The Very Best of Bucks Fizz | ||||
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Greatest hits album by | ||||
Released | 14 May 2007 | |||
Genre | Pop | |||
Label | Sony/BMG | |||
Bucks Fizz chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
The Very Best of Bucks Fizz is a compilation album of the hits of pop group Bucks Fizz. The album was released in 2007 and was coupled with a DVD of the group's Promotional Videos. This was the first time the group's videos had been available on DVD. The album reached No.40 in the UK Charts - the first time Bucks Fizz had appeared on the album charts since 1986. [2] Allmusic gave the album a favourable three and a half stars out of five, but commented on the fact that Bucks Fizz were always more successful as a singles band. [3] A review in the Nottingham Post bemoaned the fact that while Bucks Fizz are usually remembered for their Eurovision winner, their later songs were much better, naming "My Camera Never Lies", "I Hear Talk" and "New Beginning" as particularly strong. [4]
CD
DVD
Same track listing as above, but minus "One of Those Nights".
Peter John Sinfield is an English poet and songwriter. He is best known as the co-founder and former lyricist of King Crimson, whose debut album In the Court of the Crimson King is considered one of the first and most influential progressive rock albums ever released.
Bucks Fizz are a British pop group that achieved success in the 1980s, most notably for winning the 1981 Eurovision Song Contest with the song "Making Your Mind Up". The group was formed in January 1981 specifically for the contest and comprised four vocalists: Bobby G, Cheryl Baker, Mike Nolan and Jay Aston. They received attention for the dance routine which accompanied the song, in which the male members of the group ripped the female members' outer skirts off to reveal much shorter mini-skirts beneath. The group went on to have a successful career around the world, but the UK remained their biggest market, where they had three No.1 singles with "Making Your Mind Up" (1981), "The Land of Make Believe" (1981) and "My Camera Never Lies" (1982) and became one of the top-selling groups of the 1980s. They also had UK Top 10 hits with "Now Those Days Are Gone" (1982), "If You Can't Stand the Heat" (1982), "When We Were Young" (1983) and "New Beginning " (1986). Bucks Fizz have sold over 50 million records worldwide.
Bucks Fizz is the eponymous debut studio album by the British pop group Bucks Fizz. It was released on 26 July 1981, it features their Eurovision-winning song "Making Your Mind Up" as well as the two follow-up singles "Piece of the Action" and "One of Those Nights". The album was produced by Andy Hill and released on RCA Records. Bucks Fizz has been re-released twice on CD, first in 2004 with bonus tracks and as a two-disc edition in 2015.
Are You Ready is the second studio album by the British pop group Bucks Fizz. It was released on 26 April 1982 and features the UK No. 1 singles "The Land of Make Believe" and "My Camera Never Lies" as well as the follow-up "Now Those Days Are Gone". It was produced by Andy Hill and released on RCA records. It remains the group's most successful album.
Hand Cut is the third studio album by the British pop group Bucks Fizz. It was released on 1 March 1983 and features the UK top 20 hits, "If You Can't Stand the Heat" and "Run for Your Life".
I Hear Talk is the fourth studio album by the pop group Bucks Fizz. It was released in November 1984, the album featured the singles "Talking in Your Sleep", "Golden Days" and "I Hear Talk".
Writing on the Wall is the fifth and final studio album by the British pop group Bucks Fizz. It was released on 24 November 1986 and featured the comeback top ten single "New Beginning ". It was their first and only album to feature then new member Shelley Preston and their only album released on Polydor Records. Despite the album being initially unsuccessful in the charts, it was re-released twice - first in 2004 and again in 2012, both times with different track listings. It remains the group's final studio album to date.
The Ultimate Anthology is a compilation album by pop group Bucks Fizz.
"The Land of Make Believe" is a 1981 single by British band Bucks Fizz. It reached No.1 in the UK in early 1982 - the second single by the band to do so. The song was produced by Andy Hill with music by Hill and lyrics by ex-King Crimson member Peter Sinfield. Despite the apparent sugar-coated style of the song, Sinfield later claimed it was a subtle attack on Margaret Thatcher and her government's policy at the time. "The Land of Make Believe" became a big hit across Europe in early 1982, topping the charts in Netherlands, Belgium and Ireland as well as the UK. The song was later covered by pop band allSTARS* for a 2002 single release.
The Lost Masters is the name given to an album project to release unheard, rare and extended remixes of songs by the British pop group Bucks Fizz. Two albums were originally released: The Lost Masters in 2006, and The Lost Masters 2 - The Final Cut in 2008. A third single-disc volume was released in April 2012 as a double-pack which included a re-release of the group's 1986 album Writing on the Wall. Finally, The Best of The Lost Masters, a 25-track compilation was released in April 2013, which also included a number of previously unreleased mixes.
"Love the One You're With" is a song by folk rock musician Stephen Stills. It was released as the lead single from his debut self-titled studio album in November 1970. The song, inspired by a remark Stills heard from musician Billy Preston, became his biggest hit single, peaking at No. 14 on the Billboard Hot 100 in early 1971. David Crosby and Graham Nash, Stills' fellow members of Crosby, Stills & Nash, provide background vocals on the song. The song was also covered by a number of artists, notably the Isley Brothers, Bucks Fizz and Luther Vandross.
"Heart of Stone" is a song written by Andy Hill and Pete Sinfield for the band Bucks Fizz in 1988, and recorded by the band at Abbey Road Studios in London. The following year it was recorded by Cher as the title track of her album of the same name.
Andrew Gerard Hill is an English record producer and songwriter, who was involved in creating many hits during the 1980s and 1990s. He is most famous for his work with Bucks Fizz and Celine Dion.
Live at the Fairfield Hall, Croydon is a live album released in 1991 by pop group Bucks Fizz. It was their first and only release with Jet Records.
The Story So Far is a compilation album by British pop group Bucks Fizz, released in 1988. The album collects together 18 of the group's biggest hit singles spanning the years 1981 to 1988, including their three number ones.
"Run for Your Life" is a 1983 single by UK pop group Bucks Fizz. It was written by Andy Hill and Ian Bairnson and became the group's eighth consecutive top 20 hit in the UK. It featured on the group's third album Hand Cut.
"London Town" is a 1983 single by UK pop group Bucks Fizz. It was their first single not to reach the UK top 20, breaking a run of nine consecutive top 20 hits. The song was written and produced by Andy Hill.
"I Hear Talk" is a 1984 single by UK pop group Bucks Fizz, written by Andy Hill and Peter Sinfield, the team responsible for the group's biggest hit in the UK, "The Land of Make Believe". It was also produced by Hill. Released as a single in December 1984, it is the title track from the group's fourth studio album. In 2010, the song was chosen as the first single by the Original Bucks Fizz in a live jazz-style reworking.
"You and Your Heart So Blue" is a single by UK pop group Bucks Fizz. Released in June 1985, the song was written by Andy Hill and Peter Sinfield and was produced by Hill. This single was the last to feature member Jay Aston, who quit the group the same month.
"Magical" is a song written by American musician Meat Loaf and British musician John Parr, and it was released as a 1985 single by Parr as a part of his self-titled debut album. A few months later, an alternative version of the song was released in the U.K. as a single by pop group Bucks Fizz. It entered the charts by both artists in the U.S. and U.K. respectively but was not a big hit for either, although Parr's version managed to rise into the top 40 of Billboard's Mainstream Rock chart.