Therapy | ||||
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Studio album by | ||||
Released | 1989 | |||
Recorded | September–October 1988 | |||
Studio | Elephant Studios, Wapping, London | |||
Genre | Folk | |||
Length | 46:11 | |||
Label | Silvertone | |||
Producer | Chaim Tannenbaum, Loudon Wainwright III | |||
Loudon Wainwright III chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Robert Christgau | B+ [2] |
Therapy is a 1989 album by Loudon Wainwright III. It followed a three-year hiatus, during which Wainwright moved from England (where he had recorded his previous two albums) back to the USA. Compared with those two, Therapy was not well received, but outstanding tracks have subsequently appeared on live albums (e.g. "Thanksgiving" on Career Moves ).
All tracks composed by Loudon Wainwright III
The only single from Therapy, "T.S.D.H.A.V.", actually did have one, featuring Wainwright singing the song in an easy chair; he gets up from the chair for a moment to answer the telephone (a PLEASE STAND BY graphic appears on the screen). It still airs occasionally on VH-1 Classic.
A live version of "T.S.D.H.A.V." can be found on the b-side of Wainwright's one-off single "If Jesse Don't Like It", which was also recorded before an audience.
"I Wanna Be Adored" is a song by the British rock band the Stone Roses. It was the first track on their debut album, The Stone Roses, and was released as a single. The US release charted at number 18 on the Billboard Modern Rock chart in 1990. In 1991, the single was released in the UK, Germany and Japan featuring previously unreleased B-sides.
The Complete Stone Roses is a compilation of singles and B-sides by English rock band The Stone Roses. It was released in 1995 without the band's input by their record company Silvertone, with whom they were embroiled in a protracted legal battle to terminate their five-year contract.
Bloody Mother Fucking Asshole is a five track EP by Martha Wainwright. It was released in January 2005 through both Zoë Records and Drowned in Sound.
Loudon Wainwright III is the debut album of Loudon Wainwright III. It was released on vinyl in 1970 on Atlantic Records. Like his second effort Album II, the album is a solo acoustic effort. Though his ironic sense of humour is evident, this is an altogether bleaker and more acerbic album than most of his 1970s work.
Album II, as its title indicates, is the second album from Loudon Wainwright III. It was released in 1971 on Atlantic Records.
Album III is the third full-length album from Loudon Wainwright III. It was originally released in 1972 on Columbia Records. Album III would spawn Loudon Wainwright's most popular hit single, "Dead Skunk", one of the many 'novelty songs' sprinkled throughout Wainwright's career. Although Wainwright has maintained an ironic, sometimes sepulchral sense of humor, "Dead Skunk", despite its commercial success, has dogged him ever since, as he comments on 1985's album I'm Alright, "Were you embarrassed about 'Dead Skunk'"?
Attempted Mustache is the fourth album from Loudon Wainwright III. It was recorded in Nashville, Tennessee with producer Bob Johnston and was released in 1973 on Columbia Records.
A Live One is a live album by American singer-songwriter Loudon Wainwright III. The live performances included on the album were recorded on a tour of the British Isles in 1976 and at McCabe's in Los Angeles in 1978. It was released in 1979 on Rounder Records.
Fame and Wealth is a 1983 album by Loudon Wainwright III. It was released on Rounder Records. After a five-year hiatus since Final Exam, it eschewed the rock sound of his later 1970s albums in favour of a stripped-down, wirier folk sound which would typify his recorded output from then on.
I'm Alright is a 1985 album by Loudon Wainwright III. It was his third release on Rounder Records, recorded in London. It was produced by Richard Thompson, who also played electric lead guitar on several songs. The back cover features a photo of the two together, captioned 'Loud and Rich'.
More Love Songs is a 1986 album by Loudon Wainwright III released on Rounder Records. Wainwright had moved to England, and this was the second album produced by Richard Thompson. Critically and popularly it is probably considered the peak of his 1980s renaissance. After three albums in four years, it would be another three years before he released the largely ignored Therapy. The album was nominated for the "Best Contemporary Folk Recording" Grammy.
History is the twelfth studio album by American singer-songwriter Loudon Wainwright III, released on September 21, 1992 on Charisma Records. The album was recorded following the death of Wainwright's father, Loudon Wainwright Jr. Regarding his father's death and its influence on History, Wainwright stated that:
[the] whole record is about him and me, and his death, and the struggle with my own son - and so as far as reconciliation goes, I think when one or both of your parents dies, you realize you're in the batter's box. That's it: You're going to die. You get a taste of your own mortality, and you also are not as angry at them, at least after a while, and so maybe you do try to start to reconcile some things.
Grown Man is an album by the American singer-songwriter Loudon Wainwright III, released on October 2, 1995, on Virgin Records. The release is generally considered less stark and somewhat more humorous that its predecessor, History.
Little Ship is an album by the American singer-songwriter Loudon Wainwright III, released in 1998 on Virgin Records/Charisma Records. According to Wainwright, the album "focuses primarily on the theme of a relationship. In terms of the other records, I don't know how or why I would place it somewhere except that it's the newest."
Social Studies is a studio album by Loudon Wainwright III, released in 1999. The album comprises various topical and satirical songs, originally produced for National Public Radio and based upon then-current issues and events, such as the Tonya Harding scandal, the O. J. Simpson murder trial, the lead-up to Y2K, and controversies surrounding comments made by former Republican U.S. Senator Jesse Helms.
Last Man on Earth is the sixteenth studio album by American singer-songwriter Loudon Wainwright III, released on September 24, 2001 on Red House Records. Recorded in the wake of Wainwright's mother's death and the collapse of a romantic relationship, the album thematically addresses feelings of grief and loneliness. In 2012, Wainwright noted, "Last Man on Earth was written right after my mother died, so a lot of the material on that record has to do with that momentous event. The life circle was present on a lot of those songs."
Here Come the Choppers is a 2005 album by Loudon Wainwright III. The title track is an acerbic and blackly humorous reference to the Iraq War, reset in southern California's Miracle Mile.
"The inspectors found nothing
That’s just not right
Whole Foods and Kmart
Are targets tonight"
T Shirt is a 1976 album by Loudon Wainwright III. Unlike his earlier records, this saw Wainwright adopt a full blown rock band (Slowtrain) - though there are acoustic songs on T Shirt, including a talking blues. According to Wainwright on the 2006 CD liner notes, it received a scathing review from Rolling Stone which depressed him so much he stayed in bed for five days. By the early 1990s, he disowned the album in a radio interview broadcast in Australia. However, by the time of the CD remaster he admitted to a much more sympathetic view of the album(s), which he referred to as his 'puppies'.
Final Exam is a 1978 album by Loudon Wainwright III. It was re-released on Telarc in 2006 at the time of his European tour as a double-disk album, coupled with his 1976 album T Shirt.
Old New Borrowed Blue is the nineteenth studio album by folk rock band Fairport Convention, although for this release, they were billed as "Fairport Acoustic Convention" as it was the band's first all-acoustic album in 29 years. Part studio, part live, it was recorded to publicise a tour of the United States and consisted of cover versions, new songs and classic tracks dating back to the band's early career. Dave Mattacks, who had provided drums and electronic instrumentation for previous albums, was absent.