While viewing old catacombs in the English countryside, five strangers stumble into a room with a mysterious Crypt Keeper (Ralph Richardson), who details how each of them will die.
The beautiful and glamorous Joanne Clayton kills her much older husband Richard on Christmas Eve to collect his insurance. She prepares to hide his body, but is interrupted by a radio announcement of a homicidal maniac lurking in the night. She sees the killer (who is dressed in a Santa Claus costume) outside her home, but cannot call the police without exposing her own crime. She locks up the doors and windows, before dragging her husband’s body and plummeting it down the basement.
After cleaning up the murder scene, Joanne attempts to phone the police (with the intention of making them believe the maniac killed her husband). However, her young daughter Carol — believing the maniac to be Santa — unlocks the door and lets him into the house, whereupon he strangles Joanne to death by the fire.
Carl Maitland abandons his wife and children to be with his secretary, Susan Blake. After they drive off together, they are involved in a car accident. He wakes up, having been thrown clear of the wrecked and burned car, and attempts to hitchhike home, but everyone he meets reacts with horror upon seeing him.
Arriving at his house, he sees his wife with another man. He knocks on the door, but she screams and slams the door. He then goes to see Susan, only to find that she is blind from the accident. She says that Carl died two years ago in the crash. Glancing at a reflective tabletop, he sees he has the face of a rotting corpse and screams in horror. Carl then wakes up and finds out that it was a dream, but the moment he does, the crash occurs as previously seen.
James Elliot lives with his father Edward across from the home of elderly dustman Arthur Edward Grimsdyke, who owns a number of dogs and entertains children in his house with stories and toys. While both the Elliots are snobs who resent Grimsdyke as a blight on their neighbourhood, James strongly detests the old man enough to conduct a smear campaign against him: first having his beloved dogs taken by animal control (although one of them returns to him), then persuading a member of the council to have him removed from his job, and later exploiting parents' paranoid fears about child molestation. Unbeknownst to James, Grimsdyke dabbles in the occult and holds a seance by himself to confer with his late wife.
On Valentine's Day, James sends Grimsdyke a number of poison-pen valentines, supposedly from the neighbours, driving the old man to suicide. Exactly one year later, on Valentine's Day, Grimsdyke rises from the grave and takes revenge on James. The next morning, Edward finds his son, bloodied and dead, with a note that reads, "HAPPY VALENTINE'S DAY..YOU WERE MEAN AND CRUEL..RIGHT FROM THE START..NOW YOU REALLY HAVE NO.." The final word is revealed by James' still-beating heart inside the folded end of the paper, horrifying Edward.
Wish You Were Here
Taken from The Haunt of Fear #22 (November–December 1953). A variation on W. W. Jacobs's short story "The Monkey's Paw".
Ineffective, ruthless businessman Ralph Jason is close to financial ruin. His wife Enid notices, for the first time, the inscription on a Chinese figurine in the couple's collection, which grants three wishes to the owner. Enid decides to wish for a fortune and, surprisingly, the wish comes true, but Ralph is killed, seemingly in a car crash, on the way to his lawyer's office to collect the money. The lawyer, Charles Gregory, then advises Enid she will inherit a fortune from her deceased husband's life insurance plan; however, when he learns of the manner of the wish granted that she made, he warns her not to wish Ralph back since he remembered the consequences of a similar story in which a mother wished her dead son back, only to be horrified by his gruesome appearance and forced to use the last wish to send him back to the grave. Against Gregory's explicit advice, Enid uses her second wish to bring him back to the way he was just before the accident, but he is returned in his coffin, still dead, as his death was due to a heart attack immediately before the crash and caused by fright upon seeing the figure of "death" following him on a motorcycle.
Once more, Gregory warns Enid not to make a final wish and just let Ralph rest in peace. As Gregory goes outside to get some fresh air, she uses her final wish to bring Ralph back to life and to live forever. When Gregory comes back inside, he discovers too late that Enid again went against his warning. Gregory points out to her that Ralph was embalmed and he is suffering from the effects of the embalming liquid. Enid tries to kill Ralph to end his pain but, because she wished for him to live forever, he cannot be killed. As a result, she has now trapped him in eternal agony and thus making her regret those last two wishes.
Blind Alleys
Taken from Tales from the Crypt #46 (February–March 1955).
Major William Rogers becomes the new director of a home for the blind, and exploits his position to live in luxury with his German Shepherd Shane, while his drastic financial cuts to food and heating reduce the residents' quality of life. Rogers gets his comeuppance after he ignores the pleas of resident George Carter to both make the living conditions more bearable and later to get medical treatment for fellow resident Greenwood, who then dies from hypothermia. Carter leads a revolt to subdue the staff before locking Rogers and Shane in separate rooms in the basement, and they then construct a small maze of narrow corridors between the two rooms. After going over two days without food, Rogers is released and forced to find his way through the maze for his freedom, getting past one corridor lined with razor blades once Carter turns the lights on; but Rogers finds his last obstacle to be a ravenous Shane who does not seem to recognise him. He flees back towards the razors, only for Carter to turn the lights off. Rogers is heard screaming as the hungry dog catches up with him and kills him.
Finale
After completing the final tale, the Crypt Keeper reveals that he was not warning them of what would happen, but instead telling them what has already happened: that they have all "died without repentance". There is one clue to this twist in that Joan Collins' character is wearing the brooch her husband had given her for Christmas just before she killed him. The door to Hell opens and Joanne, Carl, James, Ralph, and Major Rogers all enter (Ralph enters first and is seen falling down into a fiery abyss). "And now, who's next?" asks the Crypt Keeper, turning to face the camera as he says "Perhaps...YOU?" The scene pulls away as the entrance to the Crypt Keeper's lair is in flames.
The budget of £170,000 was higher than usual for an Amicus production, and was partly funded by American International Pictures.
Casting
Peter Cushing was originally offered the part played by Richard Greene, but wanted to try something different and played the elderly Grimsdyke instead.
Filming
Filming started on 13 September 1971 and finished in 1972.
Release
Premieres
The film premièred in North America on 8 March 1972, and in the UK on 28 September 1972.
Critical reception
Roger Ebert of the Chicago Sun-Times gave the film three out of four stars, saying, "It's put together something like the comic books, with the old Crypt Keeper acting as host and narrator. In the movie version, he is played with suitable ham by Ralph Richardson".[4]
The Radio Times Guide to Films gave the film 4/5 stars, writing: "This excellent anthology of scares-with-a-smile stories drawn from EC horror comics has Ralph Richardson as the crypt keeper revealing a quintet of fearsome futures to a veteran British cast of terror troupers.... Ace direction by genre favourite Freddie Francis adeptly leavens the horror with serio-comic interludes."[6]
In retrospective reviews, Craig Butler of AllMovie said, "It has a certain magnetism about it that is hard to resist and which accounts for its enduring popularity. There's something about Crypt that makes even jaded viewers feel like they're kids sitting in their rooms late at night with the lights out, telling eerie tales with the aid of a flashlight."[7]
Eric Henderson of Slant Magazine rated it two-and-a-half out of five stars and wrote that "the undercurrent of sternness is tempered by a truly bottomless roster of campy excess".[8]
Anthony Arrigo of Dread Central wrote, "The greatest strength in Tales comes not from the acting or directing – both of which are perfectly sound – but in the rich stories culled from the comics."[9]
Chris Alexander of Fangoria wrote, "[F]rom its first frames to its invasive final shot, this classic British creeper offers an unrelenting study in the art of the macabre."[10]
As of October2020[update], Rotten Tomatoes, a review aggregator, reported that 90% of 21 surveyed critics gave the film a positive review, with an average score of 7.07/10.[11]
Home media
The film was released on VHS in North America by Prism Entertainment Corp in 1985, then by Starmaker Home Video in 1989, and finally by 20th Century Fox Home Entertainment, under their Selections label, in 1998.
In the UK, it was released on VHS in 1988 by CBS Fox Video, having been rated 18 without cuts by the BBFC.[1]
It was released on DVD in the United Kingdom on 28 June 2010. It received its first Blu-ray release from Shock Records distribution in Australia on 2 November 2011.
The film, paired with another Amicus anthology, The Vault of Horror, was released on a double-feature DVD on 11 September 2007.[8]Shout! Factory released the same double feature on Blu-ray on 2 December 2014.[12]
Points of interest
Only two of the stories are from EC's Tales from the Crypt comic book. The reason for this, according to Creepy founding editor Russ Jones, is that producer Milton Subotsky did not own a run of the original EC comic book but instead adapted the movie from the two paperback reprints given to him by Jones. The story "Wish You Were Here" was reprinted in the paperback collection The Vault of Horror (Ballantine, 1965). The other four stories in the movie were among the eight stories reprinted in Tales from the Crypt (Ballantine, 1964).
Richardson's hooded Crypt Keeper, more sombre than the EC original (as illustrated by Al Feldstein and Jack Davis), has a monk-like appearance and resembles EC's GhouLunatics. In the EC horror comics, the other horror hosts (the Old Witch and the Vault Keeper) wore hoods, while the Crypt Keeper did not.
The earlier Amicus anthology film Torture Garden features a similar ending breaking the fourth wall.
The screenplay was adapted into a tie-in novel by Jack Oleck, Tales from the Crypt (Bantam, 1972). Oleck, who wrote the novel Messalina (1950), also scripted for EC's Picto-Fiction titles, Crime Illustrated, Shock Illustrated and Terror Illustrated. A tie-in novel was also written by Oleck for the later Amicus anthology film The Vault Of Horror, released in 1973.
"...And All Through the House", "Blind Alleys" and "Wish You Were Here" were all somewhat remade into episodes for the Tales From the Crypt television show. "Blind Alleys" and "Wish You Were Here" were both changed.
"...And All Through the House" had the woman killing her husband so that she can take her daughter and live with her boyfriend. The episode ended with her daughter letting the axe-wielding maniac into the house as he quotes "Naughty or Nice" with the episode ending with the woman screaming. The Crypt Keeper stated that the daughter was not harmed because the escaped maniac “preferred older women... in pieces”.
"Blind Alleys" was now "Revenge is the Nuts" and was about a beautiful blind girl (portrayed by Teri Polo) who comes to live at a house for the blind where the sadistic director (played by The Dead Zone's Anthony Zerbe) tries to sexually assault her. In the end, she and the other residents take their revenge on the director in the same fashion as in the original story.
"Wish You Were Here" is similar to the TV series' 7th-season episode "Last Respects" in that both borrow plot elements from W. W. Jacobs's classic short story "The Monkey's Paw" and both are directed by the original film's director Freddie Francis. Like many of the show's episodes, "Last Respects" uses the title of an existing story from the comics (Tales From The Crypt #23), but does not use the story itself. The statue from the film is reverted to the original monkey's paw in the TV episode, and the story now deals with three sisters who come into possession of it. One wishes for 1 million pounds, and she and the second sister are in a car crash where she dies, and her life insurance policy is for 1 million pounds. When the third sister wishes that the dead sister was the way she was just before the crash, she learns that she was actually killed by the second sister. In a form of revenge, the third sister gives her last wish to her sister, but she did not say which sister she wanted to give it to, thus beating the monkey's paw at its own game. The third wish is transferred to the dead sister, who comes back from the dead to kill the second sister.
Related Research Articles
E.C. Publications, Inc., is an American comic book publisher specialized in horror fiction, crime fiction, satire, military fiction, dark fantasy, and science fiction from the 1940s through the mid-1950s, notably the Tales from the Crypt series. Initially, EC was founded as Educational Comics by Maxwell Gaines and specialized in educational and child-oriented stories. After Max Gaines died in a boating accident in 1947, his son William Gaines took over the company and was renamed Entertaining Comics. He printed more mature stories, delving into horror, war, fantasy, science-fiction, adventure, and other genres. Noted for their high quality and shock endings, these stories were also unique in their socially conscious, progressive themes that anticipated the Civil Rights Movement and the dawn of the 1960s counterculture. In 1954–55, censorship pressures prompted it to concentrate on the humor magazine Mad, leading to the company's greatest and most enduring success. Consequently, by 1956, the company ceased publishing all its comic lines except Mad.
Tales from the Crypt, sometimes titled HBO's Tales from the Crypt, is an American horror anthology television series created by William Gaines and Steven Dodd that ran for seven seasons on the premium cable channel HBO, from June 10, 1989, to July 19, 1996, with a total of 93 episodes. The show's title is based on the 1950s EC Comics series of the same name, published by William Gaines and edited by Al Feldstein. Despite the show's title, episodes were not only adapted from stories from Tales from the Crypt, but also other EC Comic series including The Haunt of Fear, The Vault of Horror, Crime SuspenStories, Shock SuspenStories, and Two-Fisted Tales.
Amicus Productions was a British film production company, based at Shepperton Studios, England, active between 1962 and 1977. It was founded by American producers and screenwriters Milton Subotsky and Max Rosenberg.
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Tales from the Cryptkeeper is an animated children's horror television series made by Canadian studio Nelvana. The series was broadcast on ABC in the United States, and on ITV in the United Kingdom. It is based on the 1950s EC Comics series Tales from the Crypt and the live-action television series of the same name, which aired concurrently on HBO. Intended for children, Tales from the Cryptkeeper was significantly milder than its live-action counterpart, and all blood, gore, profanity and sexual content were completely removed in order to be more appropriate for the target audience. Most episodes take place within the fictional city of Gravenhurst, California.
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The Vault of Horror is an American bi-monthly horror comic anthology series that was published by EC Comics from 1950 to 1955 created by Bill Gaines and Al Feldstein. The magazine began in March 1948 as War Against Crime. It continued under this title for 11 issues before becoming The Vault of Horror with issue #12. The comic ran for 29 issues until being discontinued after issue #40.
The Haunt of Fear is an American bi-monthly horror comic anthology series that was published by EC Comics from 1950 to 1954 created by Bill Gaines and Al Feldstein. The magazine began in June 1947 as Fat and Slat. It continued under this title for four issues before becoming Gunfighter (#5–14). It was retitled The Haunt of Fear with issue #15 (1). The numbering was reset after #17 (3). The comic bore this title for 28 issues until being discontinued after issue #28.
Crime SuspenStories was a bi-monthly anthology crime comic published by EC Comics in the early 1950s. The title first arrived on newsstands with its October/November 1950 issue and ceased publication with its February/March 1955 issue, producing a total of 27 issues. Years after its demise, the title was reprinted in its entirety, and four stories were adapted for television in the HBO's Tales From The Crypt.
Tales from the Crypt is an American bi-monthly horror comic anthology series that was published by EC Comics from 1950 to 1955 created by Bill Gaines and Al Feldstein. The magazine began in March 1947 as International Comics. It continued under this title for five issues before becoming International Crime Patrol (#6) and Crime Patrol (#7–16). It was retitled The Crypt of Terror with issue #17. Two more issues were published under this title before it was rebranded as Tales from the Crypt for issue #20. The comic bore this title for 27 issues until being discontinued after issue #46.
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Tales from the Crypt is a mass-market paperback collection of eight horror comic stories gathered from the pages of the EC Comics comic books of the 1950s. It is one of five such collections published by Ballantine Books between 1964 and 1966. The presentation of the material is problematic at best, since the color comic book pages are represented in black and white and broken into horizontal strips to fit the mass-market paperback format. Still, the collections are historically important. They were the first attempt to resurrect the EC comics, only a decade after public outcry had driven them off the racks. They were the first introduction of those comics to a generation of readers too young to remember them in their first run.
The Vault of Horror is a mass-market paperback collection of eight horror comic stories gathered from the pages of the EC Comics comic books of the 1950s. It is one of five such collections published by Ballantine Books between 1964 and 1966. The presentation of the material is problematic at best, since the color comic book pages are represented in black and white and broken into horizontal strips to fit the mass-market paperback format. Still, the collections are historically important. They were the first attempt to resurrect the EC comics, only a decade after public outcry had driven them off the racks. They were the first introduction of those comics to a generation of readers too young to remember them in their first run.
Jack Oleck was an American novelist and comic book writer particularly known for his work in the horror genre.
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