The Lionel Hampton Quintet | ||||
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Studio album by | ||||
Released | 1954 | |||
Recorded | April 12–13, 1954 at Fine Sound, New York City | |||
Genre | Jazz | |||
Label | Clef - MGC 628 [1] | |||
Producer | Norman Granz | |||
Lionel Hampton chronology | ||||
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The Lionel Hampton Quintet is a 1954 album by Lionel Hampton accompanied by a quintet including clarinetist Buddy DeFranco. [2]
The album was reissued by Verve Records in 1999, with four extra tracks. [2]
Review scores | |
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Source | Rating |
Allmusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
Scott Yanow reviewed the album for Allmusic and wrote that "...Hampton is typically exuberant throughout (grunting rather loudly during a few later ensemble choruses on "Flying Home"), DeFranco and Peterson are as swinging as usual, and the overall music is quite joyous. Even if "Flying Home" does not reach Granz's claim of being the best-ever version of the song (one misses the honking tenor and screaming trumpet), this is an excellent and rather spontaneous outing." [2]
Norman Granz was an American jazz record producer and concert promoter. He founded the record labels Clef, Norgran, Down Home, Verve and Pablo. Granz was acknowledged as "the most successful impresario in the history of jazz". Granz is also known for his anti-racist position and for integrating audiences.
Lionel Leo Hampton was an American jazz vibraphonist, pianist, percussionist, and bandleader. Hampton worked with jazz musicians from Teddy Wilson, Benny Goodman, and Buddy Rich, to Charlie Parker, Charles Mingus, and Quincy Jones. In 1992, he was inducted into the Alabama Jazz Hall of Fame, and he was awarded the National Medal of Arts in 1996.
Jean-Baptiste "Illinois" Jacquet was an American jazz tenor saxophonist, best remembered for his solo on "Flying Home", critically recognized as the first R&B saxophone solo.
Jazz at the Philharmonic, or JATP (1944–1983), was the title of a series of jazz concerts, tours and recordings produced by Norman Granz.
Boniface Ferdinand Leonard "Buddy" DeFranco was an Italian-American jazz clarinetist. In addition to his work as a bandleader, DeFranco led the Glenn Miller Orchestra for almost a decade in the 1960s and '70s.
Like Someone in Love is a 1957 studio album by the American jazz singer Ella Fitzgerald, with a studio orchestra arranged and conducted by Frank DeVol. This album represents a fine example of Ella's singing from this period, recorded at the same time as her albums with Louis Armstrong.
Terry Gibbs is an American jazz vibraphonist and band leader.
Ella Swings Brightly with Nelson is a 1962 studio album by the American jazz singer Ella Fitzgerald, accompanied by an orchestra arranged by Nelson Riddle.
Ella in Rome: The Birthday Concert is a live album by Ella Fitzgerald, with a jazz trio led by Lou Levy, and also featuring the Oscar Peterson trio. Recorded in 1958, it was released thirty years later.
Digital III at Montreux is a 1979 live album featuring a compilation of performances by Ella Fitzgerald, Count Basie, Niels-Henning Ørsted Pedersen, Joe Pass, and Ray Brown, recorded at the 1979 Montreux Jazz Festival. It was produced and has liner notes by Norman Granz. The cover photo is by Phil Stern.
Ella Fitzgerald Sings the Cole Porter Song Book is a 1956 studio double album by American jazz singer Ella Fitzgerald, accompanied by a studio orchestra conducted and arranged by Buddy Bregman, focusing on the songs of Cole Porter.
Ella Fitzgerald and Billie Holiday at Newport is a 1958 live album by Ella Fitzgerald and Billie Holiday, recorded at the 1957 Newport Jazz Festival.
Ella and Louis is a studio album by Ella Fitzgerald and Louis Armstrong, accompanied by the Oscar Peterson Quartet, released in October 1956. Having previously collaborated in the late 1940s for the Decca label, this was the first of three albums that Fitzgerald and Armstrong were to record together for Verve Records, later followed by 1957's Ella and Louis Again and 1959's Porgy and Bess.
Charlie Parker with Strings is the name of two separate albums by jazz musician Charlie Parker, released in 1950 on Mercury Records. It is also the name of a 1995 compilation album released by Verve Records, containing all the tracks from both the 1950 albums, as well as additional material. The sessions place Parker in the context of a small classical string section and a jazz rhythm section, rather than his standard bebop quintet. They were Parker's most popular sellers during his lifetime, and were admitted to the Grammy Hall of Fame in 1988.
The Lionel Hampton Art Tatum Buddy Rich Trio is a 1955 album by Lionel Hampton, Art Tatum and Buddy Rich for Norman Granz' Clef Records. The album has been re-issued on Verve as Tatum Hampton Rich and by Pablo as The Tatum Hampton Rich Trio and as Volume three of Pablo's series, The Tatum Group Masterpieces.
This is the complete discography of the main 12-inch (8000) series of LPs issued by Verve Records, a label founded in 1956 by producer Norman Granz in Los Angeles, California. Alongside new sessions Granz re-released many of the recordings of his earlier labels Clef and Norgran on Verve.
Stan Getz at The Shrine is a live jazz album by American saxophonist Stan Getz, recorded in 1954. It was originally released in 1955 on Norgran Records as a 2 LP set, then reissued on CD by Verve as MGV 8188-2. This was the first concert recording for Stan Getz.
Hamp and Getz is an album by vibraphonist Lionel Hampton and saxophonist Stan Getz recorded in 1955 and first released on the Norgran label.
The Drum Battle – Gene Krupa and Buddy Rich at JATP is a 1960 live album by drummers Gene Krupa and Buddy Rich, recorded at a Jazz at the Philharmonic concert at Carnegie Hall in 1952.
Pianist Art Tatum recorded commercially from 1932 until near his death. He recorded nearly 400 titles, if airchecks and informal, private recordings are included. He recorded for Brunswick (1933), Decca (1934–41), Capitol and for the labels associated with Norman Granz (1953–56).