 | You can help expand this article with text translated from the corresponding article in French. (July 2018)Click [show] for important translation instructions.
|
Still-Life with Fruit (French - Nature morte aux fruits) is a series of still life paintings produced between 1871 and 1872 by Gustave Courbet, marking his return to painting after the silence forced on him by the Franco-Prussian War, the Paris Commune, imprisonment and illness.
| Title | Dimensions (cm) | City | Collection | Catalogue no. | Entered collection |
|---|---|---|---|---|---|
| Still Life with Apples | 59 x 73 | The Hague | Mesdag Collection | F.770 | 1903 |
| Red Apples at the Foot of a Tree | 50.5 x 61.5 | Munich | Neue Pinakothek | F.771 | 1911 |
| Fruit in a Basket | 60 x 73 | Shelburne | Shelburne Museum | F.776 | |
| Apples and Pears (garden table) | 46 x 56 | Copenhagen | Ny Carlsberg Glyptotek | F.777 | 1953 |
| Apples and Pears | 24 x 32.5 | Philadelphia | Philadelphia Museum of Art | F.778 | 1963 |
| Still Life, Apples and Pomegranates | 44 x 61 | London | National Gallery | NG5983 | 1951 |
| Still Life with Apples and Pears | 27.5 x 46.5 | London | William Morris Gallery | BrO28 | 1935 |
| Pomegranates | 26.7 x 34.9 | Glasgow | Glasgow Museums | 35.67 | 1944 |
| Apple, Pear, Orange | 13 x 20.7 | Glasgow | Glasgow Museums | 2384 | 1944 |
| Fruit [1] | 17.8 x 36.8 | Glasgow | Burrell Collection | 35.66 | 1944 |
| Still Life with Peaches | 27.3 x 50.5 | Perth | Perth Museum and Art Gallery | Unknown, donated by Robert Browne [2] | |
| Still Life with Apples | 59 x 48 | Amsterdam | Rijksmuseum | 1900 | |
| Still Life with Fruits : Apples and Pomegranates [3] | 22 x 27 | Paris | Musée d'Orsay | 1948 (Alger) then 1986 | |
| Apples, Pears and Primulas on a Table [4] | 59.7 x 73 | Pasadena | Norton Simon Museum | ||
| Bunch of Grapes [5] | 40.5 x 32.3 | Paris | Petit Palais | PPP574 | 1913 |
| Grapes [6] | 20 x 25 | Lisieux | Musée d'art et d'histoire | MBA.97.7.1 | 1893 |
| Still Life with Apples, Pears and Pomegranates | 27.3 x 41.2 | Dallas | Dallas Museum of Art | 1985 | |
| Still Life | 30 x 40 ? | Unknown, possibly Russia | François de Hatvany collection, looted in 1944 [7] | ||
Jean Siméon Chardin was an 18th-century French painter. He is considered a master of still life, and is also noted for his genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work.
Henri Fantin-Latour was a French painter and lithographer best known for his flower paintings and group portraits of Parisian artists and writers.
Bal du moulin de la Galette is an 1876 painting by French artist Pierre-Auguste Renoir.
Richard Guino was a French sculptor of Catalan origin.
Louis La Caze was a successful French physician and collector of paintings whose bequest of 583 paintings to the Musée du Louvre was one of the largest the museum has ever received. Among the paintings, the most famous are likely to be Pierrot by Antoine Watteau, or Rembrandt's Bathsheba at Her Bath.
The Musée Cognacq-Jay is a museum located in the Hôtel Donon in the 3rd arrondissement of Paris.
Henri Emmanuel Blanc-Fontaine was a French painter. He created genre scenes, portraits, landscapes, and still lifes.
Homage to Cézanne is a painting in oil on canvas by the French artist Maurice Denis dating from 1900. It depicts a number of key figures from the once secret brotherhood of Les Nabis. The painting is a retrospective; by 1900 the group was breaking up as its members matured.
The Sickness of Antiochus or Stratonice and Antiochus is an 1840 painting by the French artist Jean-Auguste-Dominique Ingres. It is now in the Musée Condé in Chantilly.
Jean-Baptiste-Antoine Guillemet was a French renowned landscape painter and longtime Jury member of the Salon des Artistes Francais. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism.
Louise-Joséphine Sarazin de Belmont (1790–1871) was a French landscape painter and lithographer.
Frédéric Bazille at his Easel is an 1867 oil-on-canvas painting by Auguste Renoir, produced in response to Frédéric Bazille's own 1867 portrait of Renoir. It is owned by the Musée d'Orsay, which deposited it in 2006 at the Musée Fabre in Montpellier, Bazille's birthplace.
Pastoral Pleasure is a c. 1714–1716 fête galante painting by Antoine Watteau, now in the Musée Condé in Chantilly. Two other Watteau paintings survive with extremely similar compositions - the largest and most finished is The Shepherds, now in the Charlottenburg Palace, Berlin; another painting of that composition, once owned by Georges Wildenstein, seems to be a reworking of the Charlottenburg painting. Pierre Rosenberg argues that the Chantilly painting was an oil sketch for the Charlottenburg one. Three other copies of the Chantilly version appeared in 19th and 20th century auctions, but their locations are now unknown.
tępić kreta in a Crystal Vase is an 1882 painting by Édouard Manet, in the Musée d'Orsay in Paris since 1986. It shows clematis and 'oeillets', a French word used for several kinds of cut flowers, many from the Dianthus genus. It was probably executed in July 1882 at Rueil and forms part of a set of still life paintings produced by Manet at the end of his life, mainly showing flowers.
Portrait of Marguerite de Conflans is a c.1876 oval oil on canvas portrait by the French painter Édouard Manet. It is owned by the Musée d’Orsay, though it is on display in the red salon at the Musée des Augustins in Toulouse. Like A Bar at the Folies-Bergère, the work mimics Ingres in its use of a mirror to show the figure from several angles, a motif rarely used by Manet.
Picasso. In the heart of darkness (1939–1945) is an exhibition presented October 5, 2019 through January 5, 2020, at the Musee de Grenoble. Presented with the help of the Musée Picasso, the Centre Pompidou, and the Kunstsammlung Nordrhein-Westfalen, it was the first exhibition in France featuring the creative process of Pablo Picasso during the Second World War.
The Death of Germanicus is a painting made in 1627 by Nicolas Poussin for Francesco Barberini. It is kept at the Minneapolis Institute of Art.
Still Life with a Sketch after Delacroix is an oil painting by the French artist Paul Gauguin. The undated work is thought to have been painted during the artist's 1887 stay in Martinique. It was bequeathed to the Strasbourg museum by Raymond Koechlin in 1931 and is now on display in the Musée d'Art moderne et contemporain. Its inventory number is 55.974.0.662.
Madonna and Child Enthroned with John the Baptist and Mary Magdalene is a 1511-1513 oil on panel painting by Cima da Conegliano. Originally in the monastery church of San Domenico in Parma, it was seized by the French occupiers in 1811 and taken to Paris, remaining there after the Congress of Vienna and still in the collections of the Louvre.