The Three Musketeers | |
---|---|
Directed by | Julio Saraceni |
Written by | Hugo Mac Dougall |
Based on | The Three Musketeers 1844 novel by Alexandre Dumas |
Produced by | Jaime Prades |
Starring | Armando Bo Roberto Airaldi Francisco Pablo Donadio Inda Ledesma |
Cinematography | Antonio Merayo Bob Roberts |
Music by | Juan Ehlert |
Production company | Filmadora Latinoamericana |
Release date |
|
Running time | 103 minutes |
Countries | Argentina Uruguay |
Language | Spanish |
The Three Musketeers (Spanish:Los tres mosqueteros) is a 1946 Argentine-Uruguayan historical adventure film of the classical era of Argentine cinema, directed by Julio Saraceni and starring Armando Bo, Roberto Airaldi and Francisco Pablo Donadio. It is one of a number of film adaptations of Alexandre Dumas's 1844 novel The Three Musketeers . It was part of a growing trend for co-productions in Latin American filmmaking. [1] Much of the film was shot in Montevideo.
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The Argentine University Federation is the most important student organization in Argentina.
Adiós, muchachos is a 1955 Argentine film directed by Armando Bo and written by Rafael García Ibáñez. The film starred Pola Alonso and Arturo Arcari.
Cándida is a 1939 Argentine musical film drama directed by Luis Bayon Herrera during the Golden Age of Argentine cinema. The tango film premiered in Buenos Aires, and starred Juan Carlos Thorry.
The Good Doctor is a 1939 Argentine film directed by Mario Soffici during the Golden Age of Argentine cinema. The film premiered in Buenos Aires on January 18, 1939 and starred Enrique Muiño.
Centauros del pasado is a 1944 Argentine historical biopic of the classical era of Argentine cinema, directed by Belisario García Villar, with a screenplay by Villar, Eliseo Montaine, and Roberto Talice, as based upon the original historical novel by Montaine and Talice about Pancho Ramirez, a governor of Argentina's Entre Ríos Province during the Argentine War of Independence, and founder of the Republic of Entre Ríos.
Wake Up to Life is a 1945 Argentine drama film of the classical era of Argentine cinema, directed by Mario Soffici and starring Elisa Christian Galvé, Roberto Airaldi and Francisco de Paula. de Paula won a Silver Condor award for his performance.
La Doctora Castañuelas is a 1950 Argentine musical comedy film directed by Luis Moglia Barth during the classical era of Argentine cinema.
La Muerte en las calles is a 1952 Argentine war drama film set during the British Invasions of the River Plate of 1806-1807. The script, written by Abel Santa Cruz, is based upon a 1949 novel of the same name by Manuel Gálvez.
El Hijo del crack is a 1953 Argentine sports melodrama film of the classical era of Argentine cinema, co-directed by Leopoldo Torre Nilsson and Leopoldo Torres Ríos and starring Armando Bo and Oscar Rovito. The film, a tale of a dwindling professional football star and his son was released on December 15, 1953 in Normandie cinema in Buenos Aires. The cast involved major professional football players of the time as Mario Boyé, Tucho Méndez and Ángel Labruna and journalists such as Fioravanti. It is the last film in which Leopoldo Torres Ríos and Leopoldo Torre Nilsson worked together. The 77 minute film was produced by Sociedad Independiente Filmadora Argentina (SIFA).
The Devourer is a 1946 Mexican crime drama film directed by Fernando de Fuentes and starring María Félix, Luis Aldás and Julio Villarreal. It was shot at the Azteca Studios in Mexico City. The film's sets were designed by the art director Vicente Petit. It has been classified as a film noir.
Events from the year 1944 in Argentina.
Camila Josefa Ramona Pássera was an Argentine actress acclaimed in America and Europe. She was also one of the founding members of "Asociación Argentina de Actores".
Juan Batlle Planas was an Argentine painter of Spanish origin belonging to the surrealist school, orienting in later years to romanticism. Many of his works, while obscure, were sombre in feeling, influenced by social unrest and economic and political problems in Argentina. In 1960 he was awarded the Premio Palanza de la Academia Nacional de Bellas Artes de Argentina. Batlle Planas was an influence on numerous Latin American painters, including Roberto Aizenberg. Fashion designer Dalila Puzzovio studied under him.
Gangsters Versus Cowboys is a 1948 Mexican gangster film written, directed by, and starring Juan Orol, and featuring Rosa Carmina and José Pulído. It was made as a sequel to Orol's Gangster's Kingdom. However, it has become a cult film due to its low-budget production values and idiosyncratic style.
Story of a Poor Young Man is a 1942 Argentine historical drama film directed by Luis Bayón Herrera and starring Hugo del Carril, Santiago Gómez Cou and Nélida Bilbao. It is based on the 1858 French novel of the same title by Octave Feuillet, which was later adapted again in 1968. The film's sets were designed by Juan Manuel Concado. It was released during what is considered to be the Golden Age of Argentine Cinema.
Gangster's Kingdom is a 1948 Mexican crime film written and directed by Juan Orol who also starred in the film. Like Orol's other films it was an attempt to copy the style of Hollywood films of the era.
Sanctuary (Spanish:Sagrario) is a 1933 Mexican drama film directed by Ramón Peón and starring Ramón Pereda, Adriana Lamar and Julio Villarreal.
The Desire is a 1944 Argentine drama film directed by Carlos Schlieper and starring Elsa O'Connor, Aída Luz and Roberto Airaldi. The film's sets were designed by the art director Juan Manuel Concado.
La mujer de todos is a 1946 Mexican drama film directed and co-written by Julio Bracho and starring María Félix, Armando Calvo and Gloria Lynch. It is an adaptation of the 1848 novel The Lady of the Camelias by Alexandre Dumas with the setting moved to Mexico at the beginning of the twentieth century.
Gran Hotel is a 1944 Mexican film directed and written by Miguel M. Delgado, starring Cantinflas.