The House of Commons, 1833 | |
---|---|
Artist | George Hayter |
Year | 1843 |
Type | Oil on canvas, historical painting |
Dimensions | 346 cm× 542 cm(136 in× 213 in) |
Location | National Portrait Gallery, London |
The House of Commons, 1833 is a large history painting by the British artist George Hayter. [1] It depicts the first meeting of the House of Commons following the 1832 Great Reform Act and the subsequent general election that produced a landslide majority for the ruling Whig Government. In the Victorian era the painting was often known as The First Reformed Parliament. [2]
Hayter began the work in 1833, without any commission and took a decade to complete. It was a further fifteen years before he finally sold it in 1858 to the newly founded National Portrait Gallery. [3] In 1895 the Gallery also acquired what functions as an effective companion piece, Hayter's earlier The Trial of Queen Caroline depicting the House of Lords in 1820. [4]
It depicts the old Commons chamber in St Stephen's Chapel before it burned down in 1834. It features many leading politicians of the day including several members of the Lords. Hayter originally planned to depict all 658 members of the new commons, but instead settled on a reduced number of around 375 although he kept a roughly proportionate party balance between Whigs and Tories. [5] A number of Prime Ministers past, present and future are depicted including the current incumbent Lord Grey, the Duke of Wellington, Lord Melbourne, Robert Peel, Lord Aberdeen, Lord Ripon, Lord Palmerston, Lord Derby, Lord John Russell and William Gladstone - a group that covers every Prime Minister from August 1827 and June 1885 with the exception of Benjamin Disraeli who was not elected to Parliament until 1837.
Other notable figures include the Speaker Sir Charles Manners-Sutton, the Irish leader Daniel O'Connell, the historian Thomas Macaulay, the radical leaders Sir Francis Burdett and William Cobbett, the soldier Henry Hardinge, the Whig reformers Lord Holland and Lord Lansdowne and the Ultra-Tory Sir Edward Knatchbull. [6] As he did in several of his works, Hayter added a self-portrait of himself sketching the scene on the lower right of the painting.
Sir Robert Peel, 2nd Baronet, was a British Conservative statesman who twice was Prime Minister of the United Kingdom, and simultaneously was Chancellor of the Exchequer (1834–1835). He previously was Home Secretary twice. He is regarded as the father of modern British policing, owing to his founding of the Metropolitan Police Service while he was Home Secretary. Peel was one of the founders of the modern Conservative Party.
Benjamin Robert Haydon was a British painter who specialised in grand historical pictures, although he also painted a few contemporary subjects and portraits. His commercial success was damaged by his often tactless dealings with patrons, and by the enormous scale on which he preferred to work. He was troubled by financial problems throughout his life, which led to several periods of imprisonment for debt. He died by suicide in 1846.
Henry Peter Brougham, 1st Baron Brougham and Vaux, was a British statesman who became Lord High Chancellor of Great Britain and played a prominent role in passing the Reform Act 1832 and Slavery Abolition Act 1833.
Charles Grey, 2nd Earl Grey, known as Viscount Howick between 1806 and 1807, was a British Whig politician who was Prime Minister of the United Kingdom from 1830 to 1834. He was a descendant of the House of Grey and the namesake of Earl Grey tea. Grey was a long-time leader of multiple reform movements. During his time as prime minister, his government brought about two notable reforms. The Reform Act 1832 enacted parliamentary reform, greatly increasing the electorate of the House of Commons.
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Frederick John Robinson, 1st Earl of Ripon,, styled The Honourable F. J. Robinson until 1827 and known between 1827 and 1833 as The Viscount Goderich, the name by which he is best known to history, was a British politician who served as Prime Minister of the United Kingdom from 1827 to 1828.
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George Howard, 6th Earl of Carlisle of Castle Howard,, styled Viscount Morpeth until 1825, was a British statesman. He served as Lord Privy Seal between 1827 and 1828 and in 1834 and was a member of Lord Grey's Whig government as Minister without Portfolio between 1830 and 1834.
The National Portrait Gallery (NPG) is an art gallery in London that houses a collection of portraits of historically important and famous British people. When it opened in 1856, it was arguably the first national public gallery in the world that was dedicated to portraits.
Sir George Hayter was an English painter, specialising in portraits and large works involving sometimes several hundred individual portraits. Queen Victoria appreciated his merits and appointed Hayter her Principal Painter in Ordinary and also awarded him a Knighthood in 1841.
Sydney Prior Hall MVO, MA was a British portrait painter and illustrator and one of the leading reportage artists of the later Victorian period.
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The Trial of Queen Caroline is an 1823 history painting by the British artist George Hayter. It depicts the events of 1820, in which George IV, who had recently succeeded to the throne, attempted to divorce his long-estranged wife, Caroline of Brunswick. In order to secure his divorce, George had a special bill moved in the House of Lords. The Lords heard evidence of the Queen's adultery, but with public opinion strongly in Caroline's favour, the measure was ultimately withdrawn by the government. Caroline remained married to George until her death the following year.
The Coronation of Queen Victoria is an 1839 painting by the British artist George Hayter. It depicts in oils the Coronation of Queen Victoria at Westminster Abbey on 28 June 1838. Victoria was eighteen when she succeeded her uncle William IV to the throne on 20 June 1837 and went on to reign until 1901.
The House of Commons, 1793–94 is a large history painting by the Austrian artist Anton Hickel. It was first exhibited in 1795 in the Haymarket. It depicts the House of Commons of the Parliament of Great Britain around the time of the country's first involvement in the French Revolutionary Wars. It shows the Prime Minister William Pitt the Younger at the despatch box engaged in debate. A large number of other political figures of the era are also depicted including opposition Whig leader Charles James Fox.
The Portrait of Lord Mansfield is a 1783 portrait painting by the Anglo-American artist John Singleton Copley. It depicts the Scottish politician and lawyer William Murray, 1st Earl of Mansfield who was serving as Lord Chief Justice at the time. He is shown in his robes as a member of the House of Lords where he sat as the Earl of Mansfield.
Portrait of Lord Melbourne is a portrait painting by the English artist Thomas Lawrence portraying the British Whig politician and future Prime Minister Lord Melbourne. It is also known as the Portrait of William Lamb as he had not yet inherited the title from his father when it was painted. It is today in the National Portrait Gallery in London.
The Reform Banquet is a history painting by the English artist Benjamin Robert Haydon. Completed and first exhibited in 1834 it represents a scene on 11 July 1832 when supporters of the recent Reform Act including the Prime Minister Earl Grey and other government ministers met for a celebratory dinner at the Guildhall in the City of London. Comparisons have been drawn between this work and George Hayter's The House of Commons, 1833 which were both large-scale depictions related to the recent Reform Act.