The Unchastened Woman | |
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Directed by | James Young |
Written by | Douglas Z. Doty (scenario) |
Based on | The Unchastened Woman by Louis K. Anspacher |
Starring | Theda Bara Wyndham Standing Dale Fuller |
Cinematography | L. William O'Connell |
Edited by | Sam Zimbalist |
Distributed by | Chadwick Pictures |
Release date |
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Running time | 52 minutes |
Country | United States |
Language | Silent (English intertitles) |
The Unchastened Woman is a 1925 American silent drama film starring vamp Theda Bara, directed by James Young, the former husband of Clara Kimball Young, and released by start-up studio Chadwick Pictures. The film is based on a 1915 Broadway play, The Unchastened Woman, which starred Emily Stevens. [1] [2]
This was Bara's "comeback" film but turned out to be her final feature appearance and is one of her few surviving films. [3] The play was also filmed in 1918 with Grace Valentine.
As described in a film magazine review, [4] Caroline Knollys detects an intrigue between her husband Hubert and his gold digging secretary Emily Madden. Caroline goes abroad and, after her son is born, becomes a reigning belle. Eventually, she returns home, but keeps her husband in ignorance of the baby boy's birth and retires to a country estate. Hubert repents, but Caroline is obdurate. Because she has been flirting outrageously as part of her revenge, the jealous husband pays an unexpected visit to her, hoping to discover evidence to support a divorce. Instead, Caroline presents him to his son. Husband and wife are reconciled.
Prints of The Unchastened Woman are located in the Cineteca Del Friuli in Gemona del Friuli, George Eastman Museum Motion Picture Collection, and Academy Film Archive. [5]
Theda Bara was an American silent film and stage actress.
Olga Petrova was a British-American actress, screenwriter and playwright.
Ida Estelle Taylor was an American actress, singer, model, and animal rights activist. With "dark-brown, almost black hair and brown eyes," she was regarded as one of the most beautiful silent film stars of the 1920s.
A Fool There Was is an American silent drama film produced by William Fox, directed by Frank Powell, and starring Theda Bara. Released in 1915, the film was long considered controversial for such risqué intertitle cards as "Kiss me, my fool!"
Gentlemen Prefer Blondes is a 1928 American silent comedy film directed by Mal St. Clair, co-written by Anita Loos based on her 1925 novel, and released by Paramount Pictures. No copies are known to exist, and it is now considered to be a lost film. The Broadway version Gentlemen Prefer Blondes starring Carol Channing as Lorelei Lee was mounted in 1949. It was remade into the film Gentlemen Prefer Blondes with Jane Russell as Dorothy Shaw and Marilyn Monroe as Lorelei Lee in 1953.
The Devil's Daughter is a lost 1915 American silent drama film directed by Frank Powell and starring Theda Bara. Based on the 1899 play La Gioconda by Italian writer Gabriele D'Annunzio, this updated adaptation portrayed the story of vengeful woman—a "vamp"—who uses her beauty and sensuality to lure a young man to ruin, destroying both his marriage and his career as an artist. The film was produced by Fox Film Corporation and shot at the company's studio in Fort Lee, New Jersey and on location in St. Augustine, Florida.
Destruction is a 1915 American silent drama film directed by Will S. Davis and starring Theda Bara. The film is now considered to be lost. Destruction is based on the 1901 Émile Zola novel Travail ("Labor").
The College Widow is a 1927 American silent comedy film produced and distributed by Warner Bros. and directed by Archie Mayo. The film is based on the 1904 Broadway play of the same name by George Ade and was previously adapted to film in 1915 with Ethel Clayton. The 1927 silent film version is a starring vehicle for Dolores Costello.
The Caveman, also styled as The Cave Man, is a 1926 American silent comedy film produced and distributed by Warner Bros. Lewis Milestone directed the Darryl Zanuck scripted story taken from the play The Cave Man by Gelett Burgess. Matt Moore, Marie Prevost, and Hedda Hopper star. A small role is played by a young Myrna Loy, who was just starting out in her long career.
Sick Abed is a 1920 silent comedy film produced by Famous Players-Lasky and distributed by Paramount Pictures/Artcraft, an affiliate of Paramount. It was directed by Sam Wood and stars matinee idol Wallace Reid. It is based on a 1918 Broadway stage play Sick-a-bed by Ethel Watts Mumford starring Mary Boland. The spelling of the movie varies from the spelling of the play.
The Love Racket is a 1929 American early sound crime drama film produced and distributed by First National Pictures. It was directed by William A. Seiter and starred Dorothy Mackaill. It is based on a Broadway play, The Woman on the Jury by Bernard K. Burns, and is a remake of a 1924 silent film of the same name which starred Bessie Love. The film is now considered lost.
Volcano! is a 1926 American silent drama film directed by William K. Howard and starring Bebe Daniels, ricardo Cortez, and Wallace Beery. The picture was produced by Famous Players-Lasky and distributed by Paramount Pictures. It is based on a 1920 Broadway play Martinique by Laurence Eyre. It is preserved in the Library of Congress, UCLA Film and Television Archives, and The Museum of Modern Art.
Outcast is a 1928 silent film drama produced and distributed by First National Pictures. It was directed by William A. Seiter and stars Corinne Griffith, often considered one of the most beautiful women in film. This story had been filmed in 1917 as The World and the Woman with Jeanne Eagels. In 1922 a Paramount film of the same name with Elsie Ferguson reprising her stage role was released. Both films were based on a 1914 play, Outcast, by Hubert Henry Davies which starred Ferguson. The Seiter/Griffith film was an all silent with Vitaphone music and sound effects. In the sound era the story was filmed once again as The Girl from 10th Avenue starring Bette Davis. According to the Library of Congress database shows a print surviving complete at Cineteca Italiana in Milan.
Let's Get a Divorce is a 1918 American silent comedy film starring Billie Burke and written for the screen by husband and wife team John Emerson and Anita Loos. The film was produced by the Famous Players-Lasky company and distributed through Paramount Pictures.
The Woman in Room 13 is a lost 1920 American silent mystery drama film directed by Frank Lloyd and starring Pauline Frederick. It was produced and distributed by Goldwyn Pictures and is based on a Broadway play of the same name, The Woman in Room 13. The film was remade at Fox in 1932 as a talkie.
The Heart of Maryland is a lost 1915 silent film drama directed by Herbert Brenon based on David Belasco's play The Heart of Maryland. Mrs. Leslie Carter, who starred in the original play on Broadway in 1895, makes her appearance in this film as the title character.
Behind the Front is a 1926 American silent war comedy film directed by A. Edward Sutherland and starring Wallace Beery and Raymond Hatton. It was produced by Famous Players-Lasky and distributed by Paramount Pictures. The film was based on the novel The Spoils of War by Hugh Wiley.
The Blue Flame is a four-act play written by George V. Hobart and John Willard, who revised an earlier version by Leta Vance Nicholson. In 1920, producer Albert H. Woods staged the play on Broadway and on tour across the United States. Ruth Gordon, the main character, is a religious young woman who dies and is revived by her scientist fiancé as a soulless femme fatale. She seduces several men and involves them in crimes, including drug use and murder. In the final act, her death and resurrection are revealed to be a dream. The production starred Theda Bara, a popular silent film actress who was known for playing similar roles in movies.
The Lure of the Wild is a 1925 American silent dramatic thriller film directed by Frank R. Strayer and starring Alan Roscoe, Jane Novak, and Lightning the Dog. It was produced and released by Columbia Pictures.
The Unchastened Woman is a lost 1918 silent film drama directed by William J. Humphrey and starring Grace Valentine. The film was based on the 1915 play The Unchastened Woman which starred Emily Stevens on Broadway. Theda Bara appeared in a 1925 version which was her comeback film after 4 years.