Across the Pacific is a lost 1926 American silent romantic adventure film produced by Warner Bros., directed by Roy del Ruth and starring Monte Blue. It was based on a 1900 play by Charles Blaney and J. J. McCloskey. The play had been filmed before in 1914 with Dorothy Dalton. It is unknown, but the film might have been released with a Vitaphone soundtrack.
The Last Frontier is a 1926 American silent Western film directed by George B. Seitz and starring William Boyd, Marguerite De La Motte, and Jack Hoxie. The plot of this film was later reused in the 1948 Columbia Pictures serial Tex Granger.
Border Vengeance is a 1925 American silent Western film directed by Harry S. Webb and starring Jack Perrin, Josephine Hill and Tom London.
One Hour of Love is a 1927 American silent romantic drama film directed by Robert Florey and starring Jacqueline Logan, Robert Frazer and Montagu Love.
Eyes of the Underworld is a 1929 American crime film directed by Leigh Jason and Ray Taylor and written by Leigh Jason and Carl Krusada. The film stars Bill Cody, Sally Blane, Arthur Lubin, Harry Tenbrook, Charles Clary and Monte Montague. The film was released on April 28, 1929, by Universal Pictures.
The Arizona Whirlwind is a 1927 American silent Western film directed by William James Craft and starring Bill Cody, Margaret Hampton and David Dunbar.
Beauty and Bullets is a 1928 American silent Western film directed by Ray Taylor and written by George H. Plympton and Carl Krusada. The film stars Ted Wells, Duane Thompson, Jack Kenny and Wilbur Mack. The film was released on December 16, 1928, by Universal Pictures.
The Silent Avenger is a 1927 American silent action film directed by James P. Hogan and starring Charles Delaney, Duane Thompson and George Chesebro.
The Bronc Stomper is a 1928 American silent Western film directed by Leo D. Maloney and starring Eugenia Gilbert, Ben Corbett and Tom London.
Marked Money is a 1928 American silent action film directed by Spencer Gordon Bennet and starring Tom Keene, Tom Kennedy and Virginia Bradford.
Wizard of the Saddle is a 1928 American silent Western film directed by Frank Howard Clark and starring Buzz Barton, Milburn Morante and James Ford.
Phantom of the Range is a 1928 American silent Western film directed by James Dugan and starring Tom Tyler, Frankie Darro and Duane Thompson. In 1931 it was remade as a sound film The Cheyenne Cyclone. Tyler also starred in a later film with a similar title The Phantom of the Range.
Slim Fingers is a 1929 American crime film directed by Joseph Levigard and written by William Berke and Carl Krusada. The film stars Bill Cody, Duane Thompson, Wilbur Mack, Monte Montague, Arthur Morrison and Charles King. The film was released on March 24, 1929, by Universal Pictures.
Riders of Mystery is a 1925 American silent Western film directed by Robert N. Bradbury and starring Bill Cody, Frank Rice, and Thomas G. Lingham.
King of the Saddle is a 1926 American silent Western comedy film directed by William James Craft and starring Bill Cody, Joan Meredith and Billy Franey.
The Lodge in the Wilderness is a 1926 American silent Western film directed by Henry McCarty and starring Anita Stewart, Edmund Burns and Larry Steers. It is a Northern based on a 1909 short story of the same title by Canadian writer Gilbert Parker.
Dangerous Pastime is a 1922 American silent drama film directed by James W. Horne and starring Lew Cody, Cleo Ridgely and Elinor Fair. Originally produced under the title Wait for Me it is also known as A Dangerous Pastime.
College Days is a 1926 American silent romantic comedy film directed by Richard Thorpe and starring Marceline Day, Charles Delaney, and James Harrison. It was produced by the independent Tiffany Pictures. The film's sets were designed by the art director Edwin B. Willis.
Blood and Steel is a 1925 American silent Western film directed by J.P. McGowan and starring Helen Holmes, William Desmond and Robert Edeson.
The Tip Off is a 1929 American silent crime drama film directed by Leigh Jason and starring Bill Cody, George Hackathorne and Duane Thompson. It was shot at Universal Studios, just as the company was producing its last silents amidst the conversion to sound. It was originally registered under the working title The Stool Pigeon, but this was changed possibly due to the similarity to Columbia's Stool Pigeon. In Britain it was released under the alternative title Underworld Love.
