The War Against Mrs. Hadley | |
---|---|
Directed by | Harold S. Bucquet |
Written by | George Oppenheimer |
Produced by | Irving Asher |
Starring | Fay Bainter Edward Arnold |
Cinematography | Karl Freund |
Edited by | Elmo Veron |
Music by | David Snell |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 86 minutes |
Country | United States |
Language | English |
Budget | $307,000 [1] |
Box office | $1,357,000 [1] |
The War Against Mrs. Hadley is a 1942 American drama film directed by Harold S. Bucquet and starring Fay Bainter and Edward Arnold. The plot depicts how wealthy society matron Stella Hadley selfishly refuses to sacrifice her family or material comforts during World War II, until tragedy strikes an old rival. The script by George Oppenheimer was nominated for an Academy Award for Best Original Screenplay.
Mrs. Stella Hadley (Fay Bainter) is a wealthy society widow living in Washington, D.C. Her husband once owned a staunchly Republican newspaper, the Chronicle, but it was sold to the Winters family and the new editorial board began supporting the Democrats and President Franklin D. Roosevelt.
The film opens on December 7, 1941, [lower-alpha 1] as Mrs. Hadley celebrates her birthday with her son who drinks too much, Ted (Richard Ney); her intelligent daughter, Pat (Jean Rogers); her ditzy best friend, Mrs. Cecilia Talbot (Spring Byington); her husband's old friend, Elliott Fulton (Edward Arnold); and her doctor and best friend, Dr. Leonard V. Meecham (Miles Mander). When the party-goers learn of the attack on Pearl Harbor, Mrs. Hadley sniffly announces that war will not change her lifestyle (a decision only Dr. Meecham supports).
Ted works for Elliott Fulton, who has a high-ranking job at the War Department. He often lies about working late in order to go out drinking. Mrs. Talbot joins a women's war service organization headed by Mrs. Winters, hiding her involvement from Mrs. Hadley. Pat volunteers at an enlisted men's canteen and meets Army soldier Michael Fitzpatrick (Van Johnson). The two fall in love. When Ted is drafted, Mrs. Hadley tries to have Elliott pull strings to get him out of duty, but he declines. When she realizes that Elliott was behind the call-up, she vows never to see him again. Ted sobers up after realizing he has to go into combat. Pat and Mike decide to wed, but Mrs. Hadley refuses to bless their union and does not attend the wedding. When Mrs. Hadley discovers that Mrs. Talbot is spending time with Mrs. Winters' women's war service organization, she ends their friendship. The sniveling Dr. Meecham supports her every decision.
Mrs. Hadley's refusal to sacrifice for the war effort and her anger at her family leaves her socially and personally isolated. She becomes depressed, and worries constantly about Ted (from whom she has not heard in months).
Ted wins the Distinguished Service Cross (DSC) fighting in the Pacific. Mrs. Hadley receives a letter from Ted in which he describes his new friendship with Tony Winters, Mrs. Winters' son. The press informs Mrs. Hadley that Tony, too, will win the DSC, but posthumously. Mrs. Hadley's reserve breaks down, and she consoles Mrs. Winters. President Roosevelt sends Mrs. Hadley a hand-written note praising her son, and Pat sends Mrs. Hadley a telegram announcing she is pregnant.
Mrs. Hadley undergoes a complete change of heart. She reconciles with Mrs. Talbot, marries Elliott Fulton, turns her home into a center for war work, and decides to fly to Phoenix, Arizona, for the birth of her grandchild.
According to George Oppenheimer, who wrote the screenplay, the idea for the script came to him immediately after the attack on Pearl Harbor. But it was not until mid-March 1942 that he had worked out the story in his head. He pitched the idea the last week of March to his friend, Irving Asher, who was a producer at Metro-Goldwyn-Mayer (MGM). [3] According to Oppenheimer, Asher was "immediately enthusiastic". [4] A few days later, Louis B. Mayer held a story conference during which MGM staff read brief synopses of scripts and Mayer decided which to put into production. During the conference, Oppenheimer says, Asher contacted Mayer on the intercom and asked to address the conference. Mayer agreed, Oppenheimer and Asher presented the story, and Mayer approved the film for production. [3]
Oppenheimer wrote the script in just under seven weeks. [4] Considered a B movie because of its low budget and lack of major stars, production fell under the control of Dore Schary, then supervisor of B picture units at MGM. Irving Asher would produce. [4] Pre-production was under way in April when MGM decided to allow Irving Asher to leave the United States in June for the United Kingdom. Publicly, the studio would say he was restarting MGM's British film production unit. [5] In truth, Asher was joining Lord Mountbatten 's combat film photography unit. [6] With Asher preparing to leave, Oppenheimer says, Schary gave the screenwriter control over the production, casting, and choice of technical crew. [4] [7]
MGM said on April 14, 1942, that 25-year-old actor Robert Sterling would "star" opposite newcomer Jean Rogers in the picture. [8] MGM then announced the names of much of the rest of the major cast on April 27, saying Fay Bainter, Van Johnson, and Spring Byington would star. [9] But MGM casting director Billy Grady, eager to cast newcomer Van Johnson in the right role, approached Oppenheimer and convinced him to put Johnson in the role of the eager, love-lorn Army sergeant. Johnson made a remarkably good screen test, and Oppenheimer put him in the picture. [7]
The studio also announced on April 27 that George Oppenheimer had scripted the film, which would begin principal photography in mid May. [9] Bainter later said she was reluctant to play the part because the character of Mrs. Hadley was so unlikeable, but she felt the redemption scenes at the end gave her an opportunity for some excellent acting. [10] The studio said on April 29 that Harold Bucquet would direct the picture. [11] This was the first motion picture to come out of Hollywood depicting the home-front experience of an American family in World War II, and the directing job had been highly sought after. [12] Edward Arnold was cast on May 8, [13] and Sara Allgood on May 15. [14]
Principal photography began at the MGM studio on May 11, 1942, and concluded on June 5, 1942. [8]
In early September 1942, MGM announced that the film's world premiere would be at Loew's Capitol Theatre in Washington, D.C. A national release would follow. [15] Carter Barron, MGM's representative in the District of Columbia, organized the premiere. Tickets to the premiere were offered to those who purchased war bonds, with better seats going to those who purchased more bonds. [16]
The picture's world premiere occurred on September 27. [2] [17] Before the screening, music was provided by the Sam J. Kaufman band and orchestra, ballerina Patricia Bowman performed, and the Rhythm Rockets swing band played. [10] Fay Bainter and Edward Arnold both appeared and addressed the audience before the film. [16] [17]
The screening raised $1,822,675 in war bonds ($32,644,815 in 2022 dollars). [17] [18]
Critics had a mixed reaction to the film. Bosley Crowther called it "flat" and "undramatic" in The New York Times . [19] Andrew R. Kelley called it one of the "choicest propaganda pictures yet issued" in The Evening Star . He had extensive praise for the cast, concluding that "even the small roles [were] expertly acted" and calling "droll and subtle" the performances by Allgood, Hobbes, and Byington. However, he felt that Mrs. Hadley's moral awakening at the end seemed sudden (for which he blamed writer George Oppenheimer), and felt the picture was a bit too "leisurely" paced. [10] Film historian Hilton Tims later called The War Against Mrs. Hadley "a curious but effective item of propaganda". [20] Film historian Alex Nissen has argued that Bainter's performance was so good, she should have been nominated for a Best Actress Oscar. [21] Oppenheimer himself felt the script was the best he had ever written, but that much of the supporting cast was weak as so many actors and actresses had gone into war work or combat duty. [22]
According to MGM records, the film made $695,000 in the U.S. and Canada and $662,000 elsewhere, earning the studio a profit of $603,000. [1]
Screenwriter George Oppenheimer was nominated for an Academy Award for Best Original Screenplay. [23]
Van Johnson appeared in the picture with only minimal makeup and with his normal hair color. Although he had made several motion pictures already, this was the first time his natural good looks were not masked. He was relaxed and winsome in the role, and not only critics but fans took notice of his performance. The War Against Mrs. Hadley launched his film career. [24]
The War Against Mrs. Hadley was honored with appearances by Bainter and Arnold on September 25, 1942, on The Kate Smith Hour radio program on CBS Radio with Kate Smith. [18] [25]
The film was turned into a radio play, which aired on the one-year anniversary of the attack, December 7, 1942, on the Lux Radio Theatre on CBS. [26] It featured much of the same cast as the film, including the top stars.
Vina Fay Wray was a Canadian-American actress best known for starring as Ann Darrow in the 1933 film King Kong. Through an acting career that spanned nearly six decades, Wray attained international recognition as an actress in horror films. She has been dubbed one of the early "scream queens".
The Divorcee is a 1930 American pre-Code drama film written by Nick Grindé, John Meehan, and Zelda Sears, based on the 1929 novel Ex-Wife by Ursula Parrott. It was directed by Robert Z. Leonard, who was nominated for the Academy Award for Best Director. The film was also nominated for Best Picture, and won Best Actress for its star Norma Shearer.
The Search is a 1948 American film directed by Fred Zinnemann that tells the story of a young Auschwitz survivor and his mother who search for each other across post-World War II Europe. It stars Montgomery Clift, Ivan Jandl, Jarmila Novotná and Aline MacMahon.
Fay Okell Bainter was an American film and stage actress. She won the Academy Award for Best Supporting Actress for Jezebel (1938) and has a star on the Hollywood Walk of Fame.
White Banners is a 1938 Warner Bros. drama film directed by Edmund Goulding and starring Claude Rains, Fay Bainter, Jackie Cooper, Bonita Granville, Henry O'Neill, and Kay Johnson.
Babes on Broadway is a 1941 American musical film starring Mickey Rooney and Judy Garland and directed by Busby Berkeley, with Vincente Minnelli directing Garland's big solo numbers. The film, which features Fay Bainter and Virginia Weidler, was the third in the "Backyard Musical" series about kids who put on their own show, following Babes in Arms (1939) and Strike Up the Band (1940). Songs in the film include "Babes on Broadway" by Burton Lane (music) and E.Y. "Yip" Harburg (lyrics), and "How About You?" by Lane with lyrics by Ralph Freed, the brother of producer Arthur Freed. The movie ends with a minstrel show performed by the main cast in blackface.
Spring Dell Byington was an American actress. Her career included a seven-year run on radio and television as the star of December Bride. She was a Metro-Goldwyn-Mayer contract player who appeared in films from the 1930s to the 1960s. Byington received a nomination for an Academy Award for Best Supporting Actress for her role as Penelope Sycamore in You Can't Take It with You (1938).
Jean Rogers was an American actress who starred in serial films in the 1930s and low–budget feature films in the 1940s as a leading lady. She is best remembered for playing Dale Arden in the science-fiction serials Flash Gordon (1936) and Flash Gordon's Trip to Mars (1938).
Presenting Lily Mars is a 1943 American musical comedy film directed by Norman Taurog, produced by Joe Pasternak, starring Judy Garland and Van Heflin, and based on the novel by Booth Tarkington. The film is often cited as Garland's first film playing an adult type role. Tommy Dorsey and Bob Crosby appear with their orchestras in this Metro-Goldwyn-Mayer production.
Sarah Ellen Allgood, known as Sara Allgood, was an Irish-American actress. She first studied drama with the Irish nationalist Daughters of Ireland and was at the opening of the Irish National Theatre Society.
Mrs. Wiggs of the Cabbage Patch is a 1934 American comedy-drama film, directed by Norman Taurog, and is based on the 1904 Broadway play by Anne Crawford Flexner, which itself is taken from the novel of the same name by Alice Hegan Rice. The film stars Broadway stage actress Pauline Lord, and is one of only two films she appeared in. ZaSu Pitts and W. C. Fields appear in supporting roles.
Roxie Hart is a 1942 American comedy film directed by William A. Wellman, and starring Ginger Rogers, Adolphe Menjou and George Montgomery. A film adaptation of a 1926 play Chicago by Maurine Dallas Watkins, a journalist who found inspiration in two real-life Chicago trials she had covered for the press. The play had been adapted once prior, in a 1927 silent film. In 1975, a hit stage musical premiered, and was once more adapted as the Oscar-winning 2002 musical film.
Week-End at the Waldorf, an American comedy drama film directed by Robert Z. Leonard and starring Ginger Rogers, Lana Turner, Walter Pidgeon, and Van Johnson. It premiered in Los Angeles on 17 October 1945. The screenplay by Samuel and Bella Spewack is based on playwright Guy Bolton's stage adaptation of the 1929 Vicki Baum novel Grand Hotel, which had been filmed as Grand Hotel in 1932.
Gambler's Choice is a 1944 film directed by Frank McDonald and starring Chester Morris and Nancy Kelly.
The Shining Hour is a 1938 American romantic drama film directed by Frank Borzage, based on the 1934 play The Shining Hour by Keith Winter, and starring Joan Crawford and Margaret Sullavan. The supporting cast of the MGM film features Robert Young, Melvyn Douglas, Fay Bainter and Hattie McDaniel.
Cry 'Havoc' is a 1943 American war drama film, produced by Metro-Goldwyn-Mayer and directed by Richard Thorpe. It stars Margaret Sullavan, Ann Sothern and Joan Blondell, and features Fay Bainter, Marsha Hunt, Ella Raines, Frances Gifford, Diana Lewis, Heather Angel, Dorothy Morris and Connie Gilchrist.
Journey for Margaret is a 1942 American drama film set in London in World War II. It stars Robert Young and Laraine Day as a couple who have to deal with the loss of their unborn child due to a bombing raid. It is an adaptation of the book of the same name in which William Lindsay White and his wife described their experiences adopting an orphan in London. This is reflected in the introduction to the film, which begins: “The Margaret of this story is real... “ This was the final film of the prolific director W. S. Van Dyke.
The Heavenly Body is a 1944 American romantic comedy film directed by Alexander Hall and starring William Powell, Hedy Lamarr and James Craig. Based on a story by Jacques Théry, with a screenplay by Michael Arlen and Walter Reisch, the film is about the beautiful wife of a professional astronomer who becomes convinced that her astrologer's prediction that she will meet her true love will come true. Produced by Arthur Hornblow Jr., The Heavenly Body was released by Metro-Goldwyn-Mayer in the United States on March 23, 1944.
Thrill of a Romance is an American Technicolor romance film released by Metro-Goldwyn-Mayer in 1945, starring Van Johnson, Esther Williams and Carleton G. Young, with musical performances by Tommy Dorsey & his Orchestra and opera singer Lauritz Melchior. The film was directed by Richard Thorpe and written by Richard Connell and Gladys Lehman.
My Dear Miss Aldrich is a 1937 American comedy drama film directed by George B. Seitz and starring Maureen O'Sullivan, Walter Pidgeon, and Edna May Oliver about a young woman who inherits a New York City newspaper and decides to become a reporter rather than a publisher.