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Back from the Grave Part One is the first installment in the Back from the Grave four compact disc-exclusive series of garage rock compilations put together by Tim Warren of Crypt Records. It was released in February 1993 in Germany and on August 23, 1996 in the U.S. Its track listing differs from that of the LP version, which is part of the Back From the Grave LP-edition series, also on Crypt. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Raw 'n' Crude Mid-60s Garage Punk!," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features a booklet containing well-researched liner notes written by Tim Warren which conveys basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The booklet also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting a revivified "rock and roll" zombie who, along with his macabre cohorts, has just emerged from the grave to "bury" all specimens of supposedly "heretical" pop and progressive music which have come to prominence over the years, such as disco music and MTV.
Back from the Grave is the first installment in the Back from the Grave series of garage rock compilations put together by Tim Warren of Crypt Records and released in 1983 on LP. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Rockin' 1966 Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting a revivified "rock and roll" zombie who, along with his macabre cohorts, has just emerged from the grave to "bury" all specimens of supposedly "heretical" pop and progressive music which have come to prominence over the years, such as disco music and MTV.
Back from the Grave, Volume 2 is the second installment in the Back from the Grave series of garage rock compilations put together by Tim Warren of Crypt Records on LP. It was released in 1983. In keeping with all of the entries in the series, and as indicated in the subheading which reads "16 Garage Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting revivified "rock and roll" zombies who have just emerged from the grave to "burn on a skewer" all adherents of supposedly heretical pop and progressive music which have come to prominence over the years, such as disco.
"Farmer John" is a song written by Don "Sugarcane" Harris and Dewey Terry, and first recorded by the two as the American R&B duo Don and Dewey, in 1959. Although the original version of the composition did not receive much attention, it was reinvigorated by the garage rock band the Premiers, whose raving remake of the song was released in 1964. The song's raw and partying atmosphere was immensely popular, reaching number 19 on the Billboard Hot 100. Following the group's national success, several additional interpretations of "Farmer John" were released, making the tune a classic of garage rock.
"Rats" is a song by the Swedish rock band Ghost. It was released as the first single from their fourth album Prequelle. The track topped the Billboard Mainstream Rock Songs chart in July 2018, and was nominated for the Best Rock Song Grammy Award at the 61st Annual Grammy Awards.
References
- ↑ "Swamp Rats". last.fm. Retrieved February 28, 2015.
- 1 2 "Terry Lee's Garage Rock Heroes". google.com. Archived from the original on January 2, 2015. Retrieved February 28, 2015.
- ↑ Scott Mervis. "Hitsburg:The Story of Rock 'N' Roll in Pittsburgh". post-gazette.com. Archived from the original on March 4, 2016. Retrieved February 28, 2015.
- ↑ Richie Unterberger. "The Swamp Rats - Biography". allmusic.com. Retrieved February 28, 2015.
- ↑ "The Swamp Rats, "Disco Still Sucks!"". therisingstorm.net. 11 February 2011. Retrieved February 28, 2015.
- ↑ "David Gannon Obituary - Ashdown, Arkansas - Madden Funeral Home Inc". hosting-417.tributes.com. Retrieved 2016-03-06.
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