The Swamp Rats | |
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Also known as | Bob Hocko and the Swamp Rats |
Origin | Pittsburgh, Pennsylvania, United States |
Genres | |
Years active | 1966 - 1967 |
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Past members |
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The Swamp Rats were an American garage rock band that hailed from Pittsburgh, Pennsylvania. The band achieved regional success with singles mostly consisting of cover versions of popular songs. Their material is considered one of the earliest examples of proto-punk, which has led to re-releases of their work. [1]
The band originated from a group known as The Fantastic Dee Jays, which was formed in 1964 by Denny Nicholson, Dick Newton, and Tom Junecko. The three performed locally until being hired by disc jockey, Terry Lee, of WMCK Radio. Lee, who was manager of several other bands, became their manager/producer, and dictated their song lists, uniforms, and purchased their equipment. In live performances, the band performed covers of British Invasion pop songs, and soon gained a following in Pittsburgh. In March 1965, the band released their first single, "Apache" b/w "Fight Fire", both cover songs. They would recruit vocalist and drummer, Bob Hocko, for their next releases, which included original material like "Get Away Girl", co-written by all the members. They released a self-titled debut in early 1966 and disbanded soon after. [2]
Terry Lee created the Swamp Rats with Dee Jay member, bass guitarist Newton, and newcomers David Gannon on drums, and Don Schreiner on lead guitar. Lee signed the band to the small St. Clair label, and produced their debut single, "Louie Louie" b/w "Hey Joe". The recordings were a contrast to their previous band's material as they were heavier and more punk oriented. [3] Soon after their debut, Hocko returned to the group as lead vocalist, and bassist Paul Shalako was added. They would appear on the band's second release, "Psycho" b/w "Here, There, and Everywhere", again both covers. Gannon would not be involved in the group's further releases, but remained their live drummer. Hocko's vocals on "Psycho" was an example of scream-singing. The band produced several more singles on the same label which sold well in Pittsburgh, and they performed in Lee's dance clubs with revolving lineups. [4] Despite their local popularity, the band suffered from personal disagreements, limited single distribution, and a lack of original material. Lee prevented the band from writing much of their own compositions, which caused disputes between Lee and Newton on what type of material to write. Newton left the band in 1967 and was replaced by Joey Guido. Lee was replaced by Nick Cenci who had the band signed to Co & Ce. for their final single, "In the Midnight Hour". When Guido fled to Canada to escape the draft, the band performed two final gigs with Nicholson returning to the band, before disbanding in mid-1967. [2]
In 1979, following a returning interest in garage rock, the band's material was released on a compilation album titled Disco Sucks!, on the Keystone label. The album consisted of singles by the group, two tracks from 1972 reunion demos, work from Hocko's band, Galactus, and an outtake. The album was poorly circulated, however, and did not receive as much attention as expected. A bootleg follow-up was released in 2003 on the Get Hip label called Disco Still Sucks!. It included all of the band's singles except "Two Tymes Too" and "Mr. Sad", along with more outtakes, and original material by Hocko. [5] In 2007, their song "I'm Going Home" would be sampled by the band Black Lips for their song "Veni Vidi Vici" on their album Good Bad Not Evil .
David Gannon died on October 4, 2014; he was 67 years old. [6]
The Misfits are an American punk rock band often recognized as the pioneers of the horror punk subgenre, blending punk and other musical influences with horror film themes and imagery. The group was founded in 1977 in Lodi, New Jersey, by vocalist, songwriter and keyboardist Glenn Danzig. Over the next six years, Danzig and bassist Jerry Only were the group's main members through numerous personnel changes. During this period, they released several EPs and singles, and with Only's brother Doyle as guitarist, the albums Walk Among Us (1982) and Earth A.D./Wolfs Blood (1983), both considered touchstones of the early-1980s hardcore punk movement. The band has gone through many lineup changes over the years, with bassist Jerry Only being the only constant member in the group.
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Crack the Sky is an American progressive rock band formed in Weirton, West Virginia, in the early 1970s. In 1975, Rolling Stone declared their first album the "debut album of the year", and in 1978, Rolling Stone Record Guide compared them to Steely Dan. Their first three albums charted on the Billboard 200. In 2015, their debut album was ranked number 47 in the Rolling Stone list of "50 Greatest Prog Rock Albums of All Time ". The band continues to release albums and perform to a small but devoted fan base to this day.
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Still Sucks is the sixth studio album by American rap rock band Limp Bizkit, released on October 31, 2021, through Suretone Records. Work on the album began in 2012, but the album lingered in development hell for the next 9 years. The album's lead single "Dad Vibes" was premiered at the end of a performance at Lollapalooza on August 2, 2021, and officially released on September 30, 2021, marking their first brand-new material to be released for seven years.
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The Knaves were an American garage rock band formed in Chicago, Illinois, in 1964. The band released two singles during their existence, including the song "Leave Me Alone", which is now considered a classic of the musical genre of garage rock. In addition, the group's sound was particularly unique for combining elements of folk rock and proto-punk, making the Knaves stand out among their contemporaries.
Back from the Grave, Volume 1 (CD) is the first installment in the Back from the Grave compact disc-exclusive series of garage rock compilations put together by Tim Warren of Crypt Records. It was released on August 23, 1996. Its track listing differs from that of the LP version, which is part of the Back From the Grave LP-edition series, also on Crypt. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Raw 'n' Crude Mid-60s Garage Punk!," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features a booklet containing well-researched liner notes written by Tim Warren which conveys basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The booklet also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting a revivified "rock and roll" zombie who, along with his macabre cohorts, has just emerged from the grave to "bury" all specimens of supposedly "heretical" pop and progressive music which have come to prominence over the years, such as disco music and MTV.
Back from the Grave, Volume 1 is the first installment in the Back from the Grave series of garage rock compilations put together by Tim Warren of Crypt Records and released in 1983 on LP. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Rockin' 1966 Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting a revivified "rock and roll" zombie who, along with his macabre cohorts, has just emerged from the grave to "bury" all specimens of supposedly "heretical" pop and progressive music which have come to prominence over the years, such as disco music and MTV.
"Farmer John" is a song written by Don "Sugarcane" Harris and Dewey Terry, and first recorded by the two as the American R&B duo Don and Dewey, in 1959. Although the original version of the composition did not receive much attention, it was reinvigorated by the garage rock band the Premiers, whose raving remake of the song was released in 1964. The song's raw and partying atmosphere was immensely popular, reaching number 19 on the Billboard Hot 100. Following the group's national success, several additional interpretations of "Farmer John" were released, making the tune a classic of garage rock.
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