The Rough Guide to Highlife | ||||
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Compilation album by Various artists | ||||
Released | 4 February 2003 | |||
Genre | World, Highlife | |||
Length | 64:33 | |||
Label | World Music Network | |||
Full series chronology | ||||
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Complete list |
The Rough Guide to Highlife is a world music compilation album originally released in 2003. Part of the World Music Network Rough Guides series, the release covers the Highlife musical genre of Ghana and surrounding countries, focusing on the 1960s and 70s. [1] Graeme Ewens wrote the liner notes, and Phil Stanton, co-founder of the World Music Network, was the producer. [2] This album was followed by a second edition in 2012.
Review scores | |
---|---|
Source | Rating |
Robert Christgau [1] | A- |
AllMusic [3] |
The compilation's release was met with positive reviews. Robert Christgau called it less even than the contemporaneous The Highlife All-Stars album Sankofa but "eccentric" nonetheless. [1] He went on to name it the twelfth best album of 2003 in the annual Pazz & Jop poll. [4]
Writing for AllMusic, Chris Nickson called it a "treasure trove" as more than half the album's tracks had been previously unavailable. [3]
No. | Title | Artist | Length |
---|---|---|---|
1. | "Igede" | Celestine Ukwu | 4:06 |
2. | "Ka-Anyi Jikota" | Chief Stephen Osita Osadebe | 5:07 |
3. | "Ekombi" | Jerry Hansen (musician) & The Ramblers Dance Band | 3:12 |
4. | "Bosoe" | Joe Mensah | 9:36 |
5. | "Guitar Boy" | Victor Uwaifo | 5:20 |
6. | "Bone Biara So Wo Akatua" | Nana Ampadu & The African Brothers | 4:24 |
7. | "Asare" | Alex Konadu | 4:58 |
8. | "Esonta" | Inyang Henshaw | 3:11 |
9. | "Medzi Medzi" | E.T. Mensah | 2:54 |
10. | "Omo Pupa" | Victor Olaiya | |
11. | "Ohia Asoma Wo" | King Onyina | 2:46 |
12. | "Bere Bote" | Rex Lawson | 2:56 |
13. | "Agyeman Baidoo" | T.O. Jazz | 4:14 |
14. | "Binu Binu" | Orlando Julius | 2:54 |
15. | "Hilife Time" | George Darko | 6:07 |
Robert Thomas Christgau is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. He was the chief music critic and senior editor for The Village Voice for 37 years, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music; he was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world–when he talks, people listen."
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