| The Queen of Versailles | |
|---|---|
| Boston theatre windowcard | |
| Music | Stephen Schwartz |
| Lyrics | Stephen Schwartz |
| Book | Lindsey Ferrentino |
| Basis | The Queen of Versailles by Lauren Greenfield |
| Premiere | July 16, 2024: Emerson Colonial Theatre |
| Productions | 2024 Boston 2025 Broadway |
The Queen of Versailles is a musical with music and lyrics by Stephen Schwartz, and a book by Lindsey Ferrentino. It is based on the 2012 documentary of the same name directed by Lauren Greenfield about Jackie and David Siegel, owners of Westgate Resorts, who were then building their gigantic mansion, Versailles, in central Florida. [1] The musical is also based on other incidents of the Siegel family's lives and on events that occurred after the documentary was made.
The musical premiered at Emerson Colonial Theatre in Boston, Massachusetts in July and August 2024, starring Kristin Chenoweth and F. Murray Abraham. A Broadway production began in previews on October 8, 2025, and opened on November 9, 2025, at the St. James Theatre.
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Jackie Mallery grows up middle-class in a small town, with supportive parents Debbie and John. Jackie graduates college with a computer engineering degree. She has an abusive first marriage and wins the Mrs. Florida America beauty pageant. Jackie marries the much older David Siegel, a real estate developer nicknamed "The Timeshare King", who is the founder and owner of Westgate Resorts. Ambitious, optimistic and warm but naive, Jackie, together with David, pursues a life of luxury and celebrity. They begin to build a $100 million 90,000-square-foot dream mansion in Windermere, Florida, with numerous amenities, named and modeled after the Palace of Versailles. This is juxtaposed against events in the history of the French royal court of Versailles involving Marie Antoinette in the late 18th century. The Siegels have many children, cared for by their nanny Sofia, and a staff of household employees.
The Great Recession strikes, the housing bubble bursts, and the 2008 financial crisis nearly bankrupts Jackie and David, as Westgate Resorts faces immense financial strain. Construction on Versailles House is halted, and the entire staff is let go, other than Sofia and the Siegels' longtime driver Ray. Jackie struggles to control her shopping addiction, and David focuses single-mindedly on saving his real estate empire. Jackie's relationship with her daughter Victoria evolves, and Victoria forms a bond with her cousin, Jonquil Peed (Jackie's niece), who comes to live with the Siegels. David has a strained relationship with his son Gary, who he brings into the business.
Through David's efforts, the family's fortunes eventually recover, and they avert bankruptcy. Tragedy strikes the family when Victoria, at age 18, dies of an accidental drug overdose in 2015. The mansion is finally completed, but Jackie and David feel a sense of loss and question the value of their pursuit of wealth, fame and the American Dream.
The musical premiered at Emerson Colonial Theatre in Boston, Massachusetts, on July 16, with an opening night on August 1, and ran there until August 25, 2024. [2] [3] It starred Kristin Chenoweth as Jackie Siegel and F. Murray Abraham as David A. Siegel with direction by Michael Arden and choreography by Lauren Yalango-Grant and Christopher Cree Grant. [4] In Variety , Bob Verini called the show Chenoweth's "richest opportunity to date to flex her dramatic muscles [and] the most emotionally affecting score, bar none, of [Schwartz's] long career"; he praised the musical's "sociopolitical critique", other cast members and the designers. [5] Other reviews were mostly positive, [6] but less enthusiastic was the review by Cameron Kelsall in TheaterMania. [7]
A Broadway production began previews at the St. James Theatre on October 8, 2025, with opening night on November 9, starring the same cast as in Boston. [8] Chenoweth also is a producer. Arden again directs, with the Grands choreographing. Designers are Dane Laffrey (sets), Christian Cowan (costumes), Natasha Katz (lighting) and Peter Hylenski (sound). [9]
Reviews of the Broadway production were mixed-to-negative; while most critics found the book unfocused and some judged the score lacking in cohesion, many praised Chenoweth and some of the songs, and some praised other cast members. [10] Vulture reviewer Sara Holdren called it "the confused, contorted product of a set of absolutely incompatible impulses", [11] and Adam Feldman of Time Out magazine felt the storyline lacked a cohesive point of view. [12] Holdren and Entertainment Weekly reviewer Dalton Ross both regarded The Queen of Versailles as having tried to accomplish too many things simultaneously, [11] [13] while Feldman and Associated Press reviewer Mark Kennedy found aspects of the production to be incomplete. [12] [14] Aramide Tinubu in Variety praised the cast performances but considered the storyline ill-suited for a Broadway production, [15] and Los Angeles Times writer Charles McNulty, while praising Chenoweth's performance, stated that the musical relied too much on her "star power" and that the book focused exclusively on Victoria and Jonquil. [16] David Finkle of the New York Stage Review gave The Queen of Versailles 2 out of 5 stars, calling the first act boring, though he did praise the casting; he also wrote that the score sometimes "resorts to the downright silly". [17]
The New York Times critic Laura Collins-Hughes (who had seen the Boston production) [18] praised Chenoweth's and White's performances, and she also said that Act II, particularly the events around Victoria's death, had been improved since the Boston tryout. [19] Chris Jones of the New York Daily News similarly liked Chenoweth's "singular combo of raw determination and ... beguilingly empathetic commitment to veracity". [20] Other positive reviews came from the Chicago Tribune , whose reviewer praised Chenoweth's performance and described The Queen of Versailles as a "huge, morally complicated show", [21] and Bob Venini's 4-of-5-starred review in the New York Stage Review, which stated that "Kristin Chenoweth rules in the role of a lifetime as a true believer in the American Dream. ... Schwartz’s score [is] perhaps the most heartfelt, varied and robust of his career". [22] Several reviewers also noted similarities to the ongoing second U.S. presidency of Donald Trump. [16] [14]
| Character | Boston and Broadway |
|---|---|
| 2024 and 2025 | |
| Jackie Siegel | Kristin Chenoweth |
| David A. Siegel | F. Murray Abraham |
| Sofia Flores | Melody Butiu |
| John Mallery | Stephen DeRosa |
| Gary Siegel | Greg Hildreth |
| Jonquil Peed | Tatum Grace Hopkins |
| Debbie Mallery | Isabel Keating |
| Victoria Siegel | Nina White |
| Louis XIV | Pablo David Laucerica |
| Marie Antoinette | Cassondra James |
Act One
Act Two