The Proximity Effect | ||||
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Studio album by | ||||
Released | May 30, 2011 | |||
Recorded | 2010-2011 | |||
Studio | Carrier Waves Studios (Glasgow, Scotland) | |||
Genre | Electronica, folktronica | |||
Length | 55:51 | |||
Label | Just Music | |||
Producer | Laki Mera | |||
Laki Mera chronology | ||||
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Review scores | |
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Source | Rating |
The Sunday Times | ![]() ![]() ![]() ![]() ![]() |
Drowned in Sound | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
The Proximity Effect is the second studio album by Laki Mera and their first release from the Just Music label. Released in May 2011, the album was well-received, being described in The Sunday Times as "a dense folktronic architecture with an intricacy and subtlety that recalls the Blue Nile, Cocteau Twins and Portishead." [1] The single, "Fool", from the album was named The Daily Record's single of the week. [3]
All tracks are written by Laki Mera.
No. | Title | Length |
---|---|---|
1. | "The Beginning of the End" | 4:22 |
2. | "More Than You" | 3:33 |
3. | "Fingertips" | 5:52 |
4. | "Double Back" | 4:40 |
5. | "Onion Machine" | 3:48 |
6. | "How Dare You" | 3:48 |
7. | "Crater" | 3:53 |
8. | "Solstice" | 6:03 |
9. | "Pollok Park" | 5:57 |
10. | "Fool" | 4:22 |
11. | "Reverberation" | 6:08 |
12. | "The End of the Beginning" | 3:25 |
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