Demon Knight | |
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Directed by | Ernest Dickerson |
Written by |
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Based on | |
Produced by | Gilbert Adler |
Starring | |
Cinematography | Rick Bota |
Edited by | Stephen Lovejoy |
Music by | Edward Shearmur |
Production company | Crypt Keeper Productions [1] |
Distributed by | Universal Pictures [1] |
Release date |
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Running time | 92 minutes [2] |
Country | United States |
Language | English |
Budget | $12 million [3] |
Box office | $21.1 million [4] |
Tales from the Crypt Presents: Demon Knight is a 1995 American black horror comedy film [1] directed by Ernest Dickerson from a screenplay by Mark Bishop, Ethan Reiff and Cyrus Voris. It stars Billy Zane, William Sadler, Jada Pinkett, Brenda Bakke, C. C. H. Pounder, Dick Miller, and Thomas Haden Church.
Demon Knight is a feature-length film presented by the HBO series Tales from the Crypt , and features scenes with the Crypt Keeper (voiced by John Kassir, as in the series) at the film's beginning and ending.
The film was met with mostly negative reviews. [5] It was followed by a second standalone Tales from the Crypt film, Bordello of Blood (1996).
The Crypt Keeper reveals that he is directing the film called Demon Knight and introducing the film's story.
On a desert road in New Mexico, a powerful demon in human form, The Collector, pursues drifter Frank Brayker. The vehicles crash and Brayker flees. Local drunk Uncle Willy takes him to a decommissioned church converted into a boarding house, where he rents a room and observes the residents: owner Irene, prostitute Cordelia, postal clerk Wally, and a convict on work release named Jeryline. A cook named Roach arrives and informs the group about a theft attempt on his employer's car, unaware it was Brayker, and a suspicious Irene calls the sheriff. Sheriff Tupper and his deputy Bob encounter The Collector at the crash site, who convinces them that Brayker is a dangerous thief. At the boarding house, Tupper and Bob learn that Brayker is in possession of an important artifact and that he is carrying false ID. Tupper also gets word from his base that both cars were stolen and he arrests Brayker as well as The Collector. The Collector kills Tupper by punching through his skull. Driven outside by the key-like artifact Brayker possesses, The Collector draws his own blood on the sand and produces a team of demonic creatures.
Brayker uses blood from the artifact to protect the building and tells the group they must wait out the night. Unable to get in, The Collector uses psychic powers to seduce and possess Cordelia. Cordelia kills Wally and cripples Irene before Brayker kills her. The group attempts to escape through old mine tunnels under the building, where Jeryline finds a boy named Danny hiding. The other townsfolk, under demonic possession, drive them back into the church. The residents demand an explanation, and Brayker reluctantly tells them the history of the key artifact. Following the creation of Earth by God, demons used seven keys to focus the power of the cosmos into their hands. When discovered, God created light, which scattered the demons and the keys across the universe. The artifact that Brayker holds is the last key needed to reclaim power; to protect it, God had a thief named Sirach fill it with the blood of Jesus Christ. The guardians of the key, immortal while holding it, have since passed it on, refilling it with their own blood when they die. Brayker received the key from his commanding officer during World War I. Danny disappears and Jeryline rallies everyone to look for him, during which Roach sneaks the key out of Brayker's satchel.
In the church attic, Irene and Bob discover that Wally was planning to attack the post office with a trunk full of weapons. The Collector soon possesses Uncle Willy, who attacks the others. While battling Willy, Roach makes a deal with The Collector to trade his life for the key, but The Collector betrays and kills him soon after Roach walks away. Brayker retrieves the key in the battle and Irene and Bob sacrifice themselves to stop the remaining minions. In the attic, The Collector brainwashes Danny, who mortally wounds Brayker before Jeryline kills him. As he dies, Brayker initiates Jeryline as a guardian of the key, deactivating all blood seals. The Collector overpowers Jeryline, taking the key from her. When he offers her a place at his side and prepares to take her heart as a trophy when she silently refuses, Jeryline confronts The Collector and spits blood from the key in his face, causing him to revert to his actual demon form before being destroyed.
At dawn, Jeryline refills the key with Brayker's blood and boards a bus with her cat, sealing the door behind them. Down the road, the bus stops to pick up a stranger (Mark David Kennerly), who declines to get on stating that he'll catch the next one. Dressed identically to his predecessor and carrying the same suitcase, Jeryline realizes that he is the next Collector. After exchanging a glance in passing, the new Collector begins following on foot, whistling the theme song to the Tales from the Crypt television series.
After Demon Knight story ends, The Crypt Keeper states that Jeryline lived happily ever after. He goes to the film's premiere screening, where he is beheaded by producers (as the punishment of asking for final cut privilege). After the beheading, The Crypt Keeper is still alive and he says that "Now that's entertainment!"
Unlike episodes of the HBO series, the story was not adapted from the pages of EC Comics. The first draft of the script was written in 1987, [7] two years prior to the HBO series' debut. It was first intended to be made into a film by director Tom Holland, who planned to shoot it as a follow-up to Child's Play (1988). Holland hired an FX team to do preliminary sketches, [8] but he ultimately went on to direct the box-office bomb Fatal Beauty (1987).
Next, the script wound up in the hands of Pumpkinhead screenwriter Mark Carducci, who sat on it for several years before it was given to Pet Sematary director Mary Lambert. Lambert had some radical ideas for the script, including casting an African American as Brayker to create a theme that the oppressed people of Earth were also its saviors. [8] Once Lambert went on to direct Pet Sematary Two , which was a theatrical bomb, she could not get people to invest in the film.
The script later went to Charles Band's Full Moon Features, but budgetary constraints held up the production in limbo. [8] When it finally made its way onto desks at Joel Silver's Silver Pictures, it was optioned to be the second in a trilogy of Tales from the Crypt theatrical spin-offs. [8] Universal Pictures executives thought the script had more potential than the other two films (Dead Easy and Body Count, neither of which was ultimately produced), and the film was quickly sent into production with a tentative release date of Halloween 1994 [8] (though the release was pushed back to January 1995).
At this point, two versions of the script were created to solve budgetary problems: one with demons and one without. In the latter, the Collector was a Bible salesman who was using a legion of fellow salesman clad in black suits and sunglasses (later revealed to be demons) as his minions. [8] A film called Demon Knight with demons that looked like killer yuppies made everyone nervous, so Universal pitched in some additional money to get some demons on the screen. [8]
Rotten Tomatoes, a review aggregator, reports that 42% of 38 surveyed critics gave the film a positive review; the average rating is 4.6/10. [5] Variety wrote that it is "neither funny enough nor scary enough to be fully satisfying as either a shocker or a spoof". [9] Stephen Holden of the New York Times wrote that it half-succeeds at being chilling and funny. [10] David Kronke of the Los Angeles Times called the film "a direct-to-video affair" that was given a theatrical release based on the strength of the franchise. [11] Owen Gleiberman of Entertainment Weekly rated it D+ and wrote: "Is there anything more dispiriting than trash that flaunts its lack of conviction?" [12] Walter V. Addiego of the San Francisco Examiner called it "a slime-and-gore fest that offers little but a few outrageous sick jokes and the chance to make a mental list of all the horror movies from which it borrows". [13] Edward Guthmann of the San Francisco Chronicle wrote that, though the film is dull and slow-paced, he was overall positive to the film. [14] In a retrospective, Chris Eggertsen of Bloody Disgusting called it "one of the most underrated genre entries of the '90s". [15]
Later Ernest Dickerson said:
"I've always enjoyed Demon Knight. I love horror films, and I had a lot of fun creating a horror mythology. It was a great cast. I was also happy to do the first film where an African-American woman saves the world. That was a good project to be involved with". [16]
A soundtrack containing heavy metal, Hip-hop, industrial metal, glam metal, hardcore punk and alternative rock was released on January 10, 1995 by Atlantic Records. It peaked at 157 on the Billboard 200.
In a post-credits scene, the Crypt Keeper announces a sequel titled Dead Easy: also known as Fat Tuesday, it was intended to be a New Orleans zombie romp planned to open the following Halloween. A planned third film was given the title Body Count, but neither sequel was ever made. Demon Knight was intended to be the second film in the trilogy, but Universal thought it should go first because it was the most Tales-like feature out of the three proposed. The Key from Demon Knight was supposed to appear in every part of the trilogy; it later appeared in Bordello of Blood (1996).
The film was originally released on LaserDisc in 1995 [17] followed by its release on VHS and DVD in 1996 and 2003 respectively. It was also released as part of a double pack with Bordello of Blood (1996), the following Tales from the Crypt film. [18] In October 2015, it was released on Blu-ray from Scream Factory which also retains the post-credits scene unlike some other home media releases and when it is broadcast on the Horror Channel.
E.C. Publications, Inc., is an American comic book publisher. It specialized in horror fiction, crime fiction, satire, military fiction, dark fantasy, and science fiction from the 1940s through the mid-1950s, notably the Tales from the Crypt series. Initially, EC was founded as Educational Comics by Maxwell Gaines and specialized in educational and child-oriented stories. After Max Gaines died in a boating accident in 1947, his son William Gaines took over the company and renamed it Entertaining Comics. He printed more mature stories, delving into horror, war, fantasy, science-fiction, adventure, and other genres. Noted for their high quality and shock endings, these stories were also unique in their socially conscious, progressive themes that anticipated the Civil Rights Movement and the dawn of the 1960s counterculture. In 1954–55, censorship pressures prompted it to concentrate on the humor magazine Mad, leading to the company's greatest and most enduring success. Consequently, by 1956, the company ceased publishing all its comic lines except Mad.
Richard Donner was an American film director, producer and actor. Described as "one of Hollywood's most reliable makers of action blockbusters", Donner directed some of the most financially-successful films of the 1970s and 1980s. His 50-year career crossed genres and influenced trends among filmmakers across the world.
Tales from the Darkside is an American horror anthology television series created by George A. Romero. A pilot episode was first broadcast on October 29, 1983. The series was picked up for syndication, and the first season premiered on September 30, 1984. The show would run for a total of four seasons.
Tales from the Crypt, sometimes titled HBO's Tales from the Crypt, is an American horror anthology television series created by William Gaines and Steven Dodd that ran for seven seasons on the premium cable channel HBO, from June 10, 1989, to July 19, 1996, with a total of 93 episodes. The show's title is based on the 1950s EC Comics series of the same name, published by William Gaines and edited by Al Feldstein. Despite the show's title, episodes were not only adapted from stories from Tales from the Crypt, but also other EC Comic series including The Haunt of Fear, The Vault of Horror, Crime SuspenStories, Shock SuspenStories, and Two-Fisted Tales.
Tales from the Crypt Presents: Bordello of Blood is a 1996 American horror comedy film directed by Gilbert Adler from a screenplay by Adler and A.L. Katz, and a story by Bob Gale and Robert Zemeckis. Dennis Miller stars as Rafe Guttman, a private investigator hired by Katherine Verdoux to investigate the disappearance of her brother Caleb which leads him to a bordello run by Lilith.
Tales from the Crypt may refer to:
Tales from the Crypt is a 1972 British horror film directed by Freddie Francis. It is an anthology film consisting of five separate segments, based on short stories from the EC Comics series Tales from the Crypt by Al Feldstein, Johnny Craig, and Bill Gaines. The film was produced by Amicus Productions and filmed at Shepperton Studios in Surrey, England.
The Vault of Horror is an American bi-monthly horror comic anthology series that was published by EC Comics from 1950 to 1955 created by Bill Gaines and Al Feldstein. The magazine began in March 1948 as War Against Crime. It continued under this title for 11 issues before becoming The Vault of Horror with issue #12. The comic ran for 29 issues until being discontinued after issue #40.
Tales from the Crypt is an American bi-monthly horror comic anthology series that was published by EC Comics from 1950 to 1955 created by Bill Gaines and Al Feldstein. The magazine began in March 1947 as International Comics. It continued under this title for five issues before becoming International Crime Patrol (#6) and Crime Patrol (#7–16). It was retitled The Crypt of Terror with issue #17. Two more issues were published under this title before it was rebranded as Tales from the Crypt for issue #20. The comic bore this title for 27 issues until being discontinued after issue #46.
Brenda Jean Bakke is an American actress, best known for her roles in 1990s films Hot Shots! Part Deux, Gunmen, Demon Knight, Under Siege 2: Dark Territory, and L.A. Confidential.
The Vault of Horror is a 1973 British anthology horror film directed by Roy Ward Baker, and starring Terry-Thomas, Dawn Addams, Denholm Elliott, Curd Jürgens, Tom Baker, Michael Craig, Terence Alexander, Glynis Johns, Mike Pratt, Robin Nedwell, Geoffrey Davies, Daniel Massey and Anna Massey.
Tales from the Crapper is a 2004 American straight-to-video anthology film that was a spoof of the Tales from the Crypt comics. The film was released by Troma Entertainment.
John Kassir is an American actor and comedian. He is known for his work as the voice of the Cryptkeeper in HBO's Tales from the Crypt franchise. He also appeared in the role of Ralph in the off-Broadway show Reefer Madness and its 2005 film adaptation. He is also the first voice actor to take over Disney comics character Scrooge McDuck following the death of Alan Young.
Demon Knight is the official soundtrack to the 1995 horror film, Demon Knight. It was released on January 10, 1995 through Atlantic Records and mostly consisted of heavy metal and alternative rock, with "1-800 Suicide" by the Gravediggaz being the only hip-hop song. The soundtrack peaked at 157 on the Billboard 200.
Van Charles Snowden was an American puppeteer active in the film and television industries for decades. Snowden performed as the H.R. Pufnstuf character in most projects after the original series and film. His other credits included the horror films Child's Play 2 and Child's Play 3, Tales from the Crypt and D.C. Follies.
N. Brock Winkless IV was an American puppeteer and visual effects technician. He was the puppeteer of Chucky in the 1988 horror film, Child's Play, and its first three sequels, as well as the puppeteer of the Crypt Keeper in several episodes of the HBO television series, Tales from the Crypt.
Ethan Reiff and Cyrus Voris are American screenwriters and producers. They are known for their work in both feature films and television.