The Immortal Thor | |
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![]() Cover to The Immortal Thor #1. Art by Alex Ross. | |
Publication information | |
Publisher | Marvel Comics |
Schedule | Monthly |
Format | Ongoing series |
Genre | |
Publication date | August 2023 |
No. of issues | 20 |
Main character(s) | Thor |
Creative team | |
Written by | Al Ewing |
Penciller(s) | Martin Coccolo |
Inker(s) | Martin Coccolo |
Letterer(s) | Joe Sabino |
Editor(s) | Will Moss |
The Immortal Thor is an ongoing comic book series written by Al Ewing, pencilled by Martin Coccolo, and published by Marvel Comics. The series starred with Thor finally becoming satisfied with being the king of Asgard and All-Father of the Ten Realms after being full of strife and struggle for the noble the last few years, but he soon finds himself being challenged by the gods of Utgard. [1]
The comic book received critical acclaim from critics, fans and audiences alike, [2] [3] [4] but despite that the book is not as big as Immortal Hulk, its predecessor, Immortal Thor is known by many as one of the best Thor comic books of all time.
The series begins in the aftermath of the Thor 2020 comic series written by Donny Cates and Torunn Grønbekk, where Thor begins his next adventure as he put his divine limits against the Gods of Utgard, his adoptive brother Loki (who is going by the mantle of the God of Stories), the corrupt corporation of Roxxon, led by the wicked minotaur, Dario Agger, Amora The Enchantress and Skurge The Executioner. During the seventeenth issue of the comic book, Magni Thorson, the son of Thor and Amora from an alternate universe where Thor and the other Asgardians took control of Earth, returns from the dead and is featured in the main continuity.
Unlike The Immortal Hulk, whose themes were about body-horror, vengeance, morality and forgiveness, The Immortal Thor is a deconstruction of stories that are being told under the shadow of a large corporation. It riffs on things like the necessity of power scaling, the demand for a unified canon, and the way in which external, non-creative forces can undermine the point of a piece of art. The central theme of the comic series serves as a meta-commentary of how executive and editorial meddling through media change not just the storytelling made by writers, but also how those changes shape the fictional characters and their world.