Sir George Ivan MorrisonOBE is a singer-songwriter and musician from Northern Ireland whose recording career spans seven decades.
The Quarrymen are a British skiffle/rock and roll group, formed by John Lennon in Liverpool in 1956, which evolved into the Beatles in 1960. Originally consisting of Lennon and several school friends, the Quarrymen took their name from a line in the school song of their school, the Quarry Bank High School. Lennon's mother, Julia, taught her son to play the banjo, showed Lennon and Eric Griffiths how to tune their guitars in a similar way to the banjo, and taught them simple chords and songs.
Skiffle is a genre of folk music with influences from American folk music, blues, country, bluegrass, and jazz, generally performed with a mixture of manufactured and homemade or improvised instruments. Originating as a form in the United States in the first half of the 20th century, it became extremely popular in the United Kingdom in the 1950s, where it was played by such artists as Lonnie Donegan, the Vipers Skiffle Group, Ken Colyer, and Chas McDevitt. Skiffle was a major part of the early careers of some musicians who later became prominent jazz, pop, blues, folk, and rock performers, the Quarrymen and Rory Gallagher among them. It has been seen as a critical stepping stone to the second British folk revival, the British blues boom, and the British Invasion of American popular music.
Anthony James Donegan, known as Lonnie Donegan, was a British skiffle singer, songwriter and musician, referred to as the "King of Skiffle", who influenced 1960s British pop and rock musicians. Born in Scotland and brought up in England, Donegan began his career in the British trad jazz revival but transitioned to skiffle in the mid-1950s, rising to prominence with a hit recording of the American folk song "Rock Island Line" which helped spur the broader UK skiffle movement.
British blues is a form of music derived from American blues that originated in the late 1950s, and reached its height of mainstream popularity in the 1960s. In Britain, blues developed a distinctive and influential style dominated by electric guitar, and made international stars of several proponents of the genre, including the Rolling Stones, the Animals, the Yardbirds, Eric Clapton, Fleetwood Mac and Led Zeppelin.
Ralph McTell is an English singer-songwriter and guitar player who has been an influential figure on the UK folk music scene since the 1960s. McTell is best known for his song "Streets of London" (1969), which has been covered by over two hundred artists around the world.
Michael Kevin Taylor is an English guitarist, best known as a former member of John Mayall's Bluesbreakers (1967–1969) and the Rolling Stones (1969–1974). As a member of the Stones, he appeared on Let It Bleed (1969), Get Yer Ya-Ya's Out! The Rolling Stones in Concert (1970), Sticky Fingers (1971), Exile on Main St. (1972), Goats Head Soup (1973) and It's Only Rock 'n Roll (1974).
John Renbourn was an English guitarist and songwriter. He was best known for his collaboration with guitarist Bert Jansch as well as his work with the folk group Pentangle, although he maintained a solo career before, during and after that band's existence (1967–1973). He worked later in a duo with Stefan Grossman.
June Tabor is an English folk singer known for her solo work and her earlier collaborations with Maddy Prior and with Oysterband.
Fellside Recordings is a British independent record label, formed by Paul Adams and Linda Adams in 1976 in Workington, Cumbria, and still run by them.
Rory Storm was an English musician and vocalist. Born in Liverpool, Storm was the singer and leader of Rory Storm and the Hurricanes, a Liverpudlian band who were contemporaries of The Beatles in the late 1950s and early 1960s. Ringo Starr was the drummer for the Hurricanes before joining the Beatles in August 1962.
Terence "Jet" Harris was an English rock and roll musician. He was an original member of Cliff Richard's backing band the Shadows, serving as the bass guitarist from the group's inception until April 1962, after which he had success as a soloist and as a duo with that band's drummer Tony Meehan.
Wallace Victor "Wally" Whyton was a British musician, songwriter and radio and TV personality.
The Shadows were an English instrumental rock group, who dominated the British popular music charts in the late 1950s and early 1960s, in the pre-Beatles era. They served as the backing band for Cliff Richard from 1958 to 1968, and have joined him for several reunion tours.
Stackridge were a British rock group which had their greatest success in the early 1970s.
"Maggie May" is a traditional Liverpool folk song about a prostitute who robbed a "homeward bounder": a sailor coming home from a round trip.
The English Folk Dance and Song Society is an organisation that promotes English folk music and folk dance. EFDSS was formed in 1932 when two organisations merged: the Folk-Song Society and the English Folk Dance Society. The EFDSS, a member-based organisation, was incorporated in 1935 and became a registered charity in 1963.
William Charles "Diz" Disley was an Anglo-Canadian jazz guitarist and banjoist. He is best known for his acoustic jazz guitar playing, strongly influenced by Django Reinhardt, for his contributions to the UK trad jazz, skiffle and folk scenes as a performer and humorist, and for his collaborations with the violinist Stéphane Grappelli.
The Vipers Skiffle Group – later known simply as The Vipers – were one of the leading British groups during the skiffle period of the mid to late 1950s, and were important in the careers of radio and television presenter Wally Whyton, coffee bar manager Johnny Martyn, wire salesman Jean Van den Bosch, instrument repairer Tony Tolhurst, journalist John Pilgrim, record producer George Martin, and several members of The Shadows.
British rhythm and blues was a musical movement that developed in the United Kingdom between the late 1950s and the early 1960s, and reached a peak in the mid-1960s. It overlapped with, but was distinct from, the broader British beat and more purist British blues scenes, attempting to emulate the music of American blues and rock and roll pioneers, such as Muddy Waters and Howlin' Wolf, Chuck Berry and Bo Diddley. It often placed greater emphasis on guitars and was often played with greater energy.
