| The Source | |
|---|---|
| French: Nude-La Source [1] , La Font | |
 | |
| Artist | Gustave Courbet |
| Year | c. 1862 |
| Medium | Oil on canvas |
| Dimensions | 120 cm× 74.3 cm(47 in× 29.3 in) |
| Location | Metropolitan Museum of Art, New York City |
| Accession | 29.100.58 |
The Source is a 1862 oil painting on canvas by the French realist painter Gustave Courbet. The painting shows a nude woman standing outside in nature, in a body of water.
The Source depicts a nude woman standing in front of a stream of water. In the painting the woman is reaching into the stream while it is flowing unto her arms. The identity of the woman in the painting is unknown. There was some speculation on whether or not the woman had previously modeled for Courbet. Some say she modeled for Courbet twice, [2] others say she only modeled for Courbet one time. [3]
Many people believe that Courbet’s painting was inspired by the 1856 oil painting The Source by Jean-Auguste-Dominique Ingres. [4] Both paintings show fully nude women and share similar nature scenes. Courbet’s painting has also been compared to The Moon and The Earth painting done by Paul Gauguin in 1893. [5]
Courbet’s painting is in the Metropolitan Museum of Art.
Édouard Manet was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.
Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny, Pennsylvania, but lived much of her adult life in France, where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.
The Salon des Refusés, French for "exhibition of rejects", is generally known as an exhibition of works rejected by the jury of the official Paris Salon, but the term is most famously used to refer to the Salon des Refusés of 1863.
Gustave Caillebotte was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. Caillebotte was known for his early interest in photography as an art form.
Jean Désiré Gustave Courbet was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work.
L'Origine du monde is a picture painted in oil on canvas by the French artist Gustave Courbet in 1866. It is a close-up view of the vulva and abdomen of a naked woman, lying on a bed with legs spread.
The Painter's Studio is an 1855 oil-on-canvas painting by Gustave Courbet. It is located in the Musée d'Orsay in Paris, France.
Julien Vallou de Villeneuve was a French painter, lithographer and photographer.
Joanna Hiffernan or Joanna Heffernan was an Irish artists' model and muse who was romantically linked with American painter James Abbott McNeill Whistler and French painter Gustave Courbet. In addition to being an artists' model, Hiffernan herself also drew and painted, although it is not believed she ever exhibited her work.
Le ruisseau noir (The Black Stream) (also known in En. as Stream in a Ravine) is an oil-on-canvas landscape painted in 1865 by the French artist Gustave Courbet. It is currently held and exhibited at the Musée d'Orsay in Paris.
The Source is an oil painting on canvas by French neoclassical painter Jean-Auguste-Dominique Ingres. The work was begun in Florence around 1820 and not completed until 1856, in Paris. When Ingres completed The Source, he was seventy-six years old, already famous, and president of the École des Beaux-Arts. The pose of the nude may be compared with that of another by Ingres, the Venus Anadyomene (1848), and is a reimagination of the Aphrodite of Cnidus or Venus Pudica. Two of Ingres' students, painters Paul Balze and Alexandre Desgoffe, helped to create the background and water jar.
La Femme au perroquet is an oil painting on canvas by French artist Gustave Courbet. It was the first nude by the artist to be accepted by the Paris Salon in 1866 after a previous entry in 1864 was rejected as indecent. It is in the collection of the Metropolitan Museum of Art in New York city.
Lise Tréhot was a French art model who posed for artist Pierre-Auguste Renoir from 1866 until 1872, during his early Salon period. She appeared in more than twenty paintings, including notable works such as Lise with a Parasol (1867) and In Summer (1868), and she was the model for almost all of Renoir's work featuring female figures at this time. Tréhot married Georges Brière de l'Isle in 1883 and raised four children to whom she bequeathed two of Renoir's paintings, Lise Sewing (1867–68) and Lise in a White Shawl (1872), both of which are currently held by the Dallas Museum of Art.
The Bathers is an oil-on-canvas painting by the French artist Gustave Courbet, first exhibited at the Paris Salon of 1853, where it caused a major scandal. It was unanimously attacked by art critics for the huge nude woman at its centre and the sketchy landscape background, both against official artistic canons. It was bought for 3000 francs by Courbet's future friend Alfred Bruyas, an art collector – this acquisition allowed the artist to become financially and artistically independent. It is signed and dated in the bottom right hand corner on a small rock. It has been in the musée Fabre in Montpellier since 1868.
The Bacchante is an oil-on-canvas painting by the French artist Gustave Courbet, produced between 1844 and 1847. The painting's title relates the work to images of Bacchantes from Greco-Roman mythology and to Renaissance paintings and sculptures on that subject.
Young Ladies of the Village or The Village Maids is an 1852 oil-on-canvas painting by the French artist Gustave Courbet, now in the Metropolitan Museum of Art, in New York. It is signed bottom left "G. Courbet".
Jo, the Beautiful Irishwoman is the title of a series of four oil on canvas bust-length portraits by Gustave Courbet. They all show the same redheaded Irish model Joanna Hiffernan looking in a mirror – she also modelled for Whistler. The works have minor differences in details and dimensions but their exact chronology is unknown. They are now in the Nationalmuseum, the Metropolitan Museum of Art, the Nelson-Atkins Museum of Art and a private collection.
A Young Lady in 1866 or Lady with a Parakeet is an 1866 painting by Édouard Manet, showing his favourite model Victorine Meurent, wearing a pink gown, holding a small bouquet of violettes and accompanied by an African Grey Parrot. It is an oil painting on canvas measuring 185.1 x 128.6 cm, and is now in the Metropolitan Museum of Art in New York. It and Boy Carrying a Sword were the first of Manet's works to enter a gallery collection.
Madame Auguste Cuoq is a mid-19th-century portrait by French artist Gustave Courbet. Done in oil on canvas, the painting depicts Mathilde Desportes, a French model who often sat for portraits. The painting is in the collection of the Metropolitan Museum of Art.
The Eternal Feminine is an 1877 oil-on-canvas painting by the French Post-Impressionist artist Paul Cézanne. The ambiguous work shows men gathered around a single female figure. A range of professions are represented: writers, lawyers, and a painter.
 | This article about a nineteenth-century painting is a stub. You can help Wikipedia by expanding it. |
 | This Metropolitan Museum of Art article is a stub. You can help Wikipedia by expanding it. |