Pierre-Auguste Renoir was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."
The Salon des Refusés, French for "exhibition of rejects", is generally known as an exhibition of works rejected by the jury of the official Paris Salon, but the term is most famously used to refer to the Salon des Refusés of 1863.
Jean Désiré Gustave Courbet was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work.
Le Déjeuner sur l'herbe – originally titled Le Bain – is a large oil on canvas painting by Édouard Manet created in 1862 and 1863.
L'Origine du monde is a picture painted in oil on canvas by the French artist Gustave Courbet in 1866. It is a close-up view of the vulva and abdomen of a naked woman, lying on a bed with legs spread.
The Painter's Studio is an 1855 oil-on-canvas painting by Gustave Courbet. It is located in the Musée d'Orsay in Paris, France.
Julien Vallou de Villeneuve was a French painter, lithographer and photographer.
Scène d'été, Summer Scene, or The Bathers is an oil-on-canvas painting by the French artist Frédéric Bazille from 1869. It is now in the Fogg Art Museum in Cambridge, Massachusetts. The Impressionist painting depicts young men dressed in swimsuits having a leisurely day along the banks of the Lez river near Montpellier. Bazille composed the painting by first drawing the human figures in his Paris studio and then transporting the drawings to the outdoor setting. Like his earlier painting Réunion de famille (1867), Scène d'été captured friends and family members in the outdoors. Scène d'été was exhibited at the Paris Salon in 1870.
Henri-Pierre Picou was a French painter. His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.
André-Léon Vivrel, was a French painter and illustrator.
Bathers is a Proto-Cubist painting, now lost or missing, created circa 1908 by the French artist and theorist Jean Metzinger. Possibly exhibited during the spring of 1908 at the Salon des Indépendants. This black-and-white image of Metzinger's painting, the only known photograph of the work, was reproduced in Gelett Burgess, "The Wild Men of Paris", Architectural Record, May 1910. The painting was also reproduced in The New York Times, 8 October 1911, in an article titled "The 'Cubists' Dominate Paris' Fall Salon", and subtitled, "Eccentric School of Painting Increases Its Vogue in the Current Art Exhibition - What Its Followers Attempt to Do".
The Wrestlers is a large 1853 painting by the French artist Gustave Courbet, now in the Museum of Fine Arts in Budapest. It shows two men engaged in 'French wrestling', inspired by Greco-Roman wrestling. Documents reveal that it shows a match in the former hippodrome on the Champs-Élysées in Paris. His choice of such a huge canvas inspired Alexandre Falguière's 1875 The Wrestlers.
The Bacchante is an oil-on-canvas painting by the French artist Gustave Courbet, produced between 1844 and 1847. The painting's title relates the work to images of Bacchantes from Greco-Roman mythology and to Renaissance paintings and sculptures on that subject.
The Happy Lovers is a title given to a c. 1844 painting by the French artist Gustave Courbet, now in the musée des Beaux-Arts de Lyon. One of its earlier titles when exhibited in 1855 at the Pavillon Courbet in Paris was The Waltz. It was sold in the Courbet sale of 1881 and bought by M. Hard and resold to M. Brame, before entering the collection of the musée des Beaux-Arts de Lyon in 1892. The engraver Félix Bracquemond, a friend of the painter, reproduced the work as an etching.
Self-Portrait with a Black Dog, Portrait of the Artist or Courbet with a Black Dog is an 1842 oil-on-canvas painting by the French artist Gustave Courbet, retouched by the artist in 1844. It is now in the Petit Palais in Paris.
The Quarry: Deer Hunt in the Forests of the Grand Jura is an 1857 painting by the French artist Gustave Courbet. It was his first work on a hunting theme and is now in the Museum of Fine Arts, Boston.
Young Ladies of the Village or The Village Maids is an 1852 oil-on-canvas painting by the French artist Gustave Courbet, now in the Metropolitan Museum of Art, in New York. It is signed bottom left "G. Courbet".
Proudhon and His Children is an oil-on-canvas group portrait by the French painter Gustave Courbet, created in 1865, now held in the Petit Palais in Paris. The main figure is a posthumously produced image of French philosopher Pierre-Joseph Proudhon, who appears with his two children reading and playing.
The Source is a 1862 oil painting on canvas by the French realist painter Gustave Courbet. The painting shows a nude woman standing outside in nature, in a body of water.
Arab Chiefs Challenging each other to Single Combat under the Ramparts of a City(French: Chefs de tribus arabes se défiant au combat singulier, sous les remparts d'une ville) is an oil on canvas painting by Théodore Chassériau, from 1852. It was one of three works by Chassériau accepted for the 1852 Salon. It is held at the Musée d'Orsay, in Paris.
