Horace Michael Swaby, also known as Augustus Pablo, was a Jamaican roots reggae and dub record producer and a multi-instrumentalist that was active from the 1970s until his death.
Hopeton Overton Brown is a recording engineer and producer who rose to fame in the 1980s mixing dub music as "Scientist". A protégé of King Tubby, Scientist's contemporaries include several figures who, working at King Tubby's studio, had helped pioneer the genre in the 1970s: Ruddock, Bunny Lee, Philip Smart, Pat Kelly and Prince Jammy.
The Congos are a reggae vocal group from Jamaica which formed as the duo "Ashanti" Roy Johnson (tenor) and Cedric Myton (falsetto), later becoming a trio with the addition of Watty Burnett (baritone), and have been active on and off from the mid-1970s until the present day. They are best known for their Heart of the Congos album, recorded with Lee "Scratch" Perry.
Steve Barrow is a British reggae historiographer, chronologist, archivist, journalist, curator, writer, promoter, sound system operator, record-label owner and producer.
King Tubbys Meets Rockers Uptown is a dub studio album by Augustus Pablo and King Tubby, released in 1976. It features Carlton Barrett on drums, Robbie Shakespeare and Aston Barrett on bass guitar, and Earl "Chinna" Smith on guitar. Pablo produced the album and played melodica, piano, organ and clavinet. All sessions with the musicians were recorded at Randy's studio in Kingston, Jamaica, and then Pablo took the tapes to King Tubby for mixing. The album has been released on several different labels, often with slightly different artworks and track lists.
Heart of the Congos is a roots reggae album by the Congos, produced by Lee "Scratch" Perry at his Black Ark studio with a studio band including Boris Gardiner on bass and Ernest Ranglin on guitar. The album was released in 1977. It is noted as being one of Perry's masterpiece productions of the Black Ark era.
Marcus Garvey is the third album by reggae artist Burning Spear, released in 1975 on Fox Records in Jamaica and then internationally on Island Records later in the year. The album is named after the Jamaican National Hero and Rastafari movement prophet Marcus Garvey. A dub version of it was released four months later as Garvey's Ghost.
Revolution Dub is a studio album by Jamaican dub producer Lee Perry and his studio band The Upsetters, released in 1975 by Cactus. The album, which features nine pared down dubs, was the last in a line of releases that year in which Perry began exploring the possible studio techniques at his recently opened studio Black Ark in Kingston, Jamaica. In addition to making early use of a drum machine, the album is characterised by unpredictable drops in the beat, drastic stereo panning and samples of dialogue from television series, particularly British sitcoms, while Perry sings on the album in an eccentric falsetto and portrays different personas, including television characters from Kojak and Doctor on the Go.
The Mighty Diamonds were a Jamaican harmony trio, recording roots reggae with a strong Rastafarian influence. The group was formed in 1969 and were best known for their 1976 debut album, Right Time, produced by Joseph Hoo Kim, and the 1979 release, Deeper Roots.
Keith Hudson, was a Jamaican reggae artist and record producer. He is known for his influence on the dub movement.
Glenmore Lloyd Brown, also known as "God Son" and "The Rhythm Master", was a Jamaican singer, musician, and record producer, working primarily in the genres of reggae and dub.
Alpha Cottage School was the name of the vocational residential school on South Camp Road in Kingston, Jamaica, still run by Roman Catholic nuns. Established in 1880 as a "school for wayward boys", it became renowned for both the discipline it instilled in its pupils and the outstanding musical tuition they received. In 2014 Alpha's residence closed and the school continued as Alpha Institute to focus on educational and vocational training for inner city unattached youth.
Clifford Smith, better known as Mr. Vegas, is a Jamaican dancehall musician.
The Meditations are a spiritual, conscious roots reggae vocal harmony group from Jamaica formed in late 1974, who have released several studio albums and are still performing in the 2000s and today.
Jacob Lee Williams, better known as Gappy Ranks, is an English dancehall musician of Jamaican and Dominican descent, from Harlesden, London.
Earl Anthony Johnson, better known as Earl Zero, is a Jamaican roots reggae artist, whose career began in the 1970s. He is the uncle of Toronto rapper Raz Fresco.
Sylford Walker is a Jamaican reggae singer who first recorded in the mid-1970s and, with reissues renewing interest in him, returned to recording and performing in the 21st century. Since year 2025, he sometimes collaborate with french reggae operator Mackafyah Selecta.
Rhythm Killers is an album by Jamaican musical duo Sly and Robbie, released in May 1987 by Island Records. By the time of the album's recording, Sly and Robbie had transitioned away from their prolific work in the reggae genre. They spent the 1980s experimenting with electronic sounds and contemporary recording technology on international, cross-genre endeavors, which influenced their direction for Rhythm Killers.
The Rough Guide to Reggae is a world music compilation album originally released in 1997. Part of the World Music Network Rough Guides series, the album broadly covers the reggae genre originating in Jamaica. The album was curated by Steve Barrow, who also wrote the namesake book, and later compiled The Rough Guide to Dub. Phil Stanton, co-founder of the World Music Network, was the producer.
A New Chapter of Dub is an album by English reggae band Aswad, released by Island Records in April 1982. The record is a dub version of Aswad's previous album New Chapter (1981), and was produced by the group with Michael "Reuben" Campbell. Having felt New Chapter under-performed commercially because it was too intricate for mainstream reggae audiences, the group conceived the dub remix album as a way of appealing to core reggae audiences. The record emphasises dub techniques like delay, echo and drop-out and was among the first British dub albums to use tape and digitally-manipulated echo on a horn section. Although not a commercial success, A New Chapter of Dub received critical acclaim and has since been cited by some writers as one of the greatest dub albums of all time.
