The Return of Alleinunterhalter

Last updated
The Return of Alleinunterhalter
The Return of Alleinunterhalter.jpg
Studio album by
Released1999
Recorded1998–1999
Genre Comedy, pop
Label Virgin Music
Mambo Kurt chronology
Lieder zur Weihnachtszeit
(1998)
The Return of Alleinunterhalter
(1999)
Back in Beige - The Return of Alleinunterhalter vol. II
(2000)

The Return of Alleinunterhalter is the debut album by German cover artist Mambo Kurt.

Track listing

  1. "Engel" (Rammstein)
  2. "Waiting Room" (Fugazi)
  3. "Nowhere" (Therapy?)
  4. "Creep" (Radiohead)
  5. "Basket Case" (Green Day)
  6. "Paradise City" (Guns N' Roses)
  7. Medley ("Born Slippy"-Underworld/"Sonic Empire"-Westbam/"Remember Me"-Blue Boy)
  8. "Come as You Are" (Nirvana)
  9. "Cantaloop" (Us3)
  10. "Bombtrack" (Rage Against the Machine)
  11. "Insomnia" (Faithless)
  12. "Musik ist Trumpf" (Mambo Kurt)
  13. "Time to Wonder" (Fury in the Slaughterhouse)
  14. "Jump" (Van Halen)
  15. "You'll Never Walk Alone" (Traditional)

Related Research Articles

Mambo is a genre of Cuban dance music pioneered by the charanga Arcaño y sus Maravillas in the late 1930s and later popularized in the big band style by Pérez Prado. It originated as a syncopated form of the danzón, known as danzón-mambo, with a final, improvised section, which incorporated the guajeos typical of son cubano. These guajeos became the essence of the genre when it was played by big bands, which did not perform the traditional sections of the danzón and instead leaned towards swing and jazz. By the late 1940s and early 1950s, mambo had become a "dance craze" in Mexico and the United States as its associated dance took over the East Coast thanks to Pérez Prado, Tito Puente, Tito Rodríguez and others. In the mid-1950s, a slower ballroom style, also derived from the danzón, cha-cha-cha, replaced mambo as the most popular dance genre in North America. Nonetheless, mambo continued to enjoy some degree of popularity into the 1960s and new derivative styles appeared, such as dengue; by the 1970s it had been largely incorporated into salsa.

<span class="mw-page-title-main">Pérez Prado</span> Cuban bandleader and mambo musician

Dámaso Pérez Prado was a Cuban bandleader, pianist, composer and arranger who popularized the mambo in the 1950s. His big band adaptation of the danzón-mambo proved to be a worldwide success with hits such as "Mambo No. 5", earning him the nickname "King of the Mambo". In 1955, Prado and his orchestra topped the charts in the US and UK with a mambo cover of Louiguy's "Cherry Pink ". He frequently made brief appearances in films, primarily of the rumberas genre, and his music was featured in films such as La Dolce Vita.

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David Lubega Balemezi, better known by his stage name Lou Bega, is a German singer. His 1999 song "Mambo No. 5", a remake of Pérez Prado's 1949 instrumental piece, reached no. 1 in many European countries and was nominated for a Grammy Award. Bega added words to the song and sampled the original version extensively. Bega's musical signature sounds consist of combining musical elements of the 1940s and 1950s with modern beats and grooves.

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"Mambo No. 5" is an instrumental mambo and jazz dance song originally composed and recorded by Cuban musician Dámaso Pérez Prado in 1949 and released the next year.

"¿Quién será?" is a bolero-mambo song written by Mexican composers Luis Demetrio and Pablo Beltrán Ruiz. Beltrán recorded the song for the first time with his orchestra in 1953. Pedro Infante, for whom the song was written, recorded it in 1954.

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<i>The Mambo Kings Play Songs of Love</i> 1989 novel by Oscar Hijuelos

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