Self-reference is a concept that involves referring to oneself or one's own attributes, characteristics, or actions. It can occur in language, logic, mathematics, philosophy, and other fields.
Metonymy is a figure of speech in which a concept is referred to by the name of something closely associated with that thing or concept.
The fourth wall is a performance convention in which an invisible, imaginary wall separates actors from the audience. While the audience can see through this "wall", the convention assumes the actors act as if they cannot. From the 16th century onward, the rise of illusionism in staging practices, which culminated in the realism and naturalism of the theatre of the 19th century, led to the development of the fourth wall concept.
Deadpool is a character appearing in American comic books published by Marvel Comics. Created by Fabian Nicieza and Rob Liefeld, the character first appeared in New Mutants #98. In his comic book appearances, Deadpool is initially depicted as a supervillain of the New Mutants and X-Force, though later stories would portray him as an antihero. Deadpool is the alter ego of Wade Wilson, a disfigured Canadian mercenary with superhuman regenerative healing abilities. He is known for his tendency to joke incessantly and break the fourth wall for humorous effect.
The Truman Show is a 1998 American psychological comedy-drama film directed by Peter Weir, produced by Scott Rudin, Andrew Niccol, Edward S. Feldman, and Adam Schroeder, and written by Niccol.
Metafiction is a form of fiction that emphasizes its own narrative structure in a way that inherently reminds the audience that they are reading or viewing a fictional work. Metafiction is self-conscious about language, literary form, and story-telling, and works of metafiction directly or indirectly draw attention to their status as artifacts. Metafiction is frequently used as a form of parody or a tool to undermine literary conventions and explore the relationship between literature and reality, life, and art.
Metalepsis is a figure of speech in which a word or a phrase from figurative speech is used in a new context.
Self-referential humor, also known as self-reflexive humor, self-aware humor, or meta humor, is a type of comedic expression that—either directed toward some other subject, or openly directed toward itself—is self-referential in some way, intentionally alluding to the very person who is expressing the humor in a comedic fashion, or to some specific aspect of that same comedic expression. Here, meta is used to describe that the joke explicitly talks about other jokes, a usage similar to the words metadata, metatheatrics and metafiction. Self-referential humor expressed discreetly and surrealistically is a form of bathos. In general, self-referential humor often uses hypocrisy, oxymoron, or paradox to create a contradictory or otherwise absurd situation that is humorous to the audience.
The distancing effect, also translated as alienation effect, is a concept in performing arts credited to German playwright Bertolt Brecht.
Adrian Ward is a software artist and musician. He is known for his generative art software products released through his company Signwave, and as one third of the techno gabba ambient group, Slub. His theoretical approach to generative and software art guides his practice, including contributing to the early principles of the livecoding movement.
Metalinguistics is the branch of linguistics that studies language and its relationship to other cultural behaviors. It is the study of dialogue relationships between units of speech communication as manifestations and enactments of co-existence. Jacob L. Mey in his book, Trends in Linguistics, describes Mikhail Bakhtin's interpretation of metalinguistics as "encompassing the life history of a speech community, with an orientation toward a study of large events in the speech life of people and embody changes in various cultures and ages."
Postmodern picture books are a specific genre of picture books. Characteristics of this unique type of book include non-linear narrative forms in storybooks, books that are "aware" of themselves as books and include self-referential elements, and what is known as metafiction.
Self-referential encoding is a method of organizing information in one's memory in which one interprets incoming information in relation to oneself, using one's self-concept as a background. Examples include being able to attribute personality traits to oneself or to identify recollected episodes as being personal memories of the past. The implications of self-referential processing are evident in many psychological phenomena. For example, the "cocktail party effect" notes that people attend to the sound of their names even during other conversation or more prominent, distracting noise. Also, people tend to evaluate things related to themselves more positively. For example, people tend to prefer their own initials over other letters. The self-reference effect (SRE) has received the most attention through investigations into memory. The concepts of self-referential encoding and the SRE rely on the notion that relating information to the self during the process of encoding it in memory facilitates recall, hence the effect of self-reference on memory. In essence, researchers have investigated the potential mnemonic properties of self-reference.
Joie de vivre is a French phrase often used in English to express a cheerful enjoyment of life, an exultation of spirit, and general happiness.
Metatheatre, and the closely related term metadrama, describes the aspects of a play that draw attention to its nature as drama or theatre, or to the circumstances of its performance. "Breaking the Fourth Wall" is an example of a metatheatrical device.
Jonathan Lasker is an American abstract painter based in New York City whose work has played an integral role in the development of Postmodern Painting. He is represented by Greene Naftali Gallery, New York.
Meta-communication is a secondary communication about how a piece of information is meant to be interpreted. It is based on the idea that the same message accompanied by different meta-communication can mean something entirely different, including its opposite, as in irony. The term was brought to prominence by Gregory Bateson to refer to "communication about communication", which he expanded to: "all exchanged cues and propositions about (a) codification and (b) relationship between the communicators". Meta-communication may or may not be congruent with, supportive of, or contradictory to that verbal communication.
The Rembrandt Research Project (RRP) was an initiative of the Nederlandse Organisatie voor Wetenschappelijk Onderzoek (NWO), which is the Netherlands Organization for Scientific Research. Its purpose was to organize and categorize research on Rembrandt van Rijn, with the aim of discovering new facts about this Dutch Golden Age painter and his studio. The project started in 1968 and was sponsored by NWO until 1998. Research continued until 2014. It was the authority on Rembrandt and had the final say in whether a painting is genuine. The documentation generated by the project was transferred to the Netherlands Institute for Art History and renamed the Rembrandt Database.
Michael Krausz is a Swiss-born American philosopher as well as an artist and orchestral conductor. His philosophical works focus on the theory of interpretation, theory of knowledge, philosophy of science, philosophy of history, and philosophy of art and music. Krausz is Milton C. Nahm Professor of Philosophy at Bryn Mawr College, and he teaches Aesthetics at the Curtis Institute of Music. He has taught at University of Toronto and has been visiting professor at American University, Georgetown University, Oxford University, Hebrew University of Jerusalem, American University in Cairo, University of Nairobi, Indian Institute of Advanced Study, and University of Ulm, among others. Krausz is the co-founder and former Chair of the fourteen-institution Greater Philadelphia Philosophy Consortium.
Mise en abyme is a transgeneric and transmedial technique that can occur in any literary genre, in comics, film, painting or other media. It is a form of similarity and/or repetition, and hence a variant of self-reference. Mise en abyme presupposes at least two hierarchically different levels. A subordinate level 'mirrors' content or formal elements of a primary level.
