combine acid house, and other electronic dance music styles, with his signature guitar playing on a new album. He created the album in his home studio with engineer Paul Miller. Drummer Bruce Mitchell only plays on one song, with his slot being filled by drum machines on the remaining tracks. As such, critics have described Obey the Time as a Vini Reilly solo album.
