Michael John Moorcock is an English–American writer, particularly of science fiction and fantasy, who has published a number of well-received literary novels as well as comic thrillers, graphic novels and non-fiction. He has worked as an editor and is also a successful musician. He is best known for his novels about the character Elric of Melniboné, which were a seminal influence on the field of fantasy in the 1960s and 1970s.
Steampunk is a subgenre of science fiction that incorporates retrofuturistic technology and aesthetics inspired by, but not limited to, 19th-century industrial steam-powered machinery. Steampunk works are often set in an alternative history of the Victorian era or the American "Wild West", where steam power remains in mainstream use, or in a fantasy world that similarly employs steam power.
Jerry Cornelius is a fictional character created by English author Michael Moorcock. The character is an urban adventurer and an incarnation of the author's Eternal Champion concept. Cornelius is a hipster of ambiguous and occasionally polymorphous gender. Many of the same characters feature in each of several Cornelius books, though the individual books have little connection with one another, having a more metafictional than causal relationship. The first Jerry Cornelius book, The Final Programme, was made into a 1973 film starring Jon Finch and Jenny Runacre. Notting Hill in London features prominently in the stories.
The Eternal Champion is a fictional character created by British author Michael Moorcock and is a recurrent feature in many of his speculative fiction works.
Jeff VanderMeer is an American author, editor, and literary critic. Initially associated with the New Weird literary genre, VanderMeer crossed over into mainstream success with his bestselling Southern Reach Trilogy. The trilogy's first novel, Annihilation, won the Nebula and Shirley Jackson Awards, and was adapted into a Hollywood film by director Alex Garland. Among VanderMeer's other novels are Shriek: An Afterword and Borne. He has also edited with his wife Ann VanderMeer such influential and award-winning anthologies as The New Weird, The Weird, and The Big Book of Science Fiction.
Retrofuturism is a movement in the creative arts showing the influence of depictions of the future produced in an earlier era. If futurism is sometimes called a "science" bent on anticipating what will come, retrofuturism is the remembering of that anticipation. Characterized by a blend of old-fashioned "retro styles" with futuristic technology, retrofuturism explores the themes of tension between past and future, and between the alienating and empowering effects of technology. Primarily reflected in artistic creations and modified technologies that realize the imagined artifacts of its parallel reality, retrofuturism can be seen as "an animating perspective on the world".
Monsieur Zenith the Albino is an ambiguous villain created by writer Anthony Skene for the "Sexton Blake" series of detective pulp fiction.
Historical fantasy is a category of fantasy and genre of historical fiction that incorporates fantastic elements into a more "realistic" narrative. There is much crossover with other subgenres of fantasy; those classed as Arthurian, Celtic, or Dark Ages could just as easily be placed in historical fantasy. Stories fitting this classification generally take place prior to the 20th century.
The Dancers at the End of Time is a series of science fiction novels and short stories written by Michael Moorcock, the setting of which is the End of Time, an era "where entropy is king and the universe has begun collapsing upon itself". The inhabitants of this era are immortal decadents, who create flights of fancy via the use of power rings that draw on energy devised and stored by their ancestors millions of years prior. Time travel is possible, and throughout the series various points in time are visited and revisited. Space travellers are also common, but most residents of the End of Time find leaving the planet distasteful and clichéd. The title of the series is itself taken from a poem by a fictitious 19th-century poet, Ernest Wheldrake, which Mrs. Amelia Underwood quotes in The End of All Songs. "Ernest Wheldrake" had been a pseudonym used by Algernon Charles Swinburne.
Subterranean fiction is a subgenre of adventure fiction, science fiction, or fantasy which focuses on fictional underground settings, sometimes at the center of the Earth or otherwise deep below the surface. The genre is based on, and has in turn influenced, the Hollow Earth theory. The earliest works in the genre were Enlightenment-era philosophical or allegorical works, in which the underground setting was often largely incidental. In the late 19th century, however, more pseudoscientific or proto-science-fictional motifs gained prevalence. Common themes have included a depiction of the underground world as more primitive than the surface, either culturally, technologically or biologically, or in some combination thereof. The former cases usually see the setting used as a venue for sword-and-sorcery fiction, while the latter often features cryptids or creatures extinct on the surface, such as dinosaurs or archaic humans. A less frequent theme has the underground world much more technologically advanced than the surface one, typically either as the refugium of a lost civilization, or as a secret base for space aliens.
Jess Nevins is an American author and research librarian best known for annotated guides and encyclopedias covering Victoriana, comic books, genre fiction and pulp fiction. Among Nevin's books are Encyclopedia of Fantastic Victoriana,Horror Fiction in the 20th Century and Encyclopedia of Golden Age Superheroes. He has been a recipient and finalist for a number of honors, including the World Fantasy, Sidewise, and Locus Awards.
The Warlord of the Air is a 1971 British alternate history novel written by Michael Moorcock. It concerns the adventures of Oswald Bastable, an Edwardian era soldier stationed in India, and his adventures in an alternate universe, in his own future, wherein the First World War never happened. It is the first part of Moorcock's A Nomad of the Time Streams trilogy and, in its use of speculative technology juxtaposed against an Edwardian setting, it is widely considered to be one of the first steampunk novels. The novel was first published by Ace Books as part of their Ace Science Fiction Specials series.
Nisi Shawl is an African-American writer, editor, and journalist. They are best known as an author of science fiction and fantasy short stories who writes and teaches about how fantastic fiction might reflect real-world diversity of gender, sexual orientation, race, colonialism, physical ability, age, and other sociocultural factors.
Oswald Bastable is a fictional character created by Michael Moorcock. He is the protagonist in The Warlord of the Air, The Land Leviathan, and The Steel Tsar, and appears in other stories.
The Steel Tsar is a sci-fi/alternate history novel by Michael Moorcock, first published in 1981 by Granada. Being a sequel to The Warlord of the Air (1971) and The Land Leviathan (1974), it is the final part of Moorcock's A Nomad of the Time Streams trilogy regarding the adventures of Captain Oswald Bastable and which has been seen as an early example of steampunk fiction. The same cover image was used for the 1984 reissue of Judas Priest album Rocka Rolla and also the 1989 video game Ballistix.
A Nomad of the Time Streams is a compilation volume of Michael Moorcock's early steampunk trilogy, begun in 1971 with The Warlord of the Air and continued by its 1974 and 1981 sequels, The Land Leviathan and The Steel Tsar. The trilogy follows the adventures of Edwardian-era British Army Captain Oswald Bastable in alternate versions of the 20th century.
Una Persson is a recurring character in many of Michael Moorcock's 'multiverse' novels. She has also been used as a character in stories by other writers. She was the character Moorcock chose to start a round-robin story in The Guardian.
This is a bibliography of the works of Michael Moorcock.
Dying Earth is a subgenre of science fantasy or science fiction which takes place in the far future at either the end of life on Earth or the end of time, when the laws of the universe themselves fail. Themes of world-weariness, innocence, idealism, entropy, heat death of the universe, (permanent) exhaustion/depletion of many or all resources, and the hope of renewal dominate. A related subgenre set in the distant future of entropic decay is called entropic romance.
