The Hand of Ethelberta: A Comedy in Chapters is a novel by Thomas Hardy, published in 1876. It was written, in serial form, for The Cornhill Magazine , which was edited by Leslie Stephen, a friend and mentor of Hardy's. Unlike the majority of Hardy's fiction, the novel is a comedy, with both humour and a happy ending for the major characters and no suicides or tragic deaths. The late nineteenth century novelist George Gissing, who knew Hardy, considered it "surely old Hardy's poorest book". [1]
At the beginning of the book, it is told that Ethelberta was raised in humble circumstances but, through her work as a governess, married well at the age of eighteen. Her husband died two weeks after the wedding and, now twenty-one, Ethelberta lives with her mother-in-law, Lady Petherwin. In the three years that have elapsed since the deaths of both her husband and father-in-law, Ethelberta has been treated to foreign travel and further privilege by her benefactress, but restricted from seeing her poor family.
The events of the story concern Ethelberta's career as a famous poet and storyteller as she struggles to support her family and conceal her secret—that her father is a butler. Beautiful, clever, and rational, she easily attracts four very persistent suitors (Mr. Christopher Julian (a struggling musician), Mr. Neigh and Mr. Ladywell, both gentlemen and friends, and Lord Mountclere, a 65-year old aristocrat with a dubious past), but is reluctant to give her much-coveted hand. She finally elects for Lord Mountclere, after he comes to know the secret of her low birth and family, and she comes to dominate him, running his estate and saving him from bankruptcy. Her unrequited suitor Christopher Julian realises he would never have been happy with her had she married him, and settles for her younger sister Picotee who had been in love with him for years.
Mr. Hardy retains his light touch. He is satirical without being ill-natured. His satire upon the "London correspondent" of a provincial paper is excellent. The little touches and glimpses of vanity by which he shows off his various characters are capital. [2]
It was adapted for BBC Radio 4 by Katherine Jakeways. The one-hour play was released just before International Women's Day 2021, as part of a series on Hardy's women. [3]
Thomas Hardy was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, including the poetry of William Wordsworth. He was highly critical of much in Victorian society, especially on the declining status of rural people in Britain, such as those from his native South West England.
East Lynne is an English sensation novel of 1861 by Ellen Wood, writing as Mrs Henry Wood. A Victorian best-seller, it is remembered chiefly for its elaborate and implausible plot, centring on infidelity and double identities. There have been numerous stage and film adaptations.
Love and Mr Lewisham is a 1900 novel set in the 1880s by H. G. Wells. It was among his first fictional writings outside the science fiction genre. Wells took considerable pains over the manuscript and said that "the writing was an altogether more serious undertaking than I have ever done before." He later included it in a 1933 anthology, Stories of Men and Women in Love.
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The Small House at Allington is a novel by English novelist Anthony Trollope. It first appeared as a serial in the 1862 July to December edition of the Cornhill Magazine, and ended its run in the July to December edition of the following year. It was later published 1864 as a two volume novel. It is the fifth book in the Chronicles of Barsetshire series, preceded by Framley Parsonage and followed by The Last Chronicle of Barset. It enjoyed a revival in popularity in the early 1990s when the British prime minister, John Major, declared it as his favourite book.
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Leave it to Psmith, subtitled "A comedy of youth, love and misadventure", is a 1930 comedy play by Ian Hay and P. G. Wodehouse, based on the latter's 1923 novel of the same title. It premiered in London's West End at the Shaftesbury Theatre on 29 September 1930.
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