"The Intro and the Outro" | |
---|---|
Song by Bonzo Dog Doo-Dah Band | |
from the album Gorilla | |
Released | October 1967 |
Length | 3:06 |
Label | Liberty |
Songwriter(s) | Vivian Stanshall |
Producer(s) | Gerry Bron, Lyn Birkbeck |
Official audio | |
"The Intro and the Outro" on YouTube |
"The Intro and The Outro" is a recording by the Bonzo Dog Doo-Dah Band. [1] [2] It appears on their debut album, Gorilla (1967). It is not so much a song as a comic monologue in which the speaker introduces the musicians who ostensibly appear on the recording. The recording fades out before the emcee completes the introductions and without the "orchestra" being able to play anything more than a vamp. The piece was written by Bonzo member Vivian Stanshall, who also provides the vocal. [3] The Oxford English Dictionary credits this song as the first known use of the word "outro". [4]
Stanshall first introduces the seven members of the Bonzo Dog Doo-Dah Band, who are credited with their actual instruments, over a vamp that resembles Duke Ellington’s "C Jam Blues". Following that, the imaginary line-up turns toward comedy. Some of the "musicians" named are actual performers credited with instruments that they did not play or typically were not associated with. Others are actors, politicians and other public figures not generally linked with musical performance in any way. Some of those named will now be unfamiliar to listeners outside mid-20th century Britain, such as Billy Butlin, Val Doonican, Max Jaffa and the comic strip character Lord Snooty from The Beano . Peter Scott, credited as playing the duck call, was a well-known British ornithologist (and son of Robert Falcon Scott, the Antarctic explorer).
According to Stanshall's monologue the Bonzos play the following instruments on the recording, although several of the band were multi-instrumentalists and may play other instruments as well.
As well as being mentioned in Stanshall's patter as playing the ukulele, Eric Clapton actually plays the ukulele on the recording. [5]
The "sessions gorilla" portion of the recording originally ran "And now just arriving, Quintin Hogg on pig grunt". Hogg was a British politician at the time. He learned of the piece prior to its release and objected to his name being used in such a context, namely the pun on his last name as "hog" (with one "g") is also another term for a pig. He managed to get Stanshall back into the studio to record the line about the sessions gorilla that is heard on the final recording. It is not known if any copies of the original version still exist. [6] Controversy also grew out of the juxtaposition of The Princess Anne with Hitler. [7]
Vivian Stanshall is also known for appearing as the “Master of Ceremonies” on Mike Oldfield’s original recording of Tubular Bells , a role which involved introducing the instruments featured in the recording, most of which were played by Oldfield.
An excerpt of the song, with an adapted commentary sounding like Stanshall (actually performed by Bob Monkhouse), was used in a 1988 television advertisement, made at Passion Pictures and animated by Chuck Gammage, for the Cadbury Creme Egg. [8]
Vivian Stanshall was an English singer-songwriter, musician, author, poet and wit, best known for his work with the Bonzo Dog Doo-Dah Band, for his exploration of the British upper classes in Sir Henry at Rawlinson End, and for acting as Master of Ceremonies on Mike Oldfield's album Tubular Bells.
Neil James Innes was an English writer, comedian and musician. He first came to prominence in the pioneering comedy rock group Bonzo Dog Doo-Dah Band and later became a frequent collaborator with the Monty Python troupe on their BBC television series and films, and is often called the "seventh Python" along with performer Carol Cleveland. He co-created the Rutles, a Beatles parody/pastiche project, with Python Eric Idle, and wrote the band's songs. He also wrote and voiced the 1980s ITV children's cartoon adventures of The Raggy Dolls.
GRIMMS were an English pop rock, comedy, and poetry group, originally formed as a merger of The Scaffold with two members of the Bonzo Dog Doo-Dah Band and the Liverpool Scene for two concerts in 1971 at the suggestion of John Gorman.
Rodney Desborough Slater is a member of the Bonzo Dog Doo-Dah Band, playing saxophones and other musical instruments.
Roger Ruskin Spear is an English sculptor, multimedia artist and multi-instrumentalist who was a member of the Bonzo Dog Doo-Dah Band. Spear is the son of the satirical artist and lecturer Ruskin Spear.
"Death Cab for Cutie" is a song composed by Vivian Stanshall and Neil Innes and performed by the Bonzo Dog Doo-Dah Band. It was included on their 1967 album Gorilla.
Gorilla is the debut album by Bonzo Dog Doo-Dah Band, originally released by Liberty Records, LBL 83056, in 1967. In 2007, EMI reissued the album on CD with seven bonus tracks.
The Doughnut in Granny's Greenhouse is the second album by the British comedy rock group Bonzo Dog Doo-Dah Band. In the United States, it was released as Urban Spaceman and added their U.K. hit single "I'm the Urban Spaceman" to the track listing.
Keynsham is the fourth album by the Bonzo Dog Band. It was released in 1969 on Liberty Records.
Beast of the Bonzos is the US version of the UK album The Best of the Bonzos. This American best of album differs from the British in having different cover art, an extra flap with an article about the Bonzos by John Mendelsohn, and about half different songs.
Cornology is a 1992 compilation box set, issued by EMI Records, of the complete recorded output of The Bonzo Dog Band, previously issued on the Parlophone, Liberty and United Artists labels.
David Catlin-Birch is a British musician. He was a guitarist for pop/alternative rock band World Party, and was the original "Paul" for the March 1980 launch of The Beatles tribute band, The Bootleg Beatles.
Larry Smith, often known as "Legs" Larry Smith is an English drummer of the satirical comedy jazz group the Bonzo Dog Doo-Dah Band.
Sir Henry at Rawlinson End, released in 1978, is a largely spoken-word, solo comedy recording by British musician Vivian Stanshall, formerly of the Bonzo Dog Doo-Dah Band. It originated in his Rawlinson End sessions for the John Peel Show on BBC Radio 1 beginning in 1975, and a similarly-named track on the Bonzo Dog Band's 1972 album Let's Make Up and Be Friendly.
Pour l'Amour Des Chiens is the first all new studio album by the Bonzo Dog Doo-Dah Band in 35 years, and their sixth album overall. It was released on 12 December 2007, produced by Mickey Simmonds and Neil Innes, by Storming Music Company.
"I'm the Urban Spaceman" was the Bonzo Dog Doo-Dah Band's most successful single, released in 1968. It reached #5 in the UK charts. The song was written by Neil Innes—who won an Ivor Novello Award in 1968 for the song—and produced by Paul McCartney under the pseudonym "Apollo C. Vermouth". The B-side was written by Vivian Stanshall. A well-known staging of the song involves Innes performing solo while a female tap dancer performs an enthusiastic but apparently under-rehearsed routine around him. This skit originally appeared in a 1975 edition of Rutland Weekend Television, with Lyn Ashley as the dancer, and was more famously revived in the 1982 film Monty Python Live at the Hollywood Bowl with Carol Cleveland taking over the role.
The Bonzo Dog Doo-Dah Band was created by a group of British art-school students in the 1960s. Combining elements of music hall, trad jazz and psychedelia with surreal humour and avant-garde art, the Bonzos came to public attention through appearances in the Beatles' 1967 film Magical Mystery Tour and the 1968 ITV comedy show Do Not Adjust Your Set.
Rawlinson End was a series of thirteen 15-20 minute radio broadcasts, created and performed by Vivian Stanshall for BBC Radio 1 between 1975 and 1991. The early sessions formed the template for Stanshall's 1978 album Sir Henry at Rawlinson End, as well as the 1980 film of the same name. Material from the three final episodes, recorded between 1988 and 1991, together with previously-unreleased linking narration and music recorded by Stanshall in the 1990s, were compiled posthumously as the 2023 album Rawlinson's End.
Unpeeled is a 1995 compilation of sessions recorded by The Bonzo Dog Band for the John Peel show on the BBC during the late sixties.
Martin Ash was a British performer, percussionist, artist and art lecturer better known to many by his stage name Sam Spoons, the percussionist of Bonzo Dog Doo-Dah Band.
Nonetheless, they had something suspiciously resembling a hit in 1968 with a single called 'I'm the Urban Spaceman'. There was also 'The Intro and the Outro', their sublime spoof of instruments soloing in a jazz band; and 'Trouser Press', an oeuvre for an amplified version of that hotel appliance.
Remember the Bonzo Dog Doo Dah Band and their hit 'I'm The Urban Spaceman'? Or 'I'm Going To Bring A Watermelon To My Girl Tonight'? Or 'The Intro and The Outro' ("looking very relaxed... Adolf Hitler on vibes")? Well the avant garde, off-the-wall entertainers are at the Landmark Theatre next month in their latest incarnation – Three Bonzos and a Piano.
The Bonzos pre-empted the quintessentially English anarchic comedy of the Pythons in the late 1960s with songs that celebrated all things daft and beautiful. These were epitomised perhaps by "The Intro and The Outro", in which Stanshall in his posh MC voice reeled off a series of unlikely guest artistes over a mantra-like trad jazz riff, ie, "Say hello to big John Wayne, xylophone, Robert Morley, guitar, Billy Butlin, spoons. And looking very relaxed, Adolf Hitler on vibes."
George Harrison and Eric Clapton both admired Formby and Clapton played the ukulele in The Intro and the Outro, a song by the Bonzo Dog Doo-Dah Band