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The Skull | |
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Directed by | Freddie Francis |
Written by | Milton Subotsky Robert Bloch |
Based on | short story "The Skull of the Marquis de Sade" by Robert Bloch |
Produced by | Max Rosenberg Milton Subotsky |
Starring | Peter Cushing Christopher Lee Jill Bennett Patrick Wymark Nigel Green |
Cinematography | John Wilcox |
Edited by | Oswald Hafenrichter |
Music by | Elisabeth Lutyens |
Production company | |
Distributed by | Paramount Pictures |
Release date |
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Running time | 83 minutes |
Country | United Kingdom |
Language | English |
The Skull is a 1965 British horror film directed by Freddie Francis for Amicus Productions, and starring Peter Cushing and Christopher Lee, Patrick Wymark, Jill Bennett, Nigel Green, Patrick Magee and Peter Woodthorpe. [1] The script was written by Milton Subotsky from a short story by Robert Bloch, "The Skull of the Marquis de Sade".
It was one of a number of British horror films of the sixties to be scored by avant-garde composer Elisabeth Lutyens, including several others for Amicus.
In the 19th century, a phrenologist robs the grave of the recently buried Marquis de Sade. He takes the Marquis's severed head and sets about boiling it to remove its flesh, leaving the skull. Before the task is done, Pierre meets an unseen and horrific death.
In modern-day London, Christopher Maitland, a collector and writer on the occult, is offered the skull by Marco, an unscrupulous dealer in antiques and curiosities. Maitland learns that the skull has been stolen from Sir Matthew Phillips, a friend and fellow collector. Sir Matthew, however, does not want to recover it, having escaped its evil influence. He warns Maitland of its powers. At his sleazy lodgings, Marco dies in mysterious circumstances. Maitland finds his body and takes possession of the skull. He in turns falls victim as the skull drives him to hallucinations, madness and death.
The film was an attempt by Amicus to challenge Hammer Film Productions by making a full length colour movie. Once filming started, Freddie Francis rewrote much of Subotsky's script. [2]
Christopher Lee is billed as "guest star" in the film's credits; he plays a supporting role, and, unusually, is not a villain.
The film's final twenty-five minutes contain almost no dialogue.
In real life the Marquis de Sade's body was exhumed from its grave in the grounds of the lunatic asylum at Charenton, where he died in 1814, and his skull was removed for phrenological analysis. It was subsequently lost, and its fate remains unknown. [3]
When it was released in France, promotional materials had to be changed at the last minute by pasting a new title, Le crâne maléfique ("The Evil Skull"), over the original French title Les Forfaits du Marquis de Sade ("Infamies of the Marquis de Sade") on posters and lobby cards, after legal action by the present-day Sade family.
The Monthly Film Bulletin wrote: "A graveyard opening, followed by the cleansing of the skull in a decor which establishes a nice line in drawing-room laboratories, promises a 19th century piece of macabre skullduggery in familiar idiom; but the opening is merely a resumé of the skull's history, and the main action takes place in contemporary decor which is unusually vivid and imaginative. The film is pictorially effective throughout, and is directed by Freddie Francis with an individual flair which far outstrips the standard gimmicks of the genre. Francis has perhaps an over-fondness for camera motion (pans, tracks and tilts galore, which tend to become irksome after a time); the trick shots, with the camera, as it were, inside the skull so that we look out through the eye-sockets, are over-used; and it is a pity that the idea was not reserved for a single presentation during the climax when the skull establishes itself on a pentacular table on which it teleports one of the statuettes. But except for one shot towards the end when, through boldness in bringing the thing into close-up, suspension wires are too clearly visible, the mobility of the skull is very well contrived; and such blemishes are small price to pay for an unusually deft piece of macabre supernatural, the impact of which is given extra distinction in Bill Constable's art direction and Elisabeth Lutyens' score." [4]
Hammer Film Productions Ltd. is a British film production company based in London. Founded in 1934, the company is best known for a series of Gothic horror and fantasy films made from the mid-1950s until the 1970s. Many of these involve classic horror characters such as Baron Victor Frankenstein, Count Dracula, and the Mummy, which Hammer reintroduced to audiences by filming them in vivid colour for the first time. Hammer also produced science fiction, thrillers, film noir and comedies, as well as, in later years, television series.
Amicus Productions was a British film production company, based at Shepperton Studios, England, active between 1962 and 1977. It was founded by American producers and screenwriters Milton Subotsky and Max Rosenberg.
Peter Woodthorpe was an English actor who supplied the voice of Gollum in the 1978 Bakshi version of The Lord of the Rings and the BBC's 1981 radio serial. He also provided the voice of Pigsy in the cult series Monkey and played Max, the pathologist, in early episodes of Inspector Morse.
Tales from the Crypt is a 1972 British horror film directed by Freddie Francis. It is an anthology film consisting of five separate segments, based on short stories from the EC Comics series Tales from the Crypt by Al Feldstein, Johnny Craig, and Bill Gaines. The film was produced by Amicus Productions and filmed at Shepperton Studios in Surrey, England.
The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade, usually shortened to Marat/Sade, is a 1963 play by Peter Weiss. The work was first published in German.
Charenton was a lunatic asylum founded in 1645 by the Frères de la Charité in Charenton-Saint-Maurice, now Saint-Maurice, Val-de-Marne, France.
Dr Terror's House of Horrors is a 1965 British anthology horror film from Amicus Productions, directed by veteran horror director Freddie Francis, written by Milton Subotsky, and starring Peter Cushing and Christopher Lee.
The Plane Makers is a British television series created by Wilfred Greatorex and produced by Rex Firkin. ATV made three series for ITV between 1963 and 1965. It was succeeded by The Power Game, which ran for an additional three series from 1965 to 1969. Firkin continued as producer for the first two series, and David Reid took over for series 3.
Patrick George Magee was a Northern Irish actor. He was noted for his collaborations with playwrights Samuel Beckett and Harold Pinter, sometimes called "Beckett's favourite actor," as well as creating the role of the Marquis de Sade in the original stage and screen productions of Marat/Sade.
The Monster Club is a 1981 British anthology horror film directed by Roy Ward Baker and starring Vincent Price and John Carradine. It is based on the works of the British horror author R. Chetwynd-Hayes. It was the final film from Milton Subotsky, who was best known for his work with Amicus Productions; Amicus were well known for their anthologies, but this was not an Amicus film. It was also the final feature film directed by Baker.
Torture Garden is a 1967 British horror film directed by Freddie Francis and starring Burgess Meredith, Jack Palance, Michael Ripper, Beverly Adams, Peter Cushing, Maurice Denham, Ursula Howells, Michael Bryant and Barbara Ewing. The score was a collaboration between Hammer horror regulars James Bernard and Don Banks.
There have been many and varied references to the Marquis de Sade in popular culture, including fictional works, biographies and more minor references. The namesake of the psychological and subcultural term sadism, his name is used variously to evoke sexual violence, licentiousness and freedom of speech. In modern culture his works are simultaneously viewed as masterful analyses of how power and economics work, and as erotica. Sade's sexually explicit works were a medium for the articulation of the corrupt and hypocritical values of the elite in his society, which caused him to become imprisoned. He thus became a symbol of the artist's struggle with the censor. Sade's use of pornographic devices to create provocative works that subvert the prevailing moral values of his time inspired many other artists in a variety of media. The cruelties depicted in his works gave rise to the concept of sadism. Sade's works have to this day been kept alive by artists and intellectuals because they espouse a philosophy of extreme individualism that became reality in the economic liberalism of the following centuries.
The Criminal is a 1960 British neo-noir crime film directed by Joseph Losey and starring Stanley Baker, Sam Wanamaker, Grégoire Aslan, Jill Bennett, and Margit Saad. Baker plays Johnny Bannion, a recently-paroled gangster who is sent back to prison after robbing a racetrack, with both the authorities and the criminal underworld looking for the money.
The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade, usually shortened to Marat/Sade, is a 1967 British film adaptation of Peter Weiss' play Marat/Sade. The screen adaptation is directed by Peter Brook, and originated in his theatre production for the Royal Shakespeare Company. The English version was written by Adrian Mitchell from a translation by Geoffrey Skelton.
From Beyond the Grave is a 1974 British anthology horror film from Amicus Productions, directed by Kevin Connor, produced by Milton Subotsky and based on short stories by R. Chetwynd-Hayes.
And Now the Screaming Starts! is a 1973 British gothic horror film directed by Roy Ward Baker. It stars Peter Cushing, Herbert Lom, Patrick Magee, Stephanie Beacham and Ian Ogilvy. It is one of the few feature-length horror stories by Amicus, a company best known for anthology or "portmanteau" films. Baker felt the title was "silly".
The Uncanny is a 1977 British-Canadian anthology horror film directed by Denis Héroux, written by Michel Parry, and starring Peter Cushing, Donald Pleasence, Ray Milland, Joan Greenwood, Donald Pilon, Samantha Eggar, and John Vernon.
They Came from Beyond Space is a 1967 British Eastman Color science fiction film directed by Freddie Francis and starring Robert Hutton, Jennifer Jayne, Zia Mohyeddin and Bernard Kay. It was produced by Max J. Rosenberg and Milton Subotsky. The screenplay was by Subotsky, based on the 1941 novel The Gods Hate Kansas by Joseph Millard.
The Psychopath is a 1966 British horror film directed by Freddie Francis and starring Patrick Wymark and Margaret Johnston. It was written by Robert Bloch and was an Amicus production.
Frankenstein is a British horror-adventure film series produced by Hammer Film Productions. The films, loosely based on the 1818 novel Frankenstein; or, The Modern Prometheus by Mary Shelley, are centered on Baron Victor Frankenstein, who experiments in creating a creature beyond human. The series is part of the larger Hammer horror oeuvre.