| The Source of the Loue | |
|---|---|
 One of Courbet's series (99.7 x 142.2 cm, oil on canvas) in the collection of the Metropolitan Museum of Art. | |
| Artist | Gustave Courbet |
| Year | 1863–64 |
| Medium | Oil on canvas |
| Location | Various |
The Source of the Loue is the name of several mid-19th century paintings by French artist Gustave Courbet. Done in oil on canvas, the paintings depict the river Loue in eastern France.
An artist with naturalist and Realism proclivities, Gustave Courbet often painted the river Loue near Ornans, his hometown in eastern France. From 1863 to 1864, he painted a series of four paintings titled The Source of the Loue. The paintings depict rocky crags and grottos with the river flowing beneath them, a motif in keeping with Courbet's earlier works of Realism. All of the paintings showcase Courbet's skill in using a palette knife to apply pigment. [1]
At the time of their creation, the paintings (along with other works by Courbet) were not widely accepted in the art community as they were considered works of Realism, then a fringe artistic movement. [2]
Courbet's series is now split between the collection of several institutions. One painting is in the collection of the Walters Museum, one is in the collection of the Kunsthaus Zürich, [3] one is in the collection of the Kunsthalle Hamburg, and one is in the collection of the Metropolitan Museum of Art. [1]
Édouard Manet was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.
Gustave Caillebotte was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. Caillebotte was known for his early interest in photography as an art form.
Jean Désiré Gustave Courbet was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work.
The Barbizon school of painters were part of an art movement toward Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape painting, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, color, loose brushwork, and softness of form.
L'Origine du monde is a picture painted in oil on canvas by the French artist Gustave Courbet in 1866. It is a close-up view of the vulva and abdomen of a naked woman, lying on a bed with legs spread.
The Painter's Studio is an 1855 oil-on-canvas painting by Gustave Courbet. It is located in the Musée d'Orsay in Paris, France.
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The realist painters rejected Romanticism, which had come to dominate French literature and art, with roots in the late 18th century.
The Stone Breakers, also known as Stonebreakers, was an 1849 oil-on-canvas painting by the French painter Gustave Courbet. The painting was an example of realism and it portrayed an old man and a young man, both breaking rocks. The two men were meant to represent common workers doing menial tasks. They are shown in tattered clothing and their faces are turned away from the viewer.
Le Suicidé is a small oil painting by Édouard Manet completed between 1877 and 1881. The painting has been little studied within Manet's oeuvre, as art historians have had difficulty finding a place for the work within the development of Manet's art.
Le ruisseau noir (The Black Stream) (also known in En. as Stream in a Ravine) is an oil-on-canvas landscape painted by French artist, Gustave Courbet, in 1865. It is currently held and exhibited at the Musée d'Orsay in Paris.
The Musée Courbet or Courbet Museum is a museum dedicated to the French painter Gustave Courbet. It is located in Ornans in the Doubs-Franche-Comté area of France.
Realism was an artistic movement that emerged in France in the 1840s, around the 1848 Revolution. Realists rejected Romanticism, which had dominated French literature and art since the early 19th century. Realism revolted against the exotic subject matter and the exaggerated emotionalism and drama of the Romantic movement. Instead, it sought to portray real and typical contemporary people and situations with truth and accuracy, and not avoiding unpleasant or sordid aspects of life. The movement aimed to focus on unidealized subjects and events that were previously rejected in art work. Realist works depicted people of all classes in situations that arise in ordinary life, and often reflected the changes brought by the Industrial and Commercial Revolutions. Realism was primarily concerned with how things appeared to the eye, rather than containing ideal representations of the world. The popularity of such "realistic" works grew with the introduction of photography—a new visual source that created a desire for people to produce representations which look objectively real.
Gustave Léonard de Jonghe, Gustave Léonard De Jonghe or Gustave de Jonghe was a Flemish painter known for his glamorous society portraits and genre scenes. After training in Brussels, he started out as a painter of historical and religious subjects in a Realist style. After moving to Paris where he spent most of his active career, he became successful with his scenes of glamorous women in richly decorated interiors.
Charles de Groux or Charles Degroux was a French painter, engraver, lithographer and illustrator. As he moved to Belgium at a young age and his whole career took place in Belgium he is usually referred to as a Belgian artist. His depictions of scenes from the life of the disadvantaged and lower-class people of his time mark him as the first Belgian social realist painter. These works made him the precursor of Belgian Realist artists such as Constantin Meunier and Eugène Laermans.
The Quarry: Deer Hunt in the Forests of the Grand Jura is an 1857 painting by the French artist Gustave Courbet. It was his first work on a hunting theme and is now in the Museum of Fine Arts, Boston.
Jo, the Beautiful Irishwoman is the title of a series of four oil on canvas bust-length portraits by Gustave Courbet. They all show the same redheaded Irish model Joanna Hiffernan looking in a mirror – she also modelled for Whistler. The works have minor differences in details and dimensions but their exact chronology is unknown. They are now in the Nationalmuseum, the Metropolitan Museum of Art, the Nelson-Atkins Museum of Art and a private collection.
The Fishing Boat is an 1865 painting by French painter Gustave Courbet. Done in oil on canvas, the painting depicts a beached fishing boat on the French coastline near Trouville. It is currently in the collection of the Metropolitan Museum of Art, in New York.
The Source is a 1862 oil painting done by Gustave Courbet, a French artist. The painting shows a nude woman standing outside in nature, in a body of water.
The Hunt Breakfast is a large oil-on-canvas painting completed in 1858 by the French Realist painter Gustave Courbet which is now in the collection of the Wallraf–Richartz Museum in Cologne, Germany. It was painted in Germany during a long stay by the artist in Frankfurt and has probably never left the country.
Madame Auguste Cuoq is a mid-19th-century portrait by French artist Gustave Courbet. Done in oil on canvas, the painting depicts Mathilde Desportes, a French model who often sat for portraits. The painting is in the collection of the Metropolitan Museum of Art.
{{cite web}}: CS1 maint: postscript (link)