The Princess Chic is an operetta in three acts with music by Julian Edwards and a libretto by Kirke La Shelle. [1] Set in 15th century France, the work tells the tale of a fictional romance between Princess Chic of Normandy and Charles the Bold, the Duke of Burgundy during the time when the duke is in conflict with King Louis XI. While the operetta was not a success with New York critics and its Broadway run in 1900 was short, the work was ultimately profitable for its creators and had a lengthy tour that lasted ten years. The work is notable for forwarding the career of popular operetta soprano Christie MacDonald who portrayed the title role as her first leading part on the stage. Both musical selections from the operetta and a complete vocal score of the work were published by M. Witmark & Sons.
Setting: Peronne, Burgundy, France in 1468 [1]
The plot of the operetta centers around the historical figure of Charles the Bold, the Duke of Burgundy, and his romance with the fictional Princess Chic of Normandy. The duke and the princess have never met but are betrothed. When the couple first meet, Charles mistakes the princess as one of her ladies-in-waiting; a mistake which she does not correct. During their conversation, she warns the duke of a plot against him orchestrated by King Louis XI. Later Princess Chic disguises herself as a peasant and spends time with the duke as both the princess and the peasant girl to try and ascertain his character and affections for her. Ultimately she is satisfied that he really loves her for her true self and reveals that she is both peasant and princess. [1]
The Princess Chic premiered on New Year's Day 1900 at the Lafayette Square Opera House in Washington D. C. with Minnie Methot in the title role. [3] It then toured to the Columbia Theatre in Boston where it opened on January 16, 1900. [4] [5] During its Boston run, Christie MacDonald replaced Methot as Princess Chic due to a nagging injury in early February 1900. [6] It was MacDonald's first leading role and she received critical acclaim in Boston in the part. [7] The role launched her career as a popular soprano in operettas on Broadway [8] when the work played at the Casino Theatre from February 12, 1900 through March 3, 1900. [1] Others in the original cast included Winfield Blake as Duke Charles the Bold, Melville Collins as King Louis XI, Edgar Temple as Francois, Richard Golden as Chambertin, Joseph C. Miron as Brevet, Walter A. Lawrence as Brabeau, Mathilde Preville as Lorraine, Harry Brown as Pommard, Louise Willis Hepner as Estelle, E. S. Beverley as the Herald, and F. S. Dearduff as the Captain. [9] [1]
While it was initially speculated that The Princess Chic would transfer to another Broadway theatre after it completed its limited engagement at the Casino Theatre, this did not happen; possibly due to the criticisms in the New York press in regards to the work's libretto. New York critics were mostly complimentary of the score by Julian Edwards, but skewered the plot of the book by Kirke La Shelle. [1] The New York Times review stated, "The development of the story is not at all skillful. Mr. La Shelle is apparently a mere novice in the art of dramatic construction, or he may have never given it any attention at all." [9] The Washington Times critic Nancy Sykes was likewise impressed by Edwards music, describing it as "delightful", but dismissed the operetta's libretto as "very stupid". [1] Harper's Weekly named the The Princess Chic as one example of a librettist who had "wandered into an unproductive direction". [10]
While the show's Broadway run was short and lasted only 22 performance, [11] the show was ultimately very successful [12] [13] and had a long touring life which lasted 10 years. [12] Several performers took on the role of Princess Chic during its tour, including Marguerite Sylva, [14] Maude Lillian Berrl, [15] Vera Michelena, [16] and Sophie Brandt. [17] Reviews in other cities tended to be more positive with the Detroit Free Press describing the work as "a razzle dazzle of fun, song, and dance" with "light and jingling music". [1] Theatre historian Gerald Bordman described the operetta's score as "bold" for its period. [11]
Sheet music of both the complete vocal score and individual selected musical numbers from the operetta were published by M. Witmark & Sons. [18]
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Christie MacDonald was a Canadian-born American musical comedy actress and opera singer. She was perhaps best remembered as the Princess of Bozena in the 1910 operetta Spring Maid. The 1913 musical Sweethearts specifically was written for MacDonald by composer Victor Herbert. She retired from the stage after appearing in a 1920 revival of the musical comedy Florodora.
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