The Hapa Project

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The Hapa Project is a multiracial identity art project created by American artist Kip Fulbeck. The project embodies a range of media, including a published book, traveling photographic exhibition, satellite community presentations, and online communities. [1] [2] [3] [4]

Contents

Overview

Fulbeck began the project in 2001, traveling the country photographing over 1200 volunteer subjects who self-identified as Hapa (defined for the project as mixed ethnic heritage with partial roots in Asian and/or Pacific Islander ancestry) [5] [6] Each individual was photographed in a similar minimalist style (directly head-on, unclothed from the shoulders up, and without jewelry, glasses, excess make-up, or purposeful expression). After being photographed, participants chose their own racial/ethnic terms to describe themselves, then responded to the question "What are you?" in their own handwriting. The photographs, self-descriptions, and handwritten responses were then combined and displayed as a collection. [7]

Over 1200 volunteer participants were photographed at dozens of shoots throughout California and Hawaii, as well as Illinois, New York, and Wisconsin. [8]

Objective

The Hapa Project was created to promote awareness and recognition of the millions of multiracial/multiethnic individuals of Asian/Pacific Islander descent in the U.S; to give voice to multiracial people and previously ignored ethnic groups; to dispel myths of exoticism, hybrid vigor and racial homogeneity; to foster positive identity formation and self-image in multiracial children; and to encourage solidarity and empowerment within the multiracial/Hapa community. [2] Fulbeck also notes that a main objective "... was to make the book I wish I owned when I was a kid. I never knew anyone else like me, going through things I went through, not fitting in, always having to choose sides ... Identity is a personal process and I’m adamant that it should be a personal decision, not one made by a community, a government or others." [9]

Use of race as identifier

Fulbeck states that despite its utilization of common racial classifications, The Hapa Project is fundamentally a project about identity rather than a project about race: "It's about identity using race as a starting point." [10] He argues that race in itself is not biologically determined, but socially created: "For the record, race is not a scientifically sound assumption. For example, there is no DNA difference between human beings. We are all African. Biologically, race does not exist. It is a social and cultural construct ... The U.S. is a country with a long history of social genocide (Native Americans, African slavery, etc.) and this was all due to the seeming differences we attributed to race. Yes, it is very convenient to categorize people according to race. It is also extremely inaccurate, however." [10]

Conceptual strategies

The Hapa Project at the Japanese American National Museum Janm2.jpg
The Hapa Project at the Japanese American National Museum
The Hapa Project at the Japanese American National Museum Janm1.jpg
The Hapa Project at the Japanese American National Museum

The use of a clinical photographic style combined with the listing of the subject's ethnic heritage alongside their image visually quotes from various pseudo-scientific 18th and 19th century racial studies of Carl Linnaeus, Johann Friedrich Blumenbach, and Arthur de Gobineau [See: Spickard, Paul, Almost All Aliens, Routledge, New York, NY 2007] However, Fulbeck's decision to have the subjects self-designate their ethnicity and to include their individual handwritten statements counters this methodology, giving ownership and responsibility to the subjects themselves. As historian Paul Spickard writes, "Kip Fulbeck is using the pictures to provoke and encourage his readers. He is using the old form, but with exactly opposite content." [See: Fulbeck, Kip, Part Asian, 100% Hapa, Chronicle Books, San Francisco 2006, p. 261]

The project also plays upon and critiques the official photographs each person has taken for their driver's licenses, passports and other forms of identification. [11]

A further strategy aimed at diminishing the power dynamic between photographer/subject was to have each participant choose their own image, with the option of re-photographing them if they desired. Fulbeck states, "... every participant not only got to write their statement the way they wanted to, they also got to pick their own image. A camera is a tremendously powerful tool and the power dynamic between photographer and subject is palpable. For this reason, I wanted to give some of the power back to the subjects. It was never going to be completely democratic – it is, after all, my concept, my project, and my design – but there are some strategies you can employ to make it less unilateral. Everyone got to see their image and choose to keep it or erase it and shoot again." One participant was re-photographed 27 times. [2]

Offshoot projects

Numerous schools and community organizations have created similar projects inspired by Fulbeck's work. [12] [13] [14] [15]

Exhibition history

Participatory component of The Hapa Project Hapaproject1.jpg
Participatory component of The Hapa Project

The Hapa Project publicly premiered in 2006 at the Japanese American National Museum with a 5-month solo exhibition entitled "kip fulbeck: part asian, 100% hapa." The work has also exhibited at Space180 Gallery (San Francisco), Mandeville Gallery (New York), The Field Museum, University of North Carolina, Oakland University, Northern Arizona University, Santa Clara University, and Woodward Academy, among others. [16] Sixteen images from the series are included in the Science Museum of Minnesota's exhibition Race: Are We So Different? currently touring nationally. [17]

Many of the exhibitions include a participatory component where visitors can take part in the project by having their picture taken and writing an individual statement.

Public attention

The project has received both national and international news coverage, being featured on CNN, MTV, PBS, NPR, and Voice of America. Major newspapers covering the project include The Los Angeles Times, [18] Orange County Register, [19] and Kyoto Journal. It has also been featured on dozens of websites exploring race and identity in the U.S. [20] [21] [22]

Book

Part Asian, 100% Hapa (Chronicle Books) Part Asian 100%25 Hapa Cover.jpg
Part Asian, 100% Hapa (Chronicle Books)

A book based on the project entitled Part Asian, 100% Hapa was published by Chronicle Books in 2006. It features a foreword by musician Sean Lennon and an afterword by historian Paul Spickard.

The book includes portraits and statements from approximately 10% of the overall project participants. Fulbeck has discussed the difficulties in selecting these images from the overall pool, as well the problematic of selecting a single image for the book cover. He also has written about the conscious decision to dispel stereotypes of Hapa people all being conventionally attractive. [8]

Influences

Fulbeck cites photographer Jim Goldberg and comic artist Lynda Barry as specifically influential to the creation of the project. Lynda Barry also participated in the project and is included in Part Asian, 100% Hapa. Fulbeck also credits historian Paul Spickard as a major influence, particularly his book Mixed Blood: Intermarriage & Ethnic: Intermarriage And Ethnic Identity In Twentieth Century America (University of Wisconsin Press, 1991) [See: Fulbeck, Kip, Part Asian, 100% Hapa, Chronicle Books, San Francisco 2006, pp. 8, 55, 259].

Anonymity and celebrity

Participant names are listed alphabetically in both the photographic exhibition and book (without index to individual images). Fulbeck chose participant anonymity both for the safety of the children and as a thematic strategy. "...I wanted participants to have as blank a slate as possible to work with, to not be burdened by any pre-existing identifiers. It’s interesting with celebrities, because celebrities without their gear – their look or environment or entourage – don’t look like celebrities. They look like people. And that’s what I wanted. I could photograph Cher this way and she’d look like a regular person." [8]

Celebrities in the project include Lynda Barry, Wuv Bernardo, Asia Carrera, Karen David, Amy Hill, Sean Lennon, Liz Masakayan, Greg Pak, Sonny Sandoval, and Sandra Tsing Loh.

Emerging patterns

Two-thirds of the project volunteers were part Japanese-American. An overwhelming majority of participants were female, including some shoots where women outnumbered men 20:1. [8] [23]

Current work

Fulbeck followed Part Asian, 100% Hapa with the publication of Permanence: Tattoo Portraits by Kip Fulbeck in 2008 and Mixed: Portraits of Multiracial Kids in 2010 (both by Chronicle Books). Both books also had accompanying solo exhibitions. [24] [25] A major speaker on the college circuit, Fulbeck has spoken on The Hapa Project at hundreds of campuses throughout the U.S. He is represented by The Creative Artists Agency in Los Angeles. [26]

See also

Related Research Articles

<i>Issei</i> First generation of Japanese people who immigrated to the Americas

Issei is a Japanese-language term used by ethnic Japanese in countries in North America and South America to specify the Japanese people who were the first generation to immigrate there. Issei are born in Japan; their children born in the new country are nisei ; and their grandchildren are sansei.

Sansei is a Japanese and North American English term used in parts of the world to refer to the children of children born to ethnically Japanese emigrants (Issei) in a new country of residence, outside of Japan. The nisei are considered the second generation, while grandchildren of the Japanese-born emigrants are called Sansei. The fourth generation is referred to as yonsei. The children of at least one nisei parent are called Sansei; they are usually the first generation, of whom a high percentage are mixed-race, given that their parents were (usually), themselves, born and raised in America.

An ethnicity or ethnic group is a grouping of people who identify with each other on the basis of perceived shared attributes that distinguish them from other groups. Those attributes can include common sets of traditions, ancestry, language, history, society, nation, religion, or social treatment within their residing area. The term ethnicity is often used interchangeably with the term nation, particularly in cases of ethnic nationalism.

Multiracial people or mixed race people are people of more than one race. A variety of terms have been used both historically and presently for mixed race people in a variety of contexts, including multiethnic, polyethnic, occasionally bi-ethnic, Métis, Muwallad, Colored, Dougla, half-caste, ʻafakasi, mestizo, mutt, Melungeon, quadroon, octoroon, sambo/zambo, Eurasian, hapa, hāfu, Garifuna, pardo, and Gurans. A number of these terms are now considered offensive, in addition to those that were initially coined for pejorative use.

Hapa is a Hawaiian word for someone of multiracial ancestry. In Hawaii, the word refers to any person of mixed ethnic heritage, regardless of the specific mixture. The term is used for any multiracial person of partial East Asian, Southeast Asian, or Pacific Islander mixture in California. In what can be characterized as trans-cultural diffusion or the wave model, this latter usage has also spread to Massachusetts, Ohio, and Oregon.

<span class="mw-page-title-main">Japanese American Citizens League</span> Asian-American civil rights charity based in San Francisco, California

The Japanese American Citizens League is an Asian American civil rights charity, headquartered in San Francisco, with regional chapters across the United States.

Hāfu is a Japanese language term used to refer to a person ethnically half Japanese and half non-Japanese. A loanword from English, the term literally means "half," a reference to the individual's non-Japanese heritage. The word can also be used to describe anyone with mixed-racial ancestry in general. Japan remains one of the most homogeneous societies on the planet, which puts children of non-Japanese parents in a unique and difficult position, as they are called hāfu Japanese. Hāfu individuals are well represented in Japanese media and abroad, and recent studies in the 2010s estimate that 1 in 30 children born in Japan are born to interracial couples.

<span class="mw-page-title-main">Race and ethnicity in the United States</span>

The United States has a racially and ethnically diverse population. At the federal level, race and ethnicity have been categorized separately. The most recent United States census officially recognized five racial categories as well as people of two or more races. The Census Bureau also classified respondents as "Hispanic or Latino" or "Not Hispanic or Latino", identifying as an ethnicity, which comprises the largest minority group in the nation. The census also asked an "Ancestry Question," which covers the broader notion of ethnicity, in the 2000 census long form and the 2010 American Community Survey; the question worded differently on "origins" will return in the 2020 census.

<span class="mw-page-title-main">Japanese American National Museum</span> Museum in Los Angeles, California, USA

The Japanese American National Museum is located in Los Angeles, California, and dedicated to preserving the history and culture of Japanese Americans. Founded in 1992, it is located in the Little Tokyo area near downtown. The museum is an affiliate within the Smithsonian Affiliations program.

Lawrence Keith "Kip" Fulbeck is an American artist, spoken word performer, filmmaker and author. Fulbeck's work explores identity politics.

Mavin Foundation is a community organization which seeks to build "healthy communities that celebrate and empower mixed heritage people and families." Located in Seattle, WA, Mavin has been recognized nationally for its work toward a society inclusive of those in the mixed heritage community. Mavin’s current projects include Mavin Magazine, The Generation MIX National Awareness Tour, and The MatchMaker Bone Marrow Donor Project.

Jeff Chiba Stearns is a Canadian independent animation and documentary filmmaker who works in traditional and computer-based techniques.

Multiracial Americans or mixed-race Americans are Americans who have mixed ancestry of two or more races. The term may also include Americans of mixed race ancestry who self-identify with just one group culturally and socially. In the 2010 United States census, approximately 9 million individuals or 3.2% of the population, self-identified as multiracial. There is evidence that an accounting by genetic ancestry would produce a higher number. The impact of historical racial caste systems, such as that created by admixture between white European colonists and Native Americans, has often led people to identify or be classified by only one ethnicity, generally that of the culture in which they were raised. Prior to the mid-20th century, many people hid their multiracial heritage because of racial discrimination against minorities. While many Americans may be considered multiracial, they often do not know it or do not identify so culturally, any more than they maintain all the differing traditions of a variety of national ancestries.

Yonsei is a Japanese diasporic term used in countries, particularly in North America and in Latin America, to specify the great-grandchildren of Japanese immigrants (Issei). The children of Issei are Nisei. Sansei are the third generation, and their offspring are Yonsei. For the majority of Yonsei in the Western hemisphere, their Issei ancestors emigrated from Japan between the 1880s and 1924.

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Gosei is a Japanese diasporic term used in countries, particularly in North America and in South America, to specify the great-great-grandchildren of Japanese immigrants (Issei). The children of Issei are Nisei. Sansei are the third generation, and their offspring are Yonsei. The children of at least one Yonsei parent are called Gosei.

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References

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