The Three Faces of Eve | |
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Directed by | Nunnally Johnson |
Screenplay by | Nunnally Johnson |
Based on | The Three Faces of Eve: A Case of Multiple Personality by Corbett H. Thigpen Hervey M. Cleckley |
Produced by | Nunnally Johnson |
Starring | Joanne Woodward David Wayne Lee J. Cobb |
Narrated by | Alistair Cooke |
Cinematography | Stanley Cortez |
Edited by | Marjorie Fowler |
Music by | Robert Emmett Dolan |
Distributed by | 20th Century Fox |
Release dates |
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Running time | 91 minutes |
Country | United States |
Language | English |
Budget | $965,000 [2] |
Box office | $1.4 million (US rentals) [3] |
The Three Faces of Eve is a 1957 American drama film presented in CinemaScope, based on the book of the same name about the life of Chris Costner Sizemore, which was written by psychiatrists Corbett H. Thigpen and Hervey M. Cleckley, who also helped write the screenplay. [4] [5] Sizemore, referred to by Thigpen and Cleckley as Eve White, was a woman they suggested might have dissociative identity disorder (then known as multiple personality disorder). [4] [5] [6] Sizemore's identity was concealed in interviews about this film and was not revealed to the public until 1977. The film was directed by Nunnally Johnson. [7]
Joanne Woodward won the Academy Award for Best Actress, making her the first actress to win an Oscar for portraying three personalities (Eve White, Eve Black, and Jane). The Three Faces of Eve also became the first film since 1936—when Bette Davis won for Dangerous (1935)—to win the Best Actress award without getting nominated in any other category. [8]
In 1951, Eve White is a timid, self-effacing wife and mother who has severe and blinding headaches and occasional blackouts. Eve eventually goes to see psychiatrist Dr. Luther, and while having a conversation, a "new personality", the wild, fun-loving Eve Black, emerges. Eve Black knows everything about Eve White, but Eve White is unaware of Eve Black.
Eve White is sent to a hospital for observation after Eve Black is found strangling Eve White's daughter, Bonnie. When Eve White is released, her husband Ralph finds a job in another state and leaves her in a boarding house, while Bonnie stays with Eve's parents. When Ralph returns, he tells her that he doesn't believe she has multiple personalities and tries to take her to Jacksonville, Florida, with him but she feels she isn't well enough to leave, and, afraid Eve Black will try to harm Bonnie again, refuses to go. Eve Black confronts Ralph at his motel, where he realizes Eve Black is real, but allows her to convince him to take her to Jacksonville. When Eve Black goes out dancing with another man, Ralph slaps her when she returns and ends up divorcing Eve White.
Dr. Luther considers both Eve White and Eve Black to be incomplete and inadequate personalities. The film depicts Dr. Luther's attempts to understand and deal with these two faces of Eve. Under hypnosis at one session, a third personality emerges, a relatively stable woman but with no name and little memory of her past. She chooses to take the name Jane. Dr. Luther eventually prompts her to remember a traumatic event in Eve's childhood. Her grandmother had died when she was six, and according to family custom, relatives were supposed to kiss the dead person at the viewing, making it easier for them to let go. While Eve screams, her mother forces her to kiss the corpse. Apparently, Eve's terror led to the creation of different personalities.
After discovering the trauma, Jane remembers her entire past. When Dr. Luther asks to speak with Eve White and Eve Black, Jane says they are gone. Jane marries a man named Earl whom she met when she was Jane and reunites with her daughter Bonnie.
The book by Thigpen and Cleckley was rushed into publication, and the film rights were immediately sold to director Nunnally Johnson in 1957, apparently to capitalize on public interest in multiple personalities following the publication of Shirley Jackson's 1954 novel The Bird's Nest, [9] which was also made into a film in 1957 titled Lizzie .
Chris Costner Sizemore has written at some length about her experiences as the real "Eve". In her 1958 book The Final Face of Eve, she used the pseudonym Evelyn Lancaster. In her 1977 book I'm Eve, she revealed her true identity. She also wrote a follow-up book, A Mind of My Own (1989).
Critics uniformly praised Joanne Woodward's performance, but opinions of other aspects of the film were more mixed. Bosley Crowther of The New York Times wrote that Woodward played her part "with superlative flexibility and emotional power", but that "when you come right down to it, this is simply a melodramatic exercise—an exhibition of psychiatric hocus-pocus, without any indication of how or why. It makes for a fairly fetching mystery, although it is too verbose and too long." [10] Variety wrote that the film was "frequently an intriguing and provocative motion picture" and that Woodward "fulfills her assignment excellently", but believed that the comedy elements "will undoubtedly confuse many viewers who won't quite be sure what emotions are suitable". [11] Harrison's Reports called the film "a fascinating adult drama" and said that Woodward's performance was "of Academy Award caliber". [12] John McCarten of The New Yorker wrote that Woodward "does well in a role that is inevitably full of confusion", but the film "seems rather fantastic when it depicts the heroine going through her mental gyrations at top speed". [13] The Monthly Film Bulletin agreed, writing that Woodward "manages the triple role cleverly", but found that the depiction of psychiatric treatment "all looks a good deal too easy, and in spite of Alistair Cooke's introductory assurances of authenticity one is always conscious of being given the case history in capsule form". [14]
The film holds a score of 94% on the review-aggregation website Rotten Tomatoes based on 16 reviews. [15]
Award | Category | Nominee | Result | Ref. |
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Academy Awards | Best Actress | Joanne Woodward | Won | [16] |
British Academy Film Awards | Best Foreign Actress | Nominated | [17] | |
Golden Globe Awards | Best Actress in a Motion Picture – Drama | Won | [18] | |
National Board of Review Awards | Best Actress | Won | [19] |
Joanne Woodward won the Academy Award for Best Actress, and later went on to play Dr. Cornelia Wilbur in the film Sybil (1976), which was a reversal of roles for Woodward. In Sybil, she played the psychiatrist who diagnosed Sybil Dorsett (played by Sally Field, who subsequently won an Primetime Emmy Award for her portrayal) with multiple personality disorder and subsequently led her through treatment.
Joanne Gignilliat Trimmier Woodward is an American retired actress. She made her career breakthrough in the 1950s and earned esteem and respect playing complex women with a characteristic nuance and depth of character. Her accolades include an Academy Award, three Primetime Emmy Awards, a British Academy Film Award, three Golden Globe Awards, and a Screen Actors Guild Award. She is the oldest living winner of the Academy Award for Best Actress.
Kenneth Alessio Bianchi is an American serial killer, kidnapper, and rapist. He is known for the Hillside Strangler murders committed with his cousin Angelo Buono Jr. in Los Angeles, California, as well as for murdering two more women in Washington by himself. Bianchi is currently serving a sentence of life imprisonment in Washington State Penitentiary for these crimes. Bianchi was also at one time a suspect in the Alphabet murders, three unsolved murders in his home city of Rochester, New York, from 1971 to 1973. He is up for parole in 2025.
Sybil is a 1973 book by Flora Rheta Schreiber about the treatment of Sybil Dorsett for dissociative identity disorder by her psychoanalyst, Cornelia B. Wilbur.
Sybil is a 1976 two-part, 3+1⁄4-hour American made-for-television film starring Sally Field and Joanne Woodward. It is based on the book of the same name, and it was broadcast on NBC on November 14–15, 1976.
Typhoid Mary Fisk, also known as Bloody Mary and Mutant Zero, is a supervillain appearing in American comic books published by Marvel Comics. The character was initially depicted as an enemy of Daredevil suffering from dissociative identity disorder, but has also come into conflict with Spider-Man and Deadpool, ultimately marrying the crime boss the Kingpin, as his second wife.
Hervey Milton Cleckley was an American psychiatrist and pioneer in the field of psychopathy. His book, The Mask of Sanity, originally published in 1941 and revised in new editions until the 1980s, provided the first clinical description of psychopathy. He defined the term somewhat more broadly than it is understood today, as referring to somebody who behaves in a destructive manner despite lacking overt signs of psychosis or neurosis; this is reflected in the term "mask of sanity", derived from Cleckley's belief that a psychopath can appear normal and even engaging, but that the "mask" conceals a mental disorder. By the time of his death, Cleckley was better remembered for a vivid case study of a female patient, published as a book in 1956 and turned into a movie, The Three Faces of Eve, in 1957. His report of the case (re)popularized the diagnosis of multiple personality disorder in America. The concept of psychopathy continues to be influential through forming parts of the diagnosis of antisocial personality disorder, the Psychopathy Checklist, and public perception.
Crazy Jane is a fictional character, a comic book superhero appearing in publications by DC Comics. Created by writer Grant Morrison and artist Richard Case, the character first appeared in Doom Patrol #19, which was published by the DC imprint Vertigo Comics. She suffers from dissociative identity disorder as a result of childhood trauma, and each one of her 64 alternate personalities, or "alters", has a unique superhuman ability. According to the afterword in the first trade paperback collection of Morrison's run on Doom Patrol, she was based on Truddi Chase's autobiography, When Rabbit Howls, which Morrison had been reading while creating the series.
Christine Costner Sizemore was an American woman who, in the 1950s, was diagnosed with multiple personality disorder, now known as dissociative identity disorder. Her case was depicted in the 1950s book The Three Faces of Eve, written by her psychiatrists, Corbett H. Thigpen and Hervey M. Cleckley, upon which the film of the same name, starring Joanne Woodward, was based. She went public with her identity in the 1970s.
Shirley Ardell Mason was an American art teacher who was reported to have dissociative identity disorder. Her life was purportedly described, with adaptations to protect her anonymity, in 1973 in the book Sybil, subtitled The True Story of a Woman Possessed by 16 Separate Personalities. Two films of the same name were made, one released in 1976 and the other in 2007. Both the book and the films used the name Sybil Isabel Dorsett to protect Mason's identity, though the 2007 remake stated Mason's name at its conclusion.
"Christine" is a song by English rock band Siouxsie and the Banshees, written by Siouxsie Sioux and Steven Severin. It was released in 1980 by Polydor as the second single from the then-unreleased third album, Kaleidoscope. The title of said album also comes from a lyric in "Christine".
Corbett H. Thigpen was an American psychiatrist and co-author of the book The Three Faces of Eve (1957).
The 29th National Board of Review Awards were announced in late December, 1957.
Sybil is a 2007 American made-for-television drama film directed by Joseph Sargent, and written by John Pielmeier, based on the 1973 book Sybil by Flora Rheta Schreiber, which fictionalized the story of Shirley Ardell Mason, who was diagnosed with multiple personality disorder. This is the second adaptation of the book, following the Emmy Award-winning 1976 mini-series Sybil that was broadcast by NBC. The university scenes were filmed at Dalhousie University in Nova Scotia.
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The Mask of Sanity: An Attempt to Clarify Some Issues About the So-Called Psychopathic Personality is a book written by American psychiatrist Hervey M. Cleckley, first published in 1941, describing Cleckley's clinical interviews with patients in a locked institution. The text is considered to be a seminal work and the most influential clinical description of psychopathy in the twentieth century. The basic elements of psychopathy outlined by Cleckley are still relevant today. The title refers to the normal "mask" that conceals the mental disorder of the psychopathic person in Cleckley's conceptualization.
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