The film score is composed by Mychael Danna and Jeff Danna,who had previously worked on Gilliam's Tideland (2005). Despite both brothers having distinctive musical identities,they worked as a team for this film,wanting the score to sound "timeless and archaic".[1] Owing to the duo's previous collaboration with Gilliam,the latter entrusted them which in turn the brothers surprised him with "a very eclectic score,going all over the place—a real potpourri of different sounds and textures."[1]
Besides directing,Gilliam wrote lyrics for the two songs:"We Love Violence" and "We Are the Children of the World". The songs were performed by Gilliam,Mick Audsley,Ray Cooper,Ed Hall and Andre Jacquemin,under the Sir Ian Blair Memorial Choir,and Jam Theater Company Choir,conducted Jo Noel Hartley.[2] "We Are the Children of the World" spoofed Michael Jackson's famous song "We Are the World".[3] Gilliam opined that "That song used to make me crazy,and so here was my revenge. And it's that terrible saccharine business that goes on,especially to do with charities and doing good in the world,and how people just fall for it in many instances."[3]
The Sir Ian Blair Memorial Choir (Mick Audsley, Ray Cooper, Ed Hall, Andre Jacquemin, Terry Gilliam)
00:43
17.
"Top of the Wagon"
01:11
18.
"We Are the Children of the World"
Terry Gilliam
Jam Theater Company Choir (conducted by Jo Noel Hartley)
00:40
19.
"Tony's World Collapses"
02:18
20.
"The Devil's Dance"
01:42
21.
"Tony's Salvation?"
03:42
22.
"Parnassus Alone"
04:50
Total length:
47:31
Reception
Jonathan Broxton of Movie Music UK wrote "The score is nothing if not a mixed bag, but it is precisely this tonal insanity which might alienate some sections of the soundtrack-buying public who are not used to such flights of fancy. Personally, I loved the inventiveness of the Dannas’ work, and thoroughly enjoyed the trip through the musical dreamland they created for the film. However, less adventurous souls may be forgiven for thinking that Doctor Parnassus’s place is not an imaginarium, but an asylum for the musically schizophrenic."[4]Filmtracks wrote "Despite the free-spirited movement of this score through several genres, the Danna brothers manage to keep the whole quite cohesively listenable until the two songs near the end. There are no overwhelming highlights to be heard in the music for The Imaginarium of Doctor Parnassus, but its album release is perfect in length and its dry mix allows for an intimate appreciation of the Dannas' creative interpretations of Gilliam's quirky imagination."[5]Manohla Dargis of The New York Times called the music as " hurdy-gurdy".[6]Ray Bennett of The Hollywood Reporter wrote "The score by Mychael Danna and Jeff Danna has the required flair and sweep."[7] Brendon Connolly of /Film called it a "splendid score".[8]
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