![]() First edition cover | |
Author | Kahlil Gibran |
---|---|
Cover artist | Kahlil Gibran |
Language | English |
Subject | Life and the human condition |
Genre | Prose poetry |
Publisher | Alfred A. Knopf |
Publication date | 1923 |
Publication place | United States |
Media type | Book |
Pages | 107 |
OCLC | 1744006 |
811.19 | |
Followed by | The Garden of the Prophet |
Text | The Prophet at Wikisource |
The Prophet is a book of 26 prose poetry fables written in English by the Lebanese-American poet and writer Kahlil Gibran. [1] It was originally published in 1923 by Alfred A. Knopf. It is Gibran's best known work. The Prophet has been translated into over 100 languages, making it one of the most translated books in history, [2] as well as one of the best selling books of all time. It has never been out of print. [3]
The prophet Al Mustafa has lived in the city of Orphalese for 12 years and is about to board a ship which will carry him home. He is stopped by a group of people, with whom he discusses topics such as life and the human condition. The book is divided into chapters dealing with love, marriage, children, giving, eating and drinking, work, joy and sorrow, houses, clothes, buying and selling, crime and punishment, laws, freedom, reason and passion, pain, self-knowledge, teaching, friendship, talking, time, good and evil, prayer, pleasure, beauty, religion, and death.
The Prophet has been translated into more than 100 languages, making it one of the most translated books in history. [2] By 2012, it had sold more than nine million copies in its American edition alone since its original publication in 1923. [1]
Of an ambitious first printing of 2,000 in 1923, Knopf sold 1,159 copies. The demand for The Prophet doubled the following year—and doubled again the year after that. It was translated into French by Madeline Mason-Manheim in 1926. By the time of Gibran's death in 1931, it had also been translated into German. Annual sales reached 12,000 in 1935, 111,000 in 1961 and 240,000 in 1965. [4] The book sold its one millionth copy in 1957. [5] At one point, The Prophet sold more than 5,000 copies a week worldwide. [4]
Born a Maronite, Gibran was influenced not only by his own religion but also by the Bahá’í Faith, Islam, and the mysticism of the Sufis. His knowledge of Lebanon's bloody history, with its destructive factional struggles, strengthened his belief in the fundamental unity of religions, something which his parents exemplified by welcoming people of various religions in their home. [6] : p55 Connections and parallels have also been made to William Blake's work, [7] as well as the theological ideas of Walt Whitman and Ralph Waldo Emerson such as reincarnation and the Over-soul. Themes of influence in his work were Arabic art, European Classicism (particularly Leonardo da Vinci) and Romanticism (Blake and Auguste Rodin), the Pre-Raphaelite Brotherhood, and more modern symbolism and surrealism. [8]
Gibran’s strong connections to the Baháʼí faith started around 1912. One of Gibran's acquaintances, Juliet Thompson, recalled that he met 'Abdu'l-Bahá when that Bahai leader journeyed to the West. [9] [10] Gibran, who had arranged to draw his portrait, was unable to sleep the night before meeting him. [6] : p253 Gibran later told Thompson that in 'Abdu'l-Bahá he had "seen the Unseen, and been filled." [6] : p126 [11] Gibran began work on The Prophet in 1912, when "he got the first motif, for his Island God," whose "Promethean exile shall be an Island one" rather than a mountain one. [6] : p165 In 1928, [12] at the screening of a film about `Abdu'l-Bahá, Gibran proclaimed in tears the exalted station the leader held, and left the event weeping still. [10]
The book entered the public domain in the United States on January 1, 2019. [13] Shorter copyright terms had already made it public domain in the European Union, [14] Canada, [15] Russia, [16] South Africa, [17] and Australia. [18]
Gibran instructed that, on his death, the royalties and copyrights to his materials be owned by his hometown, Bsharri, Lebanon. [4] The Gibran National Committee (GNC) in Bsharri manages the Gibran Museum. Founded in 1935, the GNC is a non-profit corporation with exclusive rights to manage Gibran's copyright in his literary and artistic works. [19]
Gibran followed The Prophet with The Garden of the Prophet, which was published posthumously in 1933. [20] The Garden of the Prophet narrates Al Mustafa's discussions with nine disciples following Al Mustafa's return after an intervening absence.
ʻAbdu'l-Bahá, born ʻAbbás, was the eldest son of Baháʼu'lláh and served as head of the Baháʼí Faith from 1892 until 1921. ʻAbdu'l-Bahá was later canonized as the last of three "central figures" of the religion, along with Baháʼu'lláh and the Báb, and his writings and authenticated talks are regarded as sources of Baháʼí sacred literature.
Gibran Khalil Gibran, usually referred to in English as Kahlil Gibran, was a Lebanese-American writer, poet and visual artist; he was also considered a philosopher, although he himself rejected the title. He is best known as the author of The Prophet, which was first published in the United States in 1923 and has since become one of the best-selling books of all time, having been translated into more than 100 languages.
Spiritual Assembly is a term given by ʻAbdu'l-Bahá to refer to elected councils that govern the Baháʼí Faith. Because the Baháʼí Faith has no clergy, they carry out the affairs of the community. In addition to existing at the local level, there are national Spiritual Assemblies. Spiritual Assemblies form part of the elected branch of the Baháʼí administration.
The Baháʼí teachings represent a considerable number of theological, ethical, social, and spiritual ideas that were established in the Baháʼí Faith by Baháʼu'lláh, the founder of the religion, and clarified by its successive leaders: ʻAbdu'l-Bahá, Baháʼu'lláh's son, and Shoghi Effendi, ʻAbdu'l-Bahá's grandson. The teachings were written in various Baháʼí writings. The teachings of the Baháʼí Faith, combined with the authentic teachings of several past religions, are regarded by Baháʼís as revealed by God.
The Secret of Divine Civilization is a book written anonymously by ʻAbdu'l-Bahá in 1875, addressed to the rulers and the people of Persia, but can be applied to developmental reform in any society. It is considered to be part of the authoritative religious text of the Baháʼí Faith. The work was lithographed in Bombay in 1882 and received wide circulation in Iran under the Persian title Risali-yi-madaniyyih or the Treatise on Civilization.
Baháʼí literature covers a variety of topics and forms, including scripture and inspiration, interpretation, history and biography, introduction and study materials, and apologia. Sometimes considerable overlap between these forms can be observed in a particular text.
The Baháʼí Faith and related topics have appeared in multiple forms of fiction. The mention of this religion can be seen in science fiction, fantasy, short stories, novelettes, novels, and TV series. In 2005, an estimated value of 30 references could be found relating Baháʼí Faith to different forms of fiction. An estimated third of these references have a significant relationship with the religion in the way that these forms of fiction show the Baháʼí Faith as a crucial aspect of the story. The first known occurrence is perhaps in the writings of Marie von Najmajer, who wrote a poem dedicated to Tahirih in Gurret-úl-Eyn: Ein Bild aus Persiens Neuzeit which was published in 1874. After a series of works covering the events of the Bábí period, most of the focus shifted towards Baháʼí specific related connections. Soon Khalil Gibran wrote two books - The Prophet and Jesus, The Son of Man. There is some second-hand evidence for the sustained influence of ʻAbdu'l-Bahá in these works. In modern times the first known occurrence is of a short story by non-Baháʼí Tom Ligon The Devil and the Deep Black Void, - he also wrote a sequel The Gardener. The next fictional publication, in 1991, which references the Baháʼí Faith may be a short story "Home Is Where..." by Baháʼí Maya Kaathryn Bohnhoff,
The Baháʼí Faith in Norway began with contact between traveling Scandinavians with early Persian believers of the Baháʼí Faith in the mid-to-late 19th century. Baháʼís first visited Scandinavia in the 1920s following ʻAbdu'l-Bahá's, then head of the religion, request outlining Norway among the countries Baháʼís should pioneer to and the first Baháʼí to settle in Norway was Johanna Schubartt. Following a period of more Baháʼí pioneers coming to the country, Baháʼí Local Spiritual Assemblies spread across Norway while the national community eventually formed a Baháʼí National Spiritual Assembly in 1962. The 2008 national census reported around 1,000 Baháʼís in the country however the Association of Religion Data Archives estimated some 2700 Baháʼís in 2010.
The Baháʼí Faith in Sweden began after coverage in the 19th century followed by several Swede-Americans who had met ʻAbdu'l-Bahá in the United States around 1912 and pioneered or visited the country starting in 1920. By 1932 translations of Baháʼí literature had been accomplished and around 1947 the first Baháʼí Local Spiritual Assembly had been elected in Stockholm. In 1962 the first National Spiritual Assembly of Sweden was elected. The Baháʼís claim about 1,000 members and 25 local assemblies in Sweden.
Juliet Thompson (1873–1956) was an American painter, and disciple of Baháʼí Faith leader ʻAbdu'l-Bahá. She is perhaps best remembered for her book The Diary of Juliet Thompson though she also painted a life-sized portrait of ʻAbdu'l-Bahá.
ʻAbdu'l-Bahá's journeys to the West were a series of trips ʻAbdu'l-Bahá undertook starting at the age of 66, journeying continuously from Palestine to the West between 1910 and 1913. ʻAbdu'l-Bahá was the eldest son of Baháʼu'lláh, founder of the Baháʼí Faith, and suffered imprisonment with his father starting at the age of 8; he suffered various degrees of privation for almost 55 years, until the Young Turk Revolution in 1908 freed religious prisoners of the Ottoman Empire. Upon the death of his father in 1892, ʻAbdu'l-Bahá had been appointed as the successor, authorized interpreter of Bahá'u'lláh's teachings, and Center of the Covenant of the Baháʼí Faith.
Mírzá Muḥammad Muṣṭafá al-Baghdádí (1837/8—1910) was a prominent Iraqi adherent of the Baháʼí faith and one of 19 Apostles of Baháʼu'lláh. Mustafá was among the leading Baháʼís in Iraq until he moved to Beirut in the late 1870s, where he coordinated pilgrims going to see Baháʼu'lláh in ʻAkká, and later he was involved with the movement of the Báb's remains to ʻAkká.
The Baháʼí Faith (بهائی) has a following of at least several hundred people in Lebanon dating back to 1870. The community includes around 400 people, with a centre in Beit Mery, just outside the capital Beirut, and cemeteries in Machgara and Khaldeh. On the other hand, the Association of Religion Data Archives estimated some 3,900 Baháʼís in 2005.
The Baháʼí Faith in France started after French citizens observed and studied the religion in its native Persia in the mid-19th century. The first followers of the religion declared their belief shortly before 1900, the community grew and the understanding of Baha'u'llah's Revelation was assisted by ʻAbdu'l-Bahá's trip to France in late 1911 and early 1913. The number of Baha'is grew, tests and difficulties were overcome, and the community established its National Assembly in 1958. The community has been reviewed a number of times by researchers. According to the 2005 Association of Religion Data Archives data there are close to some 4,400 Baháʼís in France and the French government is among the many who have been alarmed at the persecution of Baháʼís in modern Iran.
Gebran is a well-known given name and family name in Arabic. It is also transliterated as Gibran, Jebran, Jibran, Joubran, Jubran, Goubran and Gubran. It might also appear with an additional "e" at the end, like in Gebrane, Gibrane etc.
The Prophet is a 2014 animated anthology drama film adapted from Kahlil Gibran's 1923 book of the same name. Produced by Salma Hayek, whose voice is also present, the production consisted of different directors for each of the film's collective essays, with animation director Roger Allers supervising and credited as screenwriter. Segment directors include Paul and Gaëtan Brizzi, Joan C. Gratz, Mohammed Saeed Harib, Tomm Moore, Nina Paley, Bill Plympton, Joann Sfar and Michal Socha.
Suheil Badi Bushrui was a Palestinian professor, author, poet, critic, translator, and peace maker. He was a prominent scholar in regard to the life and works of the Lebanese-American author and poet Kahlil Gibran.
The scholarly study of the Baháʼí Faith, its teachings, history and literature is currently conducted in a variety of venues, including institutes of the Baháʼí administration as well as non-affiliated universities. Some scholars study some aspect of the Baháʼí Faith as part of research on related matters while others engage in Baháʼí studies as a primary focus of their research. Scholars' comments on the religion and its predecessor Bábism date back to at least 1845, the year after its founding. Initially, they were often Orientalists or Christian missionaries but through time both Baháʼís and non-Baháʼí researchers have addressed the religion especially in tune with the growth of the religion, which has been called significant.
Ibrahim George Kheiralla, born in the Sidon Eyalet of Beirut of the Ottoman Empire, was a co-founder of the first American Baháʼí community, along with Anton Haddad. He was born to a Christian family in a village on Mount Lebanon in 1849 and later studied at the Syrian Protestant College in Beirut.
Marzieh Gail, born Marzieh Nabil Khan, was a Persian-American Bahá'i writer and translator.