The Million Dollar Handicap | |
---|---|
Directed by | Scott Sidney |
Written by | F. McGrew Willis |
Based on | Thoroughbreds by William Alexander Fraser |
Produced by | George C. Bertholon John C. Flinn |
Starring | Edmund Burns Ralph Lewis Ward Crane |
Cinematography | Devereaux Jennings |
Production company | Metropolitan Pictures Corporation of California |
Distributed by | Producers Distributing Corporation FBO Pictures (UK) |
Release date |
|
Running time | 60 minutes |
Country | United States |
Language | Silent (English intertitles) |
The Million Dollar Handicap is a 1925 American silent sports drama film directed by Scott Sidney and starring Edmund Burns, Ralph Lewis, and Ward Crane. [1] It is based on the 1902 novel Thoroughbreds by William Alexander Fraser. The film was released in Britain the following year under the alternative title The Pride of the Paddock.
As described in a film magazine review, [2] John Porter, a Southern horse breeder, is tricked into buying a doped filly named Dixie. His daughter Alis discovers that the horse can actually run. Her sweetheart George Mortimer, a cashier at the bank, shields her brother Alan after the latter embezzles some funds, and George is discharged. Alis' father suffers a paralytic stroke and is in financial difficulties. Alis disguises herself as a jockey and rides her despised horse in a $10,000 handicap race and wins. The excitement of the victory cures the father, her unjustly accused sweetheart George is cleared of any charges, and the two are happy together.
West of Zanzibar is a 1928 American sound film directed by Tod Browning. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The screenplay concerns a vengeful stage magician named Phroso who becomes paralyzed in a brawl with a rival. The supporting cast includes Mary Nolan and Warner Baxter. The screenplay was written by Elliott J. Clawson, based on a play named Kongo by Charles de Vonde and Kilbourn Gordon. Walter Huston starred in the stage play and later played Phroso again in the 1932 sound film remake of the same story which was also called Kongo.
The Only Thing is a 1925 American silent romantic drama film starring Eleanor Boardman. The film's scenario was written by author Elinor Glyn, and was based on a story adapted from Glyn's novel of the same name.
Ralph Percy Lewis was an American actor of the silent film era.
Neptune's Daughter is a 1914 American silent fantasy film featuring the first collaboration between actress Annette Kellerman and director Herbert Brenon. It was based on Kellerman's idea of "a water fantasy movie with beautiful mermaids in King Neptune's garden together with a good love story." It was filmed by Universal in Bermuda during January and February, cost approximately $50,000, and grossed one million dollars at the box office.
The Swamp is a 1921 American silent drama film released by the Robertson-Cole Pictures Corporation and directed by Colin Campbell. The film was written and produced by Sessue Hayakawa, who also co-stars with Bessie Love. A print of this film is preserved at the Gosfilmofond archive in Moscow.
Hell-to-Pay Austin is a 1916 American silent comedy-drama film directed by Paul Powell and starring Wilfred Lucas in the title role, with Bessie Love, Eugene Pallette, and Mary Alden in supporting roles. Written by Mary H. O'Connor, the film was produced by D. W. Griffith's Fine Arts Film Company and distributed by Triangle Film Corporation. It is presumed lost.
John Barham Day (1793–1860) was a British jockey and trainer. For much of his career he was usually known simply as John Day; when his son of the same name rose to prominence, the older man was referred to as John Barham Day, John Day, Sr. or Old John Day. A member of a highly successful racing family, Day first made his name as a jockey in the 1820s and rode the winners of sixteen classics before retiring. In the mid-1830s he set up as a trainer of racehorses at Danebury near Stockbridge. He established a reputation as a shrewd and skillful handler of horses and specialised in landing betting coups. Horses trained by Day won seven classics between 1838 and 1854, during which time he was regarded as the leading trainer in the South of England and the main rival of the Yorkshire-based John Scott. He was known as "Honest John", but the sobriquet appears to have been applied ironically.
Wolves of the Street is a 1920 American silent drama film directed by Otis B. Thayer and starring Edmund Cobb and Vida Johnson. The film was shot in Steamboat Springs, Colorado by the Thayer's Art-O-Graf film company. Franklyn Farnum was originally cast for the lead role, but he did not appear in the completed film.
Edmund Burns was an American actor. He was best known for his films of the silent 1920s, particularly The Princess from Hoboken (1927), Made for Love (1926), and After the Fog (1929), although he continued acting in films until 1936. Burn's first film appearance was an uncredited role as an extra in The Birth of a Nation (1915). Other films include The Country Kid (1923), The Farmer from Texas (1925), Ransom (1928), The Adorable Outcast (1928), Hard to Get (1929), The Shadow of the Eagle (1932), Hollywood Boulevard (1936), and his last film, Charles Barton's Murder with Pictures (1936) for Paramount Pictures.
Harrish Ingraham (1881– ?), was a British film director, screenwriter and actor during the era of silent movies.
The Untamed is a 1920 American silent Western film directed by Emmett J. Flynn and starring Tom Mix, Pauline Starke, and George Siegmann. It was based on a novel of the same name by Max Brand and was remade as a sound film Fair Warning in 1931.
Under Western Skies is a 1926 American silent Western film directed by Edward Sedgwick and starring Norman Kerry, Anne Cornwall, and Ward Crane.
When Rome Ruled is a 1914 American silent historical drama film directed by George Fitzmaurice and starring Nell Craig, Clifford Bruce and Riley Hatch. It was made at the American subsidiary of the French company Pathé, shortly to be relaunched as Pathé Exchange, at studios in Fort Lee, New Jersey. It was an attempt to imitate the classical epics of Italian cinema, but made on a much lower budget. It marked the directorial debut of Fitzmaurice who emerged as a leading filmmaker during the 1920s.
Innocent is a 1918 American silent drama film directed by George Fitzmaurice and starring Fannie Ward, John Miltern, and Armand Kaliz.
A Japanese Nightingale is a 1918 American silent drama film adapted from the Onoto Watanna novel, directed by George Fitzmaurice and starring Fannie Ward, W.E. Lawrence and Yukio Aoyama.
You Are Guilty is a 1923 American silent drama film directed by Edgar Lewis and starring James Kirkwood, Doris Kenyon and Robert Edeson.
The Nutcracker is a 1926 American silent comedy film directed by Lloyd Ingraham and starring Edward Everett Horton, Mae Busch, and Harry Myers. It was based on the 1920 novel The Nut Cracker by Frederic S. Isham.
The Desert Demon is a 1925 American silent Western film directed by Richard Thorpe and starring Jay Wilsey, Betty Morrissey, and Harry Todd.
Going the Limit is a 1926 American silent comedy film directed by Chester Withey and starring George O'Hara, Sally Long and Brooks Benedict. It is loosely inspired by the plot of George Barr McCutcheon's Brewster's Millions, also featuring a central character who is trying to lose money.
Accused is a 1925 American silent drama film directed by Dell Henderson and starring Marcella Daly, Eric Mayne, and Charles Delaney.