Related Research Articles
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence in the mid-to late 1990s with the subgenre neo-soul, which added modern production elements and influence from hip-hop.
Booker T. & the M.G.'s were an American instrumental R&B/funk band that was influential in shaping the sound of Southern soul and Memphis soul. The original members of the group were Booker T. Jones, Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson Jr. (drums). In the 1960s, as members of the Mar-Keys, the rotating slate of musicians that served as the house band of Stax Records, they played on hundreds of recordings by artists including Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla Thomas, Rufus Thomas, Johnnie Taylor and Albert King. They also released instrumental records under their own name, including the 1962 hit single "Green Onions". As originators of the unique Stax sound, the group was one of the most prolific, respected, and imitated of its era.
Sam & Dave were an American soul and R&B duo who performed together from 1961 until 1981. The tenor (higher) voice was Sam Moore and the baritone/tenor (lower) voice was Dave Prater (1937–1988).
Johnnie Harrison Taylor was an American recording artist and songwriter who performed a wide variety of genres, from blues, rhythm and blues, soul, and gospel to pop, doo-wop, and disco. He was initially successful at Stax Records with the number-one R&B hits "Who's Making Love" (1968), "Jody's Got Your Girl and Gone" (1971) and "I Believe in You " (1973), and reached number one on the US pop charts with "Disco Lady" in 1976.
Stax Records is an American record company, originally based in Memphis, Tennessee. Founded in 1957 as Satellite Records, the label changed its name to Stax Records in 1961. It also shared its operations with sister label Volt Records.
Rufus C. Thomas, Jr. was an American rhythm-and-blues, funk, soul and blues singer, songwriter, dancer, DJ and comic entertainer from Memphis, Tennessee. He recorded for several labels, including Chess Records and Sun Records in the 1950s, before becoming established in the 1960s and 1970s at Stax Records. His dance records, including "Walking the Dog" (1963), "Do the Funky Chicken" (1969), and "(Do the) Push and Pull" (1970), were some of his most successful songs. According to the Mississippi Blues Commission, "Rufus Thomas embodied the spirit of Memphis music perhaps more than any other artist, and from the early 1940s until his death . . . occupied many important roles in the local scene."
Carla Venita Thomas is an American singer, who is often referred to as the Queen of Memphis Soul. She is best known for her 1960s recordings for Atlantic and Stax including the hits "Gee Whiz " (1960), "B-A-B-Y" (1966) and "Tramp" (1967), a duet with Otis Redding. She is the daughter of Rufus Thomas.
The Mar-Keys, formed in 1958, were an American studio session band for Stax Records, in Memphis, Tennessee, in the 1960s. As the first house band for the label, their backing music formed the foundation for the early 1960s Stax sound.
Luther Thomas Ingram was an American R&B and soul singer-songwriter. His most successful record, "(If Loving You Is Wrong) I Don't Want to Be Right", reached No. 1 on the Billboard R&B chart and No. 3 on the Hot 100 in 1972.
David Porter is an American record producer, songwriter, singer, entrepreneur and philanthropist.
The Soul Children was an American vocal group who recorded soul music for Stax Records in the late 1960s and early 1970s. They had three top 10 hits on the U.S. Billboard R&B chart – "The Sweeter He Is" (1969), "Hearsay" (1972), and "I'll Be the Other Woman" (1973) – all of which crossed over to the Billboard Hot 100.
Shaft is a double album by Isaac Hayes, recorded for Stax Records' Enterprise label as the soundtrack LP for Metro-Goldwyn-Mayer's 1971 blaxploitation film Shaft. The album mostly consists of instrumentals composed by Hayes as score for the film. Three vocal selections are included: "Soulsville", "Do Your Thing", and "Theme from Shaft". A commercial and critical success, Shaft is Hayes' best-known work and the best-selling LP ever released on a Stax label.
"Soul Man" is a 1967 song written and composed by Isaac Hayes and David Porter, first successful as a number 2 hit single by Atlantic Records soul duo Sam & Dave, which consisted of Samuel "Sam" Moore and David "Dave" Prater. In 2019, "Soul Man" was selected for preservation in the National Recording Registry as "culturally, historically, and aesthetically significant" by the Library of Congress. It was No. 463 in "Top 500 Greatest Songs of All Time" by Rolling Stone Magazine in 2010 and No. 458 in 2004.
"Woman to Woman" is the title of a 1974 deep soul single recorded by Shirley Brown for whom it was a #1 R&B hit.
"I Thank You" is a song written by David Porter and Isaac Hayes originally recorded by Sam & Dave, released in early 1968. The single was Sam & Dave's final release on Stax Records, reaching #9 on the Billboard Pop Singles chart and #4 on the R&B chart. Shortly after its release, Stax severed its distribution deal with Atlantic Records and Sam & Dave, who were actually signed to Atlantic and loaned out to Stax, began recording for Atlantic proper. The song begins with Sam's spoken introduction that goes: "I want everybody to get off your seat,/ And get your arms together,/ And your hands together,/ And give me some of that old soul clapping". First, Sam sings the refrain, plus the first verse, and the refrain, while Dave sings the second verse, the refrain, and the third verse, with both Sam and Dave sharing on the repeated "Thank Yous" portion. Following a brief instrumental, Sam sings the refrain, with Dave, joining him, on the Coda with the repeated "thank yous".
The Dixie Nightingales, also known as Ollie & the Nightingales and The Nightingales, was an African-American male vocal group, whose repertoire included gospel and later rhythm and blues and soul music.
John Colbert, known professionally as J. Blackfoot, was an American soul singer. A member of The Soul Children in the late 1960s and 1970s, he subsequently had a moderately successful solo career. His biggest hit was "Taxi", which reached the charts in both the US and UK in 1984.
Raymond Earl Jackson was an American rhythm and blues songwriter, guitarist and record producer. His most successful songs, mostly written at Stax Records in the late 1960s and early 1970s, were "Who's Making Love", co-written with Homer Banks and Bettye Crutcher; and "(If Loving You Is Wrong) I Don't Want to Be Right" and "If You're Ready ", both co-written with Banks and Carl Hampton.
Complete & Unbelievable: The Otis Redding Dictionary of Soul, or simply Dictionary of Soul, is the fifth studio album by American soul singer-songwriter Otis Redding and his last solo studio album released before his death. The successful Otis Blue and the following performance at Whisky a Go Go led to his rising fame across the United States. The first side of the album mainly contains cover versions, and the second songs mainly written by Redding.
The Ovations were an American rhythm and blues vocal group who recorded in the 1960s and 1970s. Their biggest hit, a remake of Sam Cooke's "Having a Party", reached no.7 on the Billboard R&B chart in 1973.
References
- 1 2 3 4 "The Mad Lads". Oldies.com. Retrieved December 10, 2021.
- 1 2 Bowman, Rob (1997). Rob Bowman, Soulsville, U.S.A.: the story of Stax Records, Music Sales Group, 2003, pp.71-73. Schirmer Books. ISBN 9780825672842 . Retrieved March 3, 2014.
- 1 2 3 "The Mad Lads at Stax Museum". Staxmuseum.com. Archived from the original on August 14, 2011. Retrieved March 3, 2014.
- 1 2 Whitburn, Joel (1996). Top R&B/Hip-Hop Singles: 1942-1995. Record Research. p. 281.
- 1 2 3 The Mad Lads. "Biography by Richie Unterberger at". AllMusic . Retrieved March 3, 2014.
- ↑ "R.I.P Julius Green (Original Member of the Mad Lads)". SoulfulDetroit.com. Archived from the original on March 3, 2014. Retrieved March 3, 2014.
- ↑ "William Brown was Mad Lads singer, 'Shaft' engineer". Commercial Appeal. July 27, 2015.
- ↑ "John Gary Williams of R&B group The Mad Lads dies at 73". Star Tribune. Archived from the original on May 28, 2019. Retrieved May 30, 2019.
- 1 2 "The Mad Lads - Awards". AllMusic. Archived from the original on August 2, 2014. Retrieved August 21, 2022.
- ↑ Whitburn, Joel (2003). Top Pop Singles 1955-2002 (1st ed.). Menomonee Falls, Wisconsin: Record Research Inc. p. 432. ISBN 0-89820-155-1.
