The Lift

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The Lift
De Lift poster.jpg
Theatrical release poster
Directed by Dick Maas
Written byDick Maas
Produced by Matthijs van Heijningen
Starring
CinematographyMarc Felperlaan
Edited byHans van Dongen
Music byDick Maas
Production
company
Sigma Film Productions
Distributed by
  • Tuschinski Film Distribution (Netherlands)
  • Warner Bros. (International) [1]
Release date
  • 11 May 1983 (1983-05-11)(Netherlands)
Running time
95 minutes
CountryNetherlands
LanguageDutch
Budget€350,000 (est.)

The Lift (Dutch : De Lift) is a 1983 Dutch science fiction horror film written and directed by Dick Maas. The plot concerns an elevator that mysteriously begins to function intelligently on its own, where victims who go near the elevator or use it are killed.

Contents

An American remake was also directed by Maas, titled Down and released in 2001.

Plot

In a building in Amsterdam, an elevator inexplicably begins to function alone. After a lightning storm causes a power failure and traps four people in the elevator, the elevator fails to open even after a subsequent power restore, and the passengers almost suffocate. Soon, subsequent malfunctions prove fatal as an elderly blind man falls to his death when the elevator doors open to an empty shaft, the building night watchman is decapitated, and a janitor is seemingly burned alive.

Felix Adelaar, a technician from the elevator company Deta Liften, begins to examine the electrical system in an attempt to find any anomalies. During the course of several inspections, he meets Mieke de Beer, a journalist for De Nieuwe Revu, a local tabloid. When inspections reveal no apparent problems with the electrical system, Felix becomes obsessed with the continuing malfunctions of the elevator; this has a negative impact on his marriage as his wife Saskia begins to suspect he is having an affair. When Felix pays yet another visit to the building, he notices a van parked outside from Rising Sun, a manufacturer of microprocessors for automation and a secret supplier of experimental microprocessors to Deta Liften. Felix and Mieke, after collecting newspaper clippings about Rising Sun, try to meet with the company's CEO, who acts nervous and answers abruptly.

Mieke invites Felix to meet up with her former university professor who specializes in electronics. The professor explains microprocessors' sensitivity to external factors, such as electric fields, magnetic fields, and radioactivity, which undermine the proper functionality. He tells about a computer built years ago which suddenly began to self-program and went out of control. The next morning, Felix's boss angrily suspends him for his unauthorized visit to Rising Sun. That evening, the owners of Deta Liften and Rising Sun meet to discuss how to stop the elevator's computer processor, which is built from organic material, from killing people.

Saskia leaves Felix, taking their children with her. With nothing left to lose, Felix goes to the building to solve the elevator mystery. He discovers that the elevator has a sentient mind when it tries to prevent him from accessing its microprocessor. Instead Felix climbs into the elevator shaft and finds a pulsating box; inside is sticky goo covering a silicon chip—the elevator's heart. As Felix attacks the box with a wrench, the elevator uses its counterweight to knock him off balance. He manages to land on a ledge just below the elevator doors, and is rescued by Mieke just before the elevator is able to crush him.

As Rising Sun's CEO arrives to see that his experiment failed, he pulls out a pistol and fires into the biocomputer to seemingly kill it. The computer then shoots one of the broken cables out to drag him inside the shaft and hangs him. As a shaken Felix and Mieke walk down the stairs the elevator's heartbeat continues.

Cast

Critical response

Critical reception for De Lift has been mixed: some commended the film for its blending of humor and suspense, while others criticized its execution. Variety in particular praised the film, writing, "Humor from charcoal gray to pitch black, fine suspense, murders and thrills, and all of it without gratuitous gore combine for a jaunty entertainment in The Lift, director Dick Maas' first theatrical test, which he passes handsomely." [2] Dennis Schwartz from Ozus' World Movie Reviews rated the film a grade B−, stating that the film was "Played more for a black comedy than for a corporate greed or menace film." [3]

Janet Maslin of The New York Times was highly critical of the film, calling it "remarkably tension-free", and criticized its execution as being "too tepid". Maslin further stated, "In the hands of the right film maker, of course, even a toaster can be terrifying. But Mr. Maas leaves the elevator's potential fiendishness largely unexploited." [4] Time Out London gave the film a negative review, writing "the movie is shafted by confusions of script and execution, neither of which match up to the original good idea." [5] TV Guide awarded the film two out of five stars, stating that the film was "Surprisingly effective", while also stating that it was not particularly scary. [6]

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References

  1. ↑ "An Interview with Dick Maas". Not Coming to a Theater Near You. Retrieved 25 August 2024.
  2. ↑ "De Lift". Variety . 31 December 1982. Retrieved 3 April 2019.
  3. ↑ Schwartz, Dennis (1 March 2014). "Lift". Sover.net. Retrieved 3 April 2019.
  4. ↑ Maslin, Janet (4 July 1985). "Film: 'Lift,' a Mad Elevator". The New York Times . Retrieved 3 April 2019.
  5. ↑ "The Lift, directed by Dick Maas". Time Out London . 10 September 2012. Retrieved 3 April 2019.
  6. ↑ "The Lift – Movie Reviews and Movie Ratings". TV Guide. Archived from the original on 3 April 2019. Retrieved 3 April 2019.
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