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Plácido Domingo has made hundreds of opera performances, music albums, and concert recordings throughout his career as an operatic tenor. From his first operatic leading role as Alfredo in La traviata in 1961, his major debuts continued in swift succession: Tosca at the Hamburg State Opera and Don Carlos at the Vienna State Opera in 1967; Adriana Lecouvreur at the Metropolitan Opera, Turandot in Verona Arena and La bohème in San Francisco in 1969; La Gioconda in 1970; Tosca in Royal Opera House, Covent Garden in 1971; La bohème at the Bavarian State Opera in 1972; Il trovatore at the Paris Opéra in 1973 and Don Carlo at the Salzburg Festival in 1975, Parsifal in 1992 at the Bayreuth Festival; and the list continues until today; the same role is often recorded more than once.
The following is a partial discography of the many audio and video recordings of Giuseppe Verdi's opera, La traviata. Based on the 1848 novel La dame aux Camélias by Alexandre Dumas, fils, La traviata has been a staple of the operatic repertoire since its premiere on 6 March 1853 at the Teatro La Fenice in Venice.
This is a partial discography of Lucia di Lammermoor, an opera by Gaetano Donizetti. It premiered on 26 September 1835 at the Teatro di San Carlo in Naples.
This is a partial discography of Giuseppe Verdi's opera, Aida. It was first performed at the Khedivial Opera House in Cairo on December 24, 1871.
This is an audio and video discography of Tristan und Isolde, an opera by Richard Wagner which was first performed on 10 June 1865 in Munich.
This is a partial discography of Lohengrin, an opera by Richard Wagner. The first production was in Weimar, Germany on 28 August 1850 at the Staatskapelle Weimar, conducted by Franz Liszt.
This is a partial discography of Giuseppe Verdi's opera Il trovatore and Le trouvère. At least 83 recordings exist of the opera as a whole, made between 1912 and 2011, although not all of them are absolutely complete. Of these, 45 are live audio recordings, 22 are studio audio recordings, and 16 are videos or movies. Il trovatore was first performed at the Teatro Apollo, Rome on 19 January 1853. Le trouvère was first presented on 12 January 1857.
This is a list of recordings of Rigoletto, an 1851 opera by Giuseppe Verdi with an Italian libretto by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo. It was first performed at La Fenice in Venice on 11 March 1851.
This is a list of recordings of Elektra, a one-act opera by Richard Strauss with a German-language libretto by Hugo von Hofmannsthal. The work was first performed at the Dresden State Opera on 25 January 1909.
This is a list of recordings of Don Carlos, an opera by Giuseppe Verdi, known as Don Carlo in its Italian-language versions. Don Carlos premiered as a five-act French grand opera at the Théâtre Impérial de l'Opéra in Paris on 11 March 1867. In 1883, Verdi created a revised 4-act (Milan) version, which has generally been performed and recorded in Italian. In 1886, Ricordi published a 5-act (Modena) version without the ballet with the first act added to the 4-act 1883 revision. The 1886 Modena version has been recorded in French and in Italian. Since 1973, some performances in Italian and in French have restored music cut before the Paris premiere, especially the introduction to Act 1.
This is a partial discography of Das Rheingold, the first of the four operas that comprise Der Ring des Nibelungen, by Richard Wagner.
This is a discography of Dido and Aeneas, an opera by Henry Purcell. The first known performance was at Josias Priest's girls' school in London in the spring of 1689.
This is a list of recordings of Macbeth, an opera by Giuseppe Verdi. The first performance of the work was on 14 March 1847 at the Teatro della Pergola in Florence. Verdi subsequently revised the work and the first performance of this version was on 21 April 1865 at the Théâtre Lyrique in Paris.
This is a select list of recordings of Der Rosenkavalier, a three-act opera by Richard Strauss with a German-language libretto by Hugo von Hofmannsthal. The work was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt.
The following discography for Gluck's opera Orfeo ed Euridice is mainly based on the research of Giuseppe Rossi, which appeared in the programme notes to the performance of the work at the 70th Maggio Musicale Fiorentino in 2007, under the title "Discografia – Christoph Willibald Gluck – Orfeo ed Euridice ". Rossi's data has been checked against the sources referenced in the notes.
The four operas of Richard Wagner's cycle Der Ring des Nibelungen together take about 15 hours, which makes for several records, tapes, or CDs, and much studio time. For this reason, many full Ring recordings are the result of "unofficial" recording of live performances, particularly from the Bayreuth Festival where new productions are often broadcast by German radio. Live recordings, especially those in monaural, may have very variable sound but often preserve the excitement of a performance better than a studio recording.
This is a discography of Cavalleria rusticana, an opera by Pietro Mascagni. It premiered at the Teatro Costanzi in Rome on 17 May 1890. There have been over 100 full-length recordings of Cavalleria rusticana published since it was first recorded in Germany in 1909. Mascagni himself has conducted the opera in two recordings, the best-known of which is the 1940 EMI recording made to mark the 50th anniversary of the opera's premiere. The performance by the La Scala orchestra and chorus with Lina Bruna Rasa as Santuzza and Beniamino Gigli as Turiddu also has a spoken introduction by Mascagni. Originally released as an LP, it is available on CD under several historical recording labels, including Naxos.
This is a discography of Giuseppe Verdi's last opera, Falstaff. It was first performed at La Scala, Milan, on 9 February 1893.
This is a discography of Giuseppe Verdi's penultimate opera, Otello. It was first performed at La Scala, Milan, on 5 February 1887.
This is a discography of Giuseppe Verdi's opera, Un ballo in maschera. It was first performed at the Teatro Apollo in Rome on 17 February 1859.
References
- ↑ Recordings of Les Contes d'Hoffmann on operadis-opera-discography.org.uk
- ↑ ArkivMusic. Retrieved 27 July 2014